eBook - ePub
The Children (NHB Modern Plays)
Lucy Kirkwood
This is a test
Buch teilen
- 96 Seiten
- English
- ePUB (handyfreundlich)
- Ăber iOS und Android verfĂŒgbar
eBook - ePub
The Children (NHB Modern Plays)
Lucy Kirkwood
Angaben zum Buch
Buchvorschau
Inhaltsverzeichnis
Quellenangaben
Ăber dieses Buch
'Retired people are like nuclear power stations. They like to live by the sea.'
Two ageing nuclear scientists in an isolated cottage on the coast, as the world around them crumbles. Then an old friend arrives with a frightening request.
Lucy Kirkwood's play The Children premiered at the Royal Court, London, in the Jerwood Theatre Downstairs on 17 November 2016, in a production directed by James Macdonald.
HĂ€ufig gestellte Fragen
Wie kann ich mein Abo kĂŒndigen?
Gehe einfach zum Kontobereich in den Einstellungen und klicke auf âAbo kĂŒndigenâ â ganz einfach. Nachdem du gekĂŒndigt hast, bleibt deine Mitgliedschaft fĂŒr den verbleibenden Abozeitraum, den du bereits bezahlt hast, aktiv. Mehr Informationen hier.
(Wie) Kann ich BĂŒcher herunterladen?
Derzeit stehen all unsere auf MobilgerĂ€te reagierenden ePub-BĂŒcher zum Download ĂŒber die App zur VerfĂŒgung. Die meisten unserer PDFs stehen ebenfalls zum Download bereit; wir arbeiten daran, auch die ĂŒbrigen PDFs zum Download anzubieten, bei denen dies aktuell noch nicht möglich ist. Weitere Informationen hier.
Welcher Unterschied besteht bei den Preisen zwischen den AboplÀnen?
Mit beiden AboplÀnen erhÀltst du vollen Zugang zur Bibliothek und allen Funktionen von Perlego. Die einzigen Unterschiede bestehen im Preis und dem Abozeitraum: Mit dem Jahresabo sparst du auf 12 Monate gerechnet im Vergleich zum Monatsabo rund 30 %.
Was ist Perlego?
Wir sind ein Online-Abodienst fĂŒr LehrbĂŒcher, bei dem du fĂŒr weniger als den Preis eines einzelnen Buches pro Monat Zugang zu einer ganzen Online-Bibliothek erhĂ€ltst. Mit ĂŒber 1 Million BĂŒchern zu ĂŒber 1.000 verschiedenen Themen haben wir bestimmt alles, was du brauchst! Weitere Informationen hier.
UnterstĂŒtzt Perlego Text-zu-Sprache?
Achte auf das Symbol zum Vorlesen in deinem nÀchsten Buch, um zu sehen, ob du es dir auch anhören kannst. Bei diesem Tool wird dir Text laut vorgelesen, wobei der Text beim Vorlesen auch grafisch hervorgehoben wird. Du kannst das Vorlesen jederzeit anhalten, beschleunigen und verlangsamen. Weitere Informationen hier.
Ist The Children (NHB Modern Plays) als Online-PDF/ePub verfĂŒgbar?
Ja, du hast Zugang zu The Children (NHB Modern Plays) von Lucy Kirkwood im PDF- und/oder ePub-Format sowie zu anderen beliebten BĂŒchern aus Literature & British Drama. Aus unserem Katalog stehen dir ĂŒber 1Â Million BĂŒcher zur VerfĂŒgung.
Information
Thema
LiteratureThema
British DramaROSE. How are the children?
HAZEL (off).What? Oh, the â theyâre fine, theyâre â just keep holding it Rose! At the bridge. Are you doing it?
ROSE. Yes.
HAZEL enters with a towel.
HAZEL. And put your head down!
ROSE puts her head down.
Here.
HAZEL clamps the towel over ROSEâs nose. ROSE holds it there.
Iâm so sorry, Rose, it isnât broken is it? Itâs not swollen anyway.
ROSE. Itâs fine.
HAZEL. No Iâm mortified. I donât know what â can I, sorry, let me just, I wonât hurt you.
HAZEL lifts ROSEâs chin.
She gently wipes the blood from her nose and chin.
ROSE watches her.
She gently wipes the blood from her nose and chin.
ROSE watches her.
Look at your lovely top. Would you like me to put it in to soak?
ROSE. No, / thatâs
HAZEL. Please let me, you can borrow / something
ROSE. No, I donât care, I hate it. It doesnât suit me any more. Honestly, Iâll throw it away.
HAZEL. Oh you canât! Because of this? But I can get that out, no problem, I have a special, itâs a stick, for oil-based products.
ROSE. Oil-based?
HAZEL. You know, blood, butter. All dairy really. Suncream. Semen.
ROSE. Thatâs a big problem you have is it?
HAZEL. Well, when the boys were younger.
ROSE. You have boys?
HAZEL. Very young / I mean, not
ROSE. How many do you have?
HAZEL. What?
ROSE. How many / children?
HAZEL. Please let me wash it. It wouldnât take me ten minutes.
ROSE. Itâs fine, it doesnât
HAZEL. No but, I feel terrible, I donât know why I got so frightened, just / I thought I was alone
ROSE. I should have knocked.
HAZEL. I wasnât expecting anyone, weâre so isolated here / so I just
ROSE. I did call out. The door was on the latch.
HAZEL. It isnât your fault. Iâve been on pins all day. And normally you hear the tyres, on the gravel so
ROSE. The taxi dropped me at the top / of the drive.
HAZEL. It isnât your fault it was just feeling you come up behind me, I sort of, I panicked.
ROSE. Fight or flight.
HAZEL. And also, (yes I spose) no but and also Rose, when I saw you standing there, Rose donât take this the wrong / way but
ROSE. Itâs fine, Hazel.
HAZEL. But we heard youâd died!
ROSE. Ah.
HAZEL. Yes so it was a bit of a shock.
,
Lovely youâre not of course.
They laugh. HAZEL takes off the apron she is wearing, shuts the door.
Sorry, letâs â start again! So good to see you. Is it stopping?
ROSE takes the towel away from her face.
ROSE. Yes, I think so.
HAZEL. Good, thatâs good. Sorry, what were you saying?
ROSE. Oh. How many children do you have?
HAZEL. Right yes, after Lauren you mean?
ROSE. Yes.
HAZEL. Th...