Flush

Virginia Woolf

• Verlag: Mariner Books
• Jahr: 1976
• ISBN:
  9780547539645
• Thema: Literature
• Thema: Literary Biographies

The story of Elizabeth Barrett Browning's cocker spaniel—by Virginia Woolf, who has "made him a real and vivid personality... in her most delightful style" ( Kirkus Reviews ). Wanting to "ease [her] brain" after writing The Waves, Virginia Woolf turned to the correspondence between poets Robert and Elizabeth Barrett Browning—and found in their love letters an unexpected inspiration in their shared joy and affection for Flush, their cocker spaniel. As she put it, "the figure of their dog made me laugh so I couldn't resist making him a Life." Here Flush tells his story as well as the love story of Robert Browning and his wife, complete with horrid maids, bullying fellow dogs, mysterious illnesses, and clandestine romance. Along the way, plenty of other topics are explored, including the barriers between man and animal, the miseries of London, and the oppression of women by "father and tyrants." Imbued with Woolf's philosophical views about the repressive Victorian mindset, Flus h is a unique and imaginative story of a dog, of what it means to love—spiritually, emotionally, and unconditionally—and of what it means to human. A unique literary treat, it is "a brilliant biographical tour de force" ( The New York Times ) and "a canine classic" ( The Guardian ).

CHAPTER FIVE

Italy

HOURS, days, weeks, it seemed of darkness and rattling; of sudden lights; and then long tunnels of gloom; of being flung this way and that; of being hastily lifted into the light and seeing Miss Barrett’s face close, and thin trees and lines and rails and high light-specked houses—for it was the barbarous custom of railways in those days to make dogs travel in boxes—followed. Yet Flush was not afraid; they were escaping; they were leaving tyrants and dog-stealers behind them. Rattle, grind; grind, rattle as much as you like, he murmured, as the train flung him this way and that; only let us leave Wimpole Street and Whitechapel behind us. At last the light broadened; the rattling stopped. He heard birds singing and the sigh of trees in the wind. Or was it the rush of water? Opening his eyes at last, shaking his coat at last, he saw—the most astonishing sight conceivable. There was Miss Barrett on a rock in the midst of rushing waters. Trees bent over her; the river raced round her. She must be in peril. With one bound Flush splashed through the stream and reached her. “. . . he is baptized in Petrarch’s name,” said Miss Barrett as he clambered up on to the rock by her side. For they were at Vaucluse; she had perched herself upon a stone in the middle of Petrarch’s fountain.

Then there was more rattling and more grinding; and then again he was stood down on a stable floor; the darkness opened; light poured over him; he found himself alive, awake, bewildered, standing on reddish tiles in a vast bare room flooded with sunshine. He ran hither and thither smelling and touching. There was no carpet and no fireplace. There were no sofas, no armchairs, no bookcases, no busts. Pungent and unfamiliar smells tickled his nostrils and made him sneeze. The light, infinitely sharp and clear, dazzled his eyes. He had never been in a room—if this were indeed a room—that was so hard, so bright, so big, so empty. Miss Barrett looked smaller than ever sitting on a chair by a table in the midst. Then Wilson took him out of doors. He found himself almost blinded, first by the sun, then by the shadow. One-half of the street was burning hot; the other bitterly cold. Women went by wrapped in furs, yet they carried parasols to shade their heads. And the street was dry as bone. Though it was now the middle of November there was neither mud nor puddle to wet his paws or clot their feathers. There were no areas and no railings. There was none of that heady confusion of smells that made a walk down Wimpole Street or Oxford Street so distracting. On the other hand, the strange new smells that came from sharp stone corners, from dry yellow walls, were extraordinarily pungent and queer. Then from behind a black swinging curtain came an astonishing sweet smell, wafted in clouds; he stopped, his paws raised, to savour it; he made to follow it inside; he pushed in beneath the curtain. He had one glimpse of a booming light-sprinkled hall, very high and hollow; and then Wilson with a cry of horror, jerked him smartly back. They went on down the street again. The noise of the street was deafening. Everybody seemed to be shouting shrilly at the same moment. Instead of the solid and soporific hum of London there was a rattling and a crying, a jingling and a shouting, a cracking of whips and a jangling of bells. Flush leapt and jumped this way and that, and so did Wilson. They were forced on and off the pavement twenty times, to avoid a cart, a bullock, a troop of soldiers, a drove of goats. He felt younger, spryer than he had done these many years. Dazzled, yet exhilarated, he sank on the reddish tiles and slept more soundly than he had ever slept in the back bedroom at Wimpole Street upon pillows.

But soon Flush became aware of the more profound differences that distinguish Pisa—it was in Pisa that they were now settled—from London. The dogs were different. In London he could scarcely trot round to the pillar-box without meeting some pug dog, retriever, bulldog, mastiff, collie, Newfoundland, St. Bernard, fox terrier or one of the seven famous families of the Spaniel tribe. To each he gave a different name, and to each a different rank. But here in Pisa, though dogs abounded, there were no ranks; all—could it be possible?—were mongrels. As far as he could see, they were dogs merely—grey dogs, yellow dogs, brindled dogs, spotted dogs; but it was impossible to detect a single spaniel, collie, retriever or mastiff among them. Had the Kennel Club, then, no jurisdiction in Italy? Was the Spaniel Club unknown? Was there no law which decreed death to the topknot, which cherished the curled ear, protected the feathered foot, and insisted absolutely that the brow must be domed but not pointed? Apparently not. Flush felt himself like a prince in exile. He was the sole aristocrat among a crowd of canaille. He was the only pure-bred cocker spaniel in the whole of Pisa.

For many years now Flush had been taught to consider himself an aristocrat. The law of the purple jar and of the chain had sunk deep into his soul. It is scarcely surprising that he was thrown off his balance. A Howard or a Cavendish set down among a swarm of natives in mud huts can hardly be blamed if now and again he remembers Chatsworth and muses regretfully over red carpets and galleries daubed with coronets as the sunset blazes down through painted windows. There was an element, it must be admitted, of the snob in Flush; Miss Mitford had detected it years ago; and the sentiment, subdued in London among equals and superiors, returned to him now that he felt himself unique. He became overbearing and impudent. “Flush has grown an absolute monarch and barks one distracted when he wants a door opened,” Mrs. Browning wrote. “Robert,” she continued, “declares that the said Flush considers him, my husband, to be created for the especial purpose of doing him service, and really it looks rather like it.”

“Robert,” “my husband”—if Flush had changed, so had Miss Barrett. It was not merely that she called herself Mrs. Browning now; that she flashed the gold ring on her hand in the sun; she was changed, as much as Flush was changed. Flush heard her say, “Robert,” “my husband,” fifty times a day, and always with a ring of pride that made his hackles rise and his heart jump. But it was not her language only that had changed. She was a different person altogether. Now, for instance, instead of sipping a thimbleful of port and complaining of the headache, she tossed off a tumbler of Chianti and slept the sounder. There was a flowering branch of oranges on the dinner-table instead of one denuded, sour, yellow fruit. Then instead of driving in a barouche landau to Regent’s Park she pulled on her thick boots and scrambled over rocks. Instead of sitting in a carriage and rumbling along Oxford Street, they rattled off in a ramshackle fly to the borders of a lake and looked at mountains; and when she was tired she did not hail another cab; she sat on a stone and watched the lizards. She delighted in the sun; she delighted in the cold. She threw pine logs from the Duke’s forest on to the fire if it froze. They sat together in the crackling blaze and snuffed up the sharp, aromatic scent. She was never tired of praising Italy at the expense of England. “. . . our poor English,” she exclaimed, “want educating into gladness. They want refining not in the fire but in the sunshine.” Here in Italy were freedom and life and the joy that the sun breeds. One never saw men fighting, or heard them swearing; one never saw the Italians drunk;—“the faces of those men” in Shoreditch came again before her eyes. She was always comparing Pisa with London and saying how much she preferred Pisa. In the streets of Pisa pretty women could walk alone; great ladies first emptied their own slops and then went to Court “in a blaze of undeniable glory.” Pisa with all its bells, its mongrels, its camels, its pine woods, was infinitely preferable to Wimpole Street and its mahogany doors and its shoulders of mutton. So Mrs. Browning every day, as she tossed off her Chianti and broke another orange from the branch, praised Italy and lamented poor, dull, damp, sunless, joyless, expensive, conventional England.

Wilson, it is true, for a time maintained her British balance. The memory of butlers and basements, of front doors and curtains, was not obliterated from her mind without an effort. She still had the conscience to walk out of a picture gallery “struck back by the indecency of the Venus.” And later, when she was allowed, by the kindness of a friend, to peep through a door at the glories of the Grand Ducal Court, she still loyally upheld the superior glory of St. James’s. “It . . . was all very shabby,” she reported, “in comparison with our English Court.” But even as she gazed, the superb figure of one of the Grand Duke’s bodyguard caught her eye. Her fancy was fired; her judgment reeled; her standards toppled. Lily Wilson fell passionately in love with Signor Righi, the guardsman.

And just as Mrs. Browning was exploring her new freedom and delighting in the discoveries she made, so Flush too was making his discoveries and exploring his freedom. Before they left Pisa—in the spring of 1847 they moved on to Florence—Flush had faced the curious and at first upsetting truth that the laws of the Kennel Club are not universal. He had brought himself to face the fact that light topknots are not necessarily fatal. He had revised his code accordingly. He had acted, at first with some hesitation, upon his new conception of canine society. He was becoming daily more and more democratic. Even in Pisa, Mrs. Browning noticed, “. . . he goes out every day and speaks Italian to the little dogs.” Now in Florence the last threads of his old fetters fell from him. The moment of liberation came one day in the Cascine. As he raced over the grass “like emeralds” with “the pheasants all alive and flying,” Flush suddenly bethought him of Regent’s Park and its proclamation: Dogs must be led on chains. Where was “must” now? Where were chains now? Where were park-keepers and truncheons? Gone, with the dog-stealers and Kennel Clubs and Spaniel Clubs of a corrupt aristocracy! Gone with four-wheelers and hansom cabs! with Whitechapel and Shoreditch! He ran, he raced; his coat flashed; his eyes blazed. He was the friend of all the world now. All dogs were his brothers. He had no need of a chain in this new world; he had no need of protection. If Mr. Browning was late in going for his walk—he and Flush were the best of friends now—Flush boldly summoned him. He “stands up before him and barks in the most imperious manner possible,” Mrs. Browning observed with some irritation—for her relations with Flush were far less emotional now than in the old days; she no longer needed his red fur and his bright eyes to give her what her own experience lacked; she had found Pan for herself among the vineyards and the olive trees; he was there too beside the pine fire of an evening. So if Mr. Browning loitered, Flush stood up and barked; but if Mr. Browning preferred to stay at home and write, it did not matter. Flush was independent now. The wistarias and the laburnum were flowering over walls; the Judas trees were burning bright in the gardens; the wild tulips were sprinkled in the fields. Why should he wait? Off he ran by himself. He was his own master now. “. . . he goes out by himself, and stays hours together,” Mrs. Browning wrote; “. . . knows every street in Florence—will have his own way in everything. I am never frightened at his absence,” she added, remembering with a smile those hours of agony in Wimpole Street and the gang waiting to snatch him up under the horses’ feet if she forgot his chain in Vere Street. Fear was unknown in Florence; there were no dog-stealers here and, she may have sighed, there were no fathers.

But, to speak candidly, it was not to stare at pictures, to penetrate into dark churches and look up at dim frescoes, that Flush scampered off when the door of Casa Guidi was left open. It was to enjoy something, it was in search of something denied him all these years. Once the hunting horn of Venus had blown its wild music over the Berkshire fields; he had loved Mr. Partridge’s dog; she had borne him a child. Now he heard the same voice pealing down the narrow streets of Florence, but more imperiously, more impetuously, after all these years of silence. Now Flush knew what men can never know—love pure, love simple, love entire; love that brings no train of care in its wake; that has no shame; no remorse; that is here, that is gone, as the bee on the flower is here and is gone. Today the flower is a rose, tomorrow a lily; now it is the wild thistle on the moor, now the pouched and portentous orchid of the conservatory. So variously, so carelessly Flush embraced the spotted spaniel down the alley, and the brindled dog and the yellow dog—it did not matter which. To Flush it was all the same. He followed the horn wherever the horn blew and the wind wafted it. Love was all; love was enough. No one blamed him for his escapades. Mr. Browning merely laughed—“Quite disgraceful for a respectable dog like him”—when Flush returned very late at night or early the next morning. And Mrs. Browning laughed too, as Flush flung himself down on the bedroom floor and slept soundly upon the arms of the Guidi family inlaid in scagliola.

For at Casa Guidi the rooms were bare. All those draped objects of his cloistered and secluded days had vanished. The bed was a bed; the wash-stand was a wash-stand. Everything was itself and not another thing. The drawing-room was large and sprinkled with a few old carved chairs of ebony. Over the fire hung a mirror with two cupids to hold the lights. Mrs. Browning herself had discarded her Indian shawls. She wore a cap made of some thin bright silk that her husband liked. Her hair was brushed in a new way. And when the sun had gone down and the shutters had been raised she paced the balcony dressed in thin white muslin. She loved to sit there looking, listening, watching the people in the street.

They had not been long in Florence before one night there was such a shouting and trampling in the street that they ran to the balcony to see what was happening. A vast crowd was surging underneath. They were carrying banners and shouting and singing. All the windows were full of faces; all the balconies were full of figures. The people in the windows were tossing flowers and laurel leaves on to the people in the street; and the people in the street—grave men, gay young women—were kissing each other and raising their babies to the people in the balconies. Mr. and Mrs. Browning leant over the balustrade and clapped and clapped. Banner after banner passed. The torches flashed their light on them. “Liberty” was written on one; “The Union of Italy” on another; and “The Memory of the Martyrs” and “Viva Pio Nono” and “Viva Leopoldo Secondo”—for three and a half hours the banners went by and the people cheered and Mr. and Mrs. Browning stood with six candles burning on the balcony, waving and waving. For some time Flush too, stretched between them with his paws over the sill, did his best to rejoice. But at last—he could not conceal it—he yawned. “He confessed at last that he thought they were rather long about it,” Mrs. Browning observed. A weariness, a doubt, a ribaldry possessed him. What was it all for? he asked himself. Who was this Grand Duke and what had he promised? Why were they all so absurdly excited?—for the ardour of Mrs Browning, waving and waving as the banners passed, somehow annoyed him. Such enthusiasm for a Grand Duke was exaggerated, he felt. And then, as the Grand Duke passed, he became aware that a little dog had stopped at the door. Seizing his chance when Mrs. Browning was more than usually enthusiastic, he slipped down from the balcony and made off. Through the banners and the crowds he followed her. She fled further and further into the heart of Florence. Far away sounded the shouting; the cheers of the people died down into silence. The lights of the torches were extinguished. Only a star or two shone in the ripples of the Arno where Flush lay with the spotted spaniel by his side, couched in the shell of an old basket on the mud. There tranced in love they lay till the sun rose in the sky. Flush did not return until nine next morning, and Mrs. Browning greeted him rather ironically—he might at least, she thought, have remembered that it was the first anniversary of her wedding day. But she supposed “he had been very much amused.” It was true. While she had found an inexplicable satisfaction in the trampling of forty thousand people, in the promises of Grand Dukes and the windy aspirations of banners, Flush infinitely preferred the little dog at the door.

It cannot be doubted that Mrs. Browning and Flush were reaching different conclusions in their voyages of discovery—she a Grand Duke, he a spotted spaniel;—and yet the tie which bound them together was undeniably still binding. No sooner had Flush abolished “must” and raced free through the emerald grass of the Cascine gardens where the pheasants fluttered red and gold, than he felt a check. Once more he was thrown back on his haunches. At first it was nothing—a hint merely—only that Mrs. Browning in the spring of 1849 became busy with her needle. And yet there was something in the sight that gave Flush pause. She was not used to sew. He noted that Wilson moved a bed and she opened a drawer to put white clothes inside it. Raising his head from the tiled floor, he looked, he listened attentively. Was something once more about to happen? He looked anxiously for signs of trunks and packing Was there to be another flight another escape? But an escape to what, from what? There is nothing to be afraid of here, he assured Mrs Browning. They need neither of them worry themselves in Florence about Mr Taylor and dogs’ heads wrapped up in brown paper parcels. Yet he was puzzled. The signs of change as he read did more mysteriously, expectance. Something, he felt, as he watched Mrs. Browning so composedly, yet silently and steadfastly, stitching in her low chair, was coming that was inevitable; yet to be dreaded. As the weeks went on, Mrs. Browning scarcely left the house. She seemed, as she sat there, to anticipate some tremendous event. Was she about to encounter somebody, like the ruffian Taylor, and let him rain blows on her alone and unaided? Flush quivered with apprehension at the thought. Certainly she had no intention of running away. No boxes were packed. There was no sign that anybody was about to leave the house—rather there were signs that somebody was coming. In his jealous anxiety Flush scrutinised each new-comer. There were many now—Miss Blagden, Mr. Landor, Hattie Hosmer, Mr. Lytton—ever so many ladies and gentlemen now came to Casa Guidi. Day after day Mrs. Browning sat there in her armchair quietly stitching.

Then one day early in March Mrs. Browning did not appear in the sitting-room at all. Other people came in and out; Mr. Browning and Wilson came in and out; and they came in and out so distractedly that Flush hid himself under the sofa. People were trampling up and down stairs, running and calling in low whispers and muted unfamiliar voices. They were moving upstairs in the bedroom. He crept further and further under the shadow of the sofa. He knew in every fibre of his body that some change was taking place—some awful event was happening. So he had waited, years ago, for the step of the hooded man on the staircase. And at last the door had opened and Miss Barrett had cried “Mr. Browning!” Who was coming now? What hooded man? As the day wore on, he was left completely alone. He lay in the drawing-room without food or drink; a thousand spotted spaniels might have sniffed at the door and he would have shrunk away from them. For as the hours passed he had an overwhelming sense that something was thrusting its way into the house from outside. He peeped out from beneath the flounces. The cupids holding the lights, the ebony chests, the French chairs, all looked thrust asunder; he himself felt as if he were being pushed up against the wall to make room for something that he could not see. Once he Mr. Browning, but he was not the same Mr. Browning; once Wilson but she changed too—as if they were both seeing the invisible presence that he felt.

At last Wilson, looking very flushed and untidy but triumphant, took him in her arms and carried him upstairs. They ent...