Leaves Of Grass

Walt Whitman

• Verlag: HarperPerennial Classics
• Jahr: 2014
• ISBN:
  9781443435499
• Thema: Literatura
• Thema: Poesía

Leaves of Grass, first published in 1855, began as Walt Whitman's collection of twelve unnamed poems, unique for their irregular line lengths and lack of rhyme. Whitman spent the remainder of his life re-writing the work, and republished the collection several times until it finally numbered over 400 poems. Leaves of Grass represents Whitman's views on life and philosophy, and love, and features some of his best known and loved poems including "O Captain! My Captain!, " a tribute to Abraham Lincoln, and "Song of Myself." Although Leaves of Grass was criticized for being obscene at the time of its publication, Whitman refused to censor his work, and his poetry is considered among the greats for its underlying beauty.

The character of Walt Whitman inspired the film Dead Poets Society and the book Paper Towns by John Green, and the collection is heavily featured in the AMC television show Breaking Bad. The main protagonist's name, Walter White, is even inspired by Whitman, while the poem "Gliding Over All" has been referenced throughout the series several times.

HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

Book III

Calamus

In Paths Untrodden

In paths untrodden,

In the growth by margins of pond-waters,

Escaped from the life that exhibits itself,

From all the standards hitherto publish’d, from the pleasures, profits, conformities,

Which too long I was offering to feed my soul,

Clear to me now standards not yet publish’d, clear to me that my soul,

That the soul of the man I speak for rejoices in comrades,

Here by myself away from the clank of the world,

Tallying and talk’d to here by tongues aromatic,

No longer abash’d, (for in this secluded spot I can respond as I would not dare elsewhere,)

Strong upon me the life that does not exhibit itself, yet contains all the rest,

Resolv’d to sing no songs today but those of manly attachment,

Projecting them along that substantial life,

Bequeathing hence types of athletic love,

Afternoon this delicious Ninth-month in my forty-first year,

I proceed for all who are or have been young men,

To tell the secret my nights and days,

To celebrate the need of comrades.

Scented Herbage of My Breast

Scented herbage of my breast,

Leaves from you I glean, I write, to be perused best afterwards,

Tomb-leaves, body-leaves growing up above me above death,

Perennial roots, tall leaves, O the winter shall not freeze you delicate leaves,

Every year shall you bloom again, out from where you retired you shall emerge again;

O I do not know whether many passing by will discover you or inhale your faint odor, but I believe a few will;

O slender leaves! O blossoms of my blood! I permit you to tell in your own way of the heart that is under you,

O I do not know what you mean there underneath yourselves, you are not happiness,

You are often more bitter than I can bear, you burn and sting me,

Yet you are beautiful to me you faint tinged roots, you make me think of death,

Death is beautiful from you, (what indeed is finally beautiful except death and love?)

O I think it is not for life I am chanting here my chant of lovers,

I think it must be for death,

For how calm, how solemn it grows to ascend to the atmosphere of lovers,

Death or life I am then indifferent, my soul declines to prefer,

(I am not sure but the high soul of lovers welcomes death most,)

Indeed O death, I think now these leaves mean precisely the same as you mean,

Grow up taller sweet leaves that I may see! grow up out of my breast!

Spring away from the conceal’d heart there!

Do not fold yourself so in your pink-tinged roots timid leaves!

Do not remain down there so ashamed, herbage of my breast!

Come I am determin’d to unbare this broad breast of mine, I have long enough stifled and choked;

Emblematic and capricious blades I leave you, now you serve me not,

I will say what I have to say by itself,

I will sound myself and comrades only, I will never again utter a call only their call,

I will raise with it immortal reverberations through the States,

I will give an example to lovers to take permanent shape and will through the States,

Through me shall the words be said to make death exhilarating,

Give me your tone therefore O death, that I may accord with it,

Give me yourself, for I see that you belong to me now above all, and are folded inseparably together, you love and death are,

Nor will I allow you to balk me any more with what I was calling life,

For now it is convey’d to me that you are the purports essential,

That you hide in these shifting forms of life, for reasons, and that they are mainly for you,

That you beyond them come forth to remain, the real reality,

That behind the mask of materials you patiently wait, no matter how long,

That you will one day perhaps take control of all,

That you will perhaps dissipate this entire show of appearance,

That maybe you are what it is all for, but it does not last so very long,

But you will last very long.

Whoever You Are Holding Me Now in Hand

Whoever you are holding me now in hand,

Without one thing all will be useless,

I give you fair warning before you attempt me further,

I am not what you supposed, but far different.

Who is he that would become my follower?

Who would sign himself a candidate for my affections?

The way is suspicious, the result uncertain, perhaps destructive,

You would have to give up all else, I alone would expect to be your sole and exclusive standard,

Your novitiate would even then be long and exhausting,

The whole past theory of your life and all conformity to the lives around you would have to be abandon’d,

Therefore release me now before troubling yourself any further, let go your hand from my shoulders,

Put me down and depart on your way.

Or else by stealth in some wood for trial,

Or back of a rock in the open air,

(For in any roof’d room of a house I emerge not, nor in company,

And in libraries I lie as one dumb, a gawk, or unborn, or dead,)

But just possibly with you on a high hill, first watching lest any person for miles around approach unawares,

Or possibly with you sailing at sea, or on the beach of the sea or some quiet island,

Here to put your lips upon mine I permit you,

With the comrade’s long-dwelling kiss or the new husband’s kiss,

For I am the new husband and I am the comrade.

Or if you will, thrusting me beneath your clothing,

Where I may feel the throbs of your heart or rest upon your hip,

Carry me when you go forth over land or sea;

For thus merely touching you is enough, is best,

And thus touching you would I silently sleep and be carried eternally.

But these leaves conning...