2.1 What Collapsed
The proximal cause of the Tractatusâs demise, what Wittgenstein first saw in 1929, is contained in two propositions:
1. There is exactly one complete analysis of a proposition [Satz]. (TLP: 3.25)
2. A sign of an elementary proposition is that no elementary proposition can contradict it. (TLP: 4.211)
We arrive at complete analysis, Wittgenstein tells us, where to go further would be to lose propositional form. There are three things it might be to lose propositional form. One might be to lose something which is liable to be true or false outright (rather than merely of something). A second (not quite the same, as we will see) would be to lose the content of something which might be true or false outright: a way for things to be, on that catholic reading which blocks questions âWhich ones?â, on which it is not a plural, for use of one or another collection of things. (I will henceforth mark this reading as âthings©â.) A third would be to move out of the realm of items whose business was to make truth beholden, even in part, to how things were. One way to view the core problem with the Tractatus is that in its picture these three things collapse into one. This, though, is to adumbrate.
Wittgensteinâs first reaction to this proximal cause of collapse was damage control. Thus, on 2. 1. 1930 he wrote,
Formerly I had two ideas about elementary propositions, of which one still appears right to me, whereas I was entirely mistaken as to the second. My first assumption was that by analysing propositions we must eventually come to ones which are an immediate combination of objects. I still hold that. Second I had the idea that elementary propositions must be independent of each other. [âŠ] I was mistaken about this, and what follows from it is certainly false. (Waismann 1984: 73)
But this idea of damage control was soon given up. It is, e. g., the whole Tractarian picture of being true that he is giving up when he presents it as an important discovery that there may be âa picture which, though correct, has no similarity with its objectâ (Wittgenstein 1958: 37).
The proximal cause of Wittgensteinâs realisation that there were âgrave difficultiesâ with the Tractatus really does point to a total collapse. This is because the idea that a proposition, or (as Frege put it) that by which truth comes into question, has a unique and complete analysis is mandated inexorably by the Tractatusâs idea of what being true is. So the (relatively) local collapse of Tractatus 3.25 is, au fond, the collapse of that same picture. But to see this we must first set out what this picture is. Here, then, the top of the garden path (in logical, not bibliographical, order):
There must be something identical in the picture and what it depicts by which the one can so much as be a picture of the other at all. (TLP: 2.161)
What every picture, of whatever form, must have in common with reality in order to be able to depict it at all â correctly or falsely â is [its] logical form, that is, the form of reality. (TLP: 2.18)
So there is a form, or structure, of a sort to which both a picture (a Bild or Abbildung) and what it pictures in some way or other are both susceptible, and which they must share for the picture to picture the depicted as anything at all. It is thus a form for a picture, or picturing, to take, and also for reality (the way things are) to take. The way things are has a logical form. Our feet are now firmly on the path which is soon to give out under them.
This hypothesised common element is needed in order to allow for this:
That the elements of the picture relate to each other in a given way represents things as so relating. This connection of the elements of the picture is called its structure [âŠ]. (TLP: 2.15)
The form of a representation is the possibility that the things relate to each other as do the elements of the picture. (TLP: 2.151)
So a picture represents by a sort of correspondence between its elements and the elements of what it represents as being as it does, namely, things (Sachen). Things here are thus things©: the question âWhich ones?â is blocked. And the common form â what is shared by picture and things â consists in elements in each which can stand in the same relations to one another, so that it is at least intelligible for the pictureâs elements to present the elements in what is pictured (things) so to relate, so that:
The picture agrees with reality or not; it is correct or incorrect, true or false. (TLP: 2.21)
So that being true can consist in such agreement. It can consist in reality resembling the picture in the way just described.
It is by now clear why 3.25, the idea that every proposition has a unique and complete analysis, is mandatory on the Tractatusâs account of what being true is. As Aristotle pointed out, representing truly is representing things as they are, representing falsely representing things as they are not. So for something to be in the business of being true or false at all is for it to represent things (Sachen, Wirklichkeit) as being some given way where this is (or is at least liable to be) a way things are, or, at worst, a way things are not. But now, if something is in the business of being true (or false), there must then be an answer to the question when things would be as it represents them, when not. So if truth consists in an agreement in structure between representer (or representation) and that which is thus represented as being something, then wherever there is something in the business of being true (or false) there must be an answer to the question just what structure (of the relevant sort) must be in things (the Abgebildete) if that something is to be true. And on the Tractatusâs account, as above, that answer can only be provided by identifying that structure in the representer which must be matched in reality if there is to be truth. To identify such a structure would be to provide a unique and complete analysis. So providing that much is mandatory if there is to be a truth-bearer at all.
It is in a way surprising that Wittgenstein should have thought such a thing by, say, 1918 or 1920. Certainly the handwriting was already on the wall. Perhaps, though, Russellâs influence is at play here (even though the picture just sketched was not Russellâs). In 1902 â 1904 Russell corresponded with Frege on a variety of topics, among which Fregeâs ideas Sinn and Bedeutung, Gedanke. Two things (among others) stand out in that correspondence. The first is that Russell genuinely had no understanding of those ideas. And this is because he could not distinguish what Frege identifies as the logical from the psychological. And the second is that he agrees with the Tractatusâs picture just sketched to this extent: that he cannot see anything like a categorial distinction between the sorts of things liable to be constituents of a picture (Abbildung or Bild) which pictures, and the ...