IT WAS WEDNESDAY, December 2, 2009, and I was teaching Greek 101 to a group of undergrad students at Wheaton College. My phone rang. While I typically do not keep my phone on while I teach, this time was different. My wife was nine months pregnant with our first, and she was ready to pop. āI think itās happening!ā she exclaimed. I darted off, picked her up, and drove to the hospital in record time. Fast-forward twelve hours, and it was game time. My wife and I had taken a Lamaze class together and had heard countless stories from our friends, but nothing prepared us for the real thing. It was three in the morning, and I was about to meet Judah Benjamin for the first time.
His hair was dark brown, and his baby skin was tan. He had his motherās dark brown eyes, but there was no doubt about itāhe was my son. Growing up, we look up to our parents to determine our resemblances. But when we have children, we look down. For the first time in my life, someone was in my āimageā and ālikenessā at some level.
For us to understand what it means to be part of the people of God, we must begin with the creation of Adam and Eve in the divine image. This project begins with the creation of the cosmos and humanityās role within it. The task before us in this chapter is straightforward: sketch the nature of Adam and Eveās being created in the divine image and how the first couple relates to God and the world around them. What does it mean that Adam and Eve are in Godās likeness, and what are his expectations for them? As we will discover below, humanity is fashioned to dwell in Godās presence and tasked with the responsibility to bring his glory to the ends of the earth.
THE COSMOS AS GODāS TEMPLE
A careful reading of Genesis 1ā2 reveals God creating a vast cosmic temple, wherein he dwells and sovereignly rules. Parallels between the creation account in Genesis 1ā2 and the construction of the tabernacle in the book of Exodus are many, and several scholars argue that God is indeed fashioning a cosmic temple in Genesis 1ā2.1 Elsewhere in the Old Testament, the cosmos is compared to Israelās temple:
He built his sanctuary like the heights,
like the earth that he established forever. (Psalm 78:69;
cf. 1 Chronicles 28:2; Isaiah 66:1-2)
Moshe Weinfeld, for example, astutely juxtaposes God creating the cosmos and Moses establishing the tabernacle, as shown in table 1.1.2
The parallels between these two accounts are difficult to ignore, especially when we consider them in light of the Pentateuchās unity. Exodus is meant to be read in light of Genesis 1ā3.
Even the layout of Israelās temple symbolically depicts the order of the cosmos. The outer courtyard of the temple contained the washbasin and the altar, symbolizing the sea and the land (1 Kings 7:23-25; Ezekiel 43:14-16). Moving a step closer to Godās presence, the second section of the temple, or the holy place, symbolized the visible heavens and was lined with gold, containing the altar of incense (1 Kings 6:20), the bread of the Presence resting on a table (1 Kings 7:48), and ten lampstands fashioned out of gold (1 Kings 7:49). The final and most sacred section of the temple was the holy of holies, which symbolized the invisible heavens, where God dwells. This partition, separated by an embroidered curtain, was also lined with gold and housed the ark of the covenant. Above the ark, two cherubim faced one another, symbolizing the throne of God in heaven, which is also surrounded by cherubim (Psalm 80:1; 99:1; cf. Isaiah 6). In summary, the connections between the cosmos and Israelās temple are overwhelming. Michael Morales rightly concludes, āThe cosmos was understood as a large temple and the temple as a small cosmos.ā3
GENESIS 1ā2 | EXODUS 39ā40 |
āGod saw all that he had made, and it was very good.ā (Genesis 1:31) | āMoses inspected the work and saw that they had done it just as the LORD had commanded.ā (Exodus 39:43) |
āThus the heavens and the earth were completed in all their vast array.ā (Genesis 2:1) | āSo all the work on the tabernacle, the tent of meeting, was completed.ā (Exodus 39:32) |
āBy the seventh day God had finished the work he had been doing.ā (Genesis 2:2) | āAnd so Moses finished the work.ā (Exodus 40:33) |
āThen God blessed the seventh day.ā (Genesis 2:3) | āSo Moses blessed them.ā (Exodus 39:43) |
āThen God . . . made it holy.ā (Genesis 2:3) | āAnoint the tabernacle and everything in it; consecrate it and all its furnishings.ā (Exodus 40:9) |
Israelās tabernacle and temple are just models of something greaterāthe entire cosmos. The earthly temple corresponds to something greaterāthe cosmic temple over which God rules. As an illustration, my kids and I enjoy playing with Legos, and one of our favorite sets is the Millennium Falcon. This thousand-piece set includes all sorts of details that are found in the Star Wars films, even a detailed hyperdrive system! Not for a second, though, do my kids and I believe that the Lego set is the real Millennium Falcon. Itās just a model.
Another important detail found in Genesis 1 is the creation of lights. On day one, God creates light (Genesis 1:3), whereas on day four God fills the heavens with lights: āAnd God said, āLet there be lights in the vault of the sky to separate the day from the nightā ā (Genesis 1:14). The word ālightsā here in the creation narrative is noteworthy, as the same term is applied to the lampstand in Israelās tabernacle: āthe lampstand that is for light with its accessories, lamps and oil for the lightā (Exodus 35:14; cf. Exodus 39:37; Numbers 4:9). The lampstand in the tabernacle and Israelās temple illuminated the holy place, symbolizing Godās presence among his people. The lights strewn about the cosmos function as cultic luminaries that burn brightly throughout Godās cosmic temple. In this vein, the seven lights affixed to the lampstand in Israelās temple probably symbolized the seven lights of the visible sky (sun, moon, and five planets).4 These lights āmark sacred times, and days and yearsā (Genesis 1:14). Creation follows a fixed calendar that calls to mind Godās purpose in creating all things. That is, the lights set the rhythm of the created order, so that all of creation may be oriented toward God and reminded to worship him.5
When God finished creating the cosmos, he rested from the creative process, but this resting is unlike our modern conception of rest. I often associate resting with watching football with my kids on Sunday afternoons, but resting in the Old Testament is quite different. God resting after six days entails his climactic enthronement as King over the cosmos (Genesis 2:2; cf. 2 Chronicles 6:41; Isaiah 66:1). Perhaps an illustration would help here. One of my favorite hobbies is woodworking on the weekends. I enjoy working with woodāmeasuring (twice!), cutting, sanding, and finishing. Some time ago, I built a table for our dining room. To use the language of Genesis 1, in six days I created the table, and on the seventh day, I ārested,ā when I moved the table inside my house and dined on it. God resting on the Sabbath occurs when he executes his sovereign rule over his creation.
So why did God graciously construct a cosmic temple? Why does the creation of the cosmos parallel the construction of the tabernacle? Simply put, God built a cosmic house to occupy. Much like an individual constructing a large estate on a plot of land, where the owner desires to move in and manage the property, God desires to rule the created order and fill it with his resplendent presence. Quite simply, the universe is designed to house the veritable glory of God.
EDEN AS A TEMPLE
An additional detail we glean from Genesis 1ā2 is the depiction of Eden as a sanctuary resting on a mountain. Though God dwells in all his fullness in the invisible heavens, his presence has partially descended in the Garden of Eden. Just as Israelās temple comprises three tiers, so also does the earth.
Eden is the center of Godās activity on the earth, where God dwells and gives Adam and Eve his law and instructs them how they are to honor him. Much like Sinai, Eden ought to be understood as a mountain that houses Godās glory. Genesis 2:10-14 adds several seemingly odd details about the flow of water: āA river watering the garden flowed from Eden; from there it was separated into four headwaters. The name of the first is the Pishon. . . . The name of the second river is the Gihon. . . . The name of the third river is the Tigris. . . . And the fourth river is the Euphrates.ā
Living in the South, we deal with severe storms and heavy rains on a regular basis. Without fail, water pools at the bottom of my front yard, and I suddenly find myself owning waterfront property! Water only flows in a downward direction. So one aspect of these seemingly incidental details about flowing water in Genesis 2:10-14 is that Eden is situated on a mountain. Mountains in the Old Testament and the ancient world are often associated with the presence of a deity (e.g., Isaiah 2:2; 65:9; Micah 4:1-4).
In Genesis 3:8, the bit about Godās āwalkingā in the garden is akin to Godās walking in Israelās midst in Leviticus 26:12, a clear reference to the tabernacle (cf. Deuteronomy 23:14). The prophet Ezekiel even calls Eden āthe garden of God . . . the holy mount of Godā (Ezekiel 28:13-14). Two trees stand in the middle of the gardenāthe tree of life and the tree of the knowledge of good and evil (Genesis 2:9). Partaking of the tree of life appears to have sustained Adam and Eveās existence. Meanwhile, the tree of the knowledge of good and evil may have been the place of judgment where Adam and Eve were to act on behalf of God and judge all unclean things, casting them out of the garden.6
The point is clear enough. Adam and Eve enjoyed Godās presence in Eden. The closer the couple remained toward the center of the created order, the nearer they were to God and his life-giving presence. Godās glory is at the center of the created order. His glory sustains and nourishes all living things. This insight about Eden being the holy of holies on the earth demonstrates two important points: God ultimately wants to dwell with the created order in all his fullness, and Adam and Eve will play a critical role in accomplishing that goal.
THE CREATION O...