
- 108 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Splinters Are Children of Wood
About this book
The wildly unrestrained poems in Splinters Are Children of Wood, Leia Penina Wilson's second collection and winner of the Ernest Sandeen Prize in Poetry, pose an increasingly desperate question about what it means to be a girl, the ways girls are shaped by the world, as well as the role myth plays in this coming of age quest. Wilson, an afakasi Samoan poet, divides the book into three sections, linking the poems in each section by titles. In this way the poems act as a continuous song, an ode, or a lament revivifying a narrative that refuses to adopt a storyline.
Samoan myths and Western stories punctuate this volume in a search to reconcile identity and education. The lyrical declaration is at once an admiration of love and self-loathing. She kills herself. Resurrects herself. Kills herself again. She is also killed by the world. Resurrected. Killed again. These poems map displacement, discontent, and an increasing suspicion of the world itself, or the ways people learn the world. Drawing on the work of Bhanu Kapil, Anne Waldman, Alice Notley, and Mei-mei Berssenbrugge, Wilson's poems reveal familiarity and strangeness, invocation and accusation. Both ritual and ruination, the poems return again and again to desire, myth, the sacred, and body
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Information
AM I THE WORLD OR THE GURL
WE CRAVE THE WORLD THE GURL WE CARVE I
WE CARVE TENDERNESS
WE CARVE WITHOUT NICETIES HISTORICAL ACCURACY
WE CARVE FROM WHAT WE KNOW THE REAL LESSON BELIEVE
Table of contents
- Half Title
- The Ernest Sandeen Prize in Poetry
- Title Page
- Copyright
- Dedication
- Contents
- Am i the World or the Gurl
- I Appear Seeking Revenge for the Destruction of those Children
- You must Always Feed from the Bodies
- End Notes & Debts (of Love)