Introduction
Edwards the Preacher
Wilson H. Kimnach
Edwardsâ Thoughts on Preaching
Jonathan Edwards was in full agreement with his teachers respecting the exalted status of the preacher. For though his writings occasionally contain references to âearthen vesselsâ and sometimes emphasize the preacherâs humble situation as a son of Adam, it is much more common for Edwards to see the preacher as a man exalted and even transfigured by his calling. Indeed, in some of the earliest entries in his âMiscellaniesâ (nos. mm, qq, and 40) Edwards attempts to define to his own satisfaction the nature of the call, the limits and quality of a ministerâs influence in society, and the power in preaching or teaching the divine Word.
This earliest entry on the office of the preacher calls attention to the essentially aristocratic bias of Edwards, which is quite in keeping with his upbringing, while it also demonstrates his characteristic propensity to rethink every important aspect of his life âfrom the ground up,â regardless of his background and training. He may not seriously question the assumptions of his heritage, but he will insist upon a personal formulation of that heritage in his own written words.
The preacher is, then, a âchosen oneâ with a distinct charisma as a result of his call to serve Christ. He is invested with a capacity and right to instruct, lead, and judge his people; he has no pretension to civil authority, but in the all-important moral and spiritual realms he is, of all human beings, supremely authoritative. âMiscellaniesâ no. 40 contains early speculations upon the powers that would inhere in the effective preaching of the Word, specifically:
As in a daydream, the student-preacher toys with the mystery of the call, and at least by implication ponders the limits and possibilities of the role of a preacher. Could he command the people, or even the world, as a divine messenger? Obviously, there must be some immediate sign, some quality of utterance, that would in itself attest to the supernatural ordination. In this early passage Edwards is already pondering aspects of sermonic style, but characteristically he begins on the most general and profound, most philosophical level. Puritan ministers had always been urged to âpreach powerfully,â but in this meditation there are new undertones, and âpowerâ clearly relates to a divine investiture that transcends conventional sectarian sanctions. Certainly it seems that Edwards was as well fitted to study the art of preaching under the imperious Solomon Stoddardâhis grandfather and predecessor as the pastor of Northampton, Massachusettsâas any man.
Edwards did not pretend to eloquence or a fine style. Indeed, from the first he seems to have made a point of proclaiming his lack of a fine style.
This passage, from the Preface to Discourses on Various Important Subjects (1738), is characteristic of the tone of most of Edwardsâ prefaces, though the discussion is a little more explicit and fully developed. It is defensive, condemning wit and style out of hand as irrelevant to effective preaching, while also suggesting an incapacity for stylistic excellence on his own part.
Part of this may be explained by Edwardsâ cultural background that would have taught him to think of rhetoric or eloquence as a thing separable from the logical structure of an argument. Since he was consciously developing a heart-piercing manner of writing that would be as spare and efficient as an arrow, he assumed that âstyle,â being an adventitious decoration, would have to be left out. It would not have struck Edwards that that efficacious verbal expression for which he constantly strove and âstyleâ might be the same thing. Thus he really could spend much of his lifetime studying the theory and practice of language and metaphor without âpaying any attention to style.â Of course, part of the problem is also that, as in the seventeenth century, preaching styles were associated with theological positions. In Edwardsâ day many of the most eloquent preachers of the East were suspect in Edwardsâ eyes of being rationalist, Arminian, or just theologically jejune. He would therefore rather deny excellence in his carefully wrought sermons than be thoughtâperhaps even by himselfâto be a creature of wit and style. He was too serious, too full of thought, and too honest for style.
Indeed, if Edwards claimed brilliance of any kind it was the more essential and âsubstantialâ excellence of thought, and once again he saw himself as being out of tune with the times:
In the same Preface, in a sustained argument of two pages, he defends the virtue of ârealâ fine distinctions in elaborating the âmysteriesâ of religion. If, as Cotton Mather contended in Manuductio ad Ministerium (1726), his instruction manual for aspiring ministers, that reason is natural to the soul of man, then Edwards would have him test this capacity, as he would fully exercise the heart, in the quest of a valid apprehension of divine truths.
Edwards may have been inspired by the example of his father Timothy Edwards, minister of East Windsor, Connecticut, to use the utmost rigor in making convicting arguments, and Stoddard undoubtedly provided the pattern for a potent, âpsychologicalâ rhetoric for which Edwards had no name. But having a finer mind and more imagination than either Stoddard or Timothy Edwards, Edwards outperformed each at his specialty while combining elements of both their strategies. His intense interest in the mysterious power of language, however, was apparently innate.
Edwardsâ matured vision of the ideal preacher is most completely delineated in his ordination sermon on John 5:35, entitled The True Excellency of a Minister of the Gospel (1744). There, he insists that a minister must be âboth a burning and a shining lightâ; that âhis heart burn with love to Christ, and fervent desires of the advancement of his kingdom and glory,â and that âhis instructions [be] clear and plain, accommodated to the capacity of his hearers, and tending to convey light to their understandings.â This peculiar combination of head and heart, he insists, is absolutely necessary to the success of a preacher:
That both heat and light may be acquired by the aspiring preacher, Edwards urges him to be âdiligent in [his] studies,â âvery conversant with the holy Scriptures,â and âmuch in seeking God, and conversing with him by prayer, who is the fountain of light and love.â All in all, Edwardsâ ideal does not seem to be very different from that of the traditional preacher of the time, except that in the full context of the sermon and through the extensive use of light imagery, he suggests a standard of transcendent dedication and nearly mystical fervor that is rare in any age. And like Stoddard before him, Edwards cultivated a subtle personal tone in his rhetoric that, more than any stated principle, demonstrates the risk-taking commitment demanded of the good preacher.
Edwards is best known for his defenses of passionate emotion, including âhellfire,â in revival preaching. And, indeed, in Religious Affections he argues that âsuch means are to be desired, as have much of a tendency to move the affections.â Moreover, in Some Thoughts on the Revival of Religion in New England, he emphatically insists that
As for âhellfireâ preaching in particular, Edwards argues: