The Wonderful Garden

or, The Three C.'s

E. Nesbit, H. R. Millar

• Publisher: Read & Co. Children's
• Year: 2019
• Print ISBN: 9781528713122
• eBook ISBN: 9781528787628

While their parents are away in India, Caroline, Charlotte and Charles are left with their great uncle Charles. Looking for entertainment, they come across an old book entitled "The Language of Flowers", which seems to contain a variety of magical spells. The trio waste no time in trying to perform these invocations, which may or may not have been the cause of the decidedly queer things that happen next. Edith Nesbit's 1911 "The Wonderful Garden" is a fantastic example of children's literature that would make for perfect bedtime reading and is not to be missed by fans and collectors of her seminal literature. Contents include: "The Beginning", "The Manor House", "The Wonderful Garden", "In Thessalonians", "The Midnight Adventure", "Hunted", "Being Detectives", "The Heroine", "The Morning After", "Brewing the Spell", "The Rosicrucians", "The Other Books", "The Rosy Cure", "The Mineral Woman", "Justice", "The Appeal to Caesar", "The Le-O-Pard", "The Leopard's-Bane", etc. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

CHAPTER I

THE BEGINNING

It was Caroline’s birthday, and she had had some very pleasant presents. There was a blotting-book of blue leather (at least, it looked like leather), with pink and purple roses painted on it, from her younger sister Charlotte; and a paint-box—from her brother Charles—as good as new.

‘I’ve hardly used it at all,’ he said, ‘and it’s much nicer than anything I could have bought you with my own money, and I’ve wiped all the paints clean.’

‘It’s lovely,’ said Caroline; ‘and the beautiful brushes, too!’

‘Real fitch,’ said Charles proudly. ‘They’ve got points like needles.’

‘Just like,’ said Caroline, putting them one after the other into her mouth, and then holding them up to the light.

Besides the paint-box and the blotting-book, a tin-lined case had come from India, with a set of carved chess-men from father, and from mother some red and blue scarves, and, most glorious of imaginable gifts, a leopard-skin.

‘They will brighten the play-room a little,’ said mother in her letter. And they did.

Aunt Emmeline had given a copy of Sesame and Lilies, which is supposed to be good for girls, though a little difficult when you are only twelve; and Uncle Percival had presented a grey leather pocket-book and an olive-wood paper-knife with ‘Sorrento’ on the handle. The cook and housemaid had given needle-book and pin-cushion; and Miss Peckitt, the little dressmaker who came to the house to make the girls’ dresses, brought a small, thin book bound in red, with little hard raised spots like pin-heads all over it, and hoped Miss Caroline would be kind enough to accept.

‘The book,’ said Miss Peckitt, ‘was mine when a child, and my dear mother also, as a young girl, was partial to it. Please accept it, Miss, with my humble best wishes.’

‘Thanks most awfully,’ said Caroline, embracing her.

‘Thank you,’ said Miss Peckitt, straightening her collar after the sudden kiss. ‘Quite welcome, though unexpected; I had a bit of southernwood given to me this morning, which, you will find in the book, means a surprise.’

And it did, for the book was The Language of Flowers. And really that book was the beginning of this story, or, at least, if it wasn’t that book, it was the other book. But that comes later.

‘It’s ripping,’ said Caroline. ‘I do like it being red.’

The last present was a very large bunch of marigolds and a halfpenny birthday-card, with a gold anchor and pink clasped hands on it, from the boy who did the boots and knives.

‘We’ll decorate our room,’ said Charlotte, ‘in honour of your birthday, Caro. We’ve got lots of coloured things, and I’ll borrow cook’s Sunday scarf. It’s pink and purple shot silk—a perfect dream! I’ll fly!’

She flew; and on her return they decorated their room.

You will perhaps wonder why they were so anxious to decorate their room with coloured things. It was because the house they lived in had so little colour in it that it was more like a print of a house in a book—all black and white and grey, you know—than like a house for real people to live in. It was a pale, neat, chilly house. There was, for instance, white straw matting on the floors instead of warm, coloured carpets; and on the stairs a sort of pale grey cocoa-nut matting. The window curtains were of soft cotton, and were palely lavender; they had no damask richness, no gay flowery patterns. The walls were not papered, but distempered in clean pale tints, and the general effect was rather like that of a very superior private hospital. The fact that the floors were washed every week with Sanitas gave a pleasing wood-yard scent. There were no coloured pictures in the house—only brown copies of great paintings by Raphael and Velazquez and people like that.

The Stanmore children lived here because their father and mother were in India and their other relations in New Zealand—all except old Uncle Charles, who was their mother’s uncle and who had quarrelled with, or been quarrelled with by, their father and mother in bygone years.

The owners of the house, whose name was Sandal, were relations of some sort—cousins, perhaps. Though they were called Uncle Percival and Aunt Emmeline they were not really those relations.

There was one thing about this so-called aunt and uncle—they were never cross and seldom unjust. Their natures seemed to be pale and calm like the colours of their house; and though the children had meat every day for dinner, Mr. and Miss Sandal never had anything but vegetables, and vegetables are said to be calming.

Now India is a highly-coloured country, as you may have noticed in pictures, and the Stanmore children felt faded in that grey house. And that is why they loved colour so much, and made so much fuss about the leopard-skin and the Indian embroideries and the marigold flowers and the little old red book and the wreath of gold forget-me-nots outside it encircling the words Language of Flowers.

‘When Aunt Emmeline sees how beautiful it is she’ll want to have the whole house scarved and leoparded, I shouldn’t wonder,’ said Charlotte, hanging the pink scarf over a picture of a blind girl sitting on an orange, which is called ‘Hope.’

‘I don’t suppose so,’ said Caroline. ‘I asked her once what old Uncle Charles’s house was like, that mother said was so beautiful, and she said it was far too full of things, and somewhat imperfectly ventilated.’

‘It’s a pity Uncle Charles was quarrelled with, I think,’ said Charlotte. ‘I shouldn’t at all have minded going to stay with him. I expect really he likes nice little girls. I wonder what the row was all about, and why they didn’t all kiss and be friends before the sun went down upon—like we’re told to?’

I cannot tell you what the row was about, for I know no more than you do, or than Charlotte did. And you must have noticed that grown-up people’s...

Table of contents

• E. Nesbit
• CHAPTER I
• CHAPTER II
• CHAPTER III
• CHAPTER IV
• CHAPTER V
• CHAPTER VI
• CHAPTER VII
• CHAPTER VIII
• CHAPTER IX
• CHAPTER X
• CHAPTER XI
• CHAPTER XII
• CHAPTER XIII
• CHAPTER XIV
• CHAPTER XV
• CHAPTER XVI
• CHAPTER XVII
• CHAPTER XVIII
• CHAPTER XIX
• CHAPTER XX
• CHAPTER XXI
• CHAPTER XXII
• CHAPTER XXIII