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Giotto the Painter. Volume 2: Works
Über dieses Buch
The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
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Inhaltsverzeichnis
- Title page
- Copyright
- Table of contents
- Introduction
- Speech which Speaks to the Eye: The Arena Chapel
- Giotto avant Giotto: Works before and around 1300
- Assisi 1308 and other St. Francis-Problems
- Giotto Autonomous: The Bardi Chapel and the Works of the Second Decade
- Giotto Pluralistic: The Peruzzi Chapel in Florence and the Late Works
- Giotto’s Painting and the Visual Culture of His Time
- The Campanile: Survival under Construction
- Photographic Credits