The Bayeux Tapestry
eBook - ePub

The Bayeux Tapestry

New Approaches

Michael J. Lewis, Gale R. Owen-Crocker, Dan Terkla, Gale R. Owen-Crocker, Dan Terkla

Partager le livre
  1. 196 pages
  2. English
  3. ePUB (adapté aux mobiles)
  4. Disponible sur iOS et Android
eBook - ePub

The Bayeux Tapestry

New Approaches

Michael J. Lewis, Gale R. Owen-Crocker, Dan Terkla, Gale R. Owen-Crocker, Dan Terkla

DĂ©tails du livre
Aperçu du livre
Table des matiĂšres
Citations

À propos de ce livre

The Bayeux Tapestry, perhaps the most famous, yet enigmatic, of medieval artworks, was the subject of an international conference at the British Museum in July 2008. This volume publishes 19 of 26 papers delivered at that conference. The physical nature of the tapestry is examined, including an outline of the artefact's current display and the latest conservation and research work done on it, as well as a review of the many repairs and alterations that have been made to the Tapestry over its long history. Also examined is the social history of the tapestry, including Shirley Ann Brown's paper on the Nazis' interest in it as a record of northern European superiority and Pierre Bouet and François Neveux's suggestion that it is a source for understanding the succession crisis of 1066. Among those papers focusing on the detail of the Tapestry, Gale Owen-Crocker examines the Tapestry's faces, Carol Neuman de Vegvar investigates the Tapestry's drinking vessels and explores differences in its feast scenes and Michael Lewis compares objects depicted in the Tapestry and Oxford, Bodleian Library, Junius 11. The book also includes a résumé of four papers given at the conference published elsewhere and a full black and white facsimile of the Tapestry, with its figures numbered for ease of referencing.

Foire aux questions

Comment puis-je résilier mon abonnement ?
Il vous suffit de vous rendre dans la section compte dans paramĂštres et de cliquer sur « RĂ©silier l’abonnement ». C’est aussi simple que cela ! Une fois que vous aurez rĂ©siliĂ© votre abonnement, il restera actif pour le reste de la pĂ©riode pour laquelle vous avez payĂ©. DĂ©couvrez-en plus ici.
Puis-je / comment puis-je télécharger des livres ?
Pour le moment, tous nos livres en format ePub adaptĂ©s aux mobiles peuvent ĂȘtre tĂ©lĂ©chargĂ©s via l’application. La plupart de nos PDF sont Ă©galement disponibles en tĂ©lĂ©chargement et les autres seront tĂ©lĂ©chargeables trĂšs prochainement. DĂ©couvrez-en plus ici.
Quelle est la différence entre les formules tarifaires ?
Les deux abonnements vous donnent un accĂšs complet Ă  la bibliothĂšque et Ă  toutes les fonctionnalitĂ©s de Perlego. Les seules diffĂ©rences sont les tarifs ainsi que la pĂ©riode d’abonnement : avec l’abonnement annuel, vous Ă©conomiserez environ 30 % par rapport Ă  12 mois d’abonnement mensuel.
Qu’est-ce que Perlego ?
Nous sommes un service d’abonnement Ă  des ouvrages universitaires en ligne, oĂč vous pouvez accĂ©der Ă  toute une bibliothĂšque pour un prix infĂ©rieur Ă  celui d’un seul livre par mois. Avec plus d’un million de livres sur plus de 1 000 sujets, nous avons ce qu’il vous faut ! DĂ©couvrez-en plus ici.
Prenez-vous en charge la synthÚse vocale ?
Recherchez le symbole Écouter sur votre prochain livre pour voir si vous pouvez l’écouter. L’outil Écouter lit le texte Ă  haute voix pour vous, en surlignant le passage qui est en cours de lecture. Vous pouvez le mettre sur pause, l’accĂ©lĂ©rer ou le ralentir. DĂ©couvrez-en plus ici.
Est-ce que The Bayeux Tapestry est un PDF/ePUB en ligne ?
Oui, vous pouvez accĂ©der Ă  The Bayeux Tapestry par Michael J. Lewis, Gale R. Owen-Crocker, Dan Terkla, Gale R. Owen-Crocker, Dan Terkla en format PDF et/ou ePUB ainsi qu’à d’autres livres populaires dans Arte et Historia del arte medieval. Nous disposons de plus d’un million d’ouvrages Ă  dĂ©couvrir dans notre catalogue.

Informations

Éditeur
Oxbow Books
Année
2011
ISBN
9781842175347

Bibliography

Abrahams, P., ed. (1926) ƒuvres PoĂ©tiques de Baudri de Bourgueil (Paris, Librairie Ancienne HonorĂ© Champion).
Ackerman, P. (1933) ‘The Norsemen and their descendants’, in P. Akerman, Tapestry: The Mirror of Civilization (Oxford, University Press), 39–53, 348–51.
Ailes, A. (1990) ‘Heraldry in twelfth-century England: the evidence’, in D. Williams, ed., England in the Twelfth Century: Proceedings of the 1988 Harlaxton Symposium (Woodbridge, Boydell), 1–16.
Aird, W. (2007) ‘Edward A. Freeman’s methods of historical study’, The Haskins Society Journal, Japan 2, 77–89.
Andresen, H., ed. (1877–9) Wace, Roman de Rou (Bonn, Heilbronn).
Apter, E. (1991) Feminizing the Fetish: psychoanalysis and narrative obsession in turn-of-the-century France (Ithaca, Cornell University Press).
Archibald, M. (1984) Cat. 396, in G. Zarnecki, J. Holt, T. Holland, ed., English Romanesque Art 1066–1200: Hayward Gallery, London 5 April-8 July 1984 (London, Arts Council of Great Britain/Weidenfeld and Nicolson), 327–8.
Ase Luplau, J. (1961) ‘La Redecouverte de la Tapisserie de Bayeux’, Annales de Normandie 11, October, 179–95.
Attenborough, F. L. (1963) The Laws of the Earliest English Kings (New York, Russell and Russell).
Backhouse, J., Turner, D. H. and Webster, L. (1984) The Golden Age of Anglo-Saxon Art, 966–1066 (London, The British Museum).
Ballard, A., ed. (1920) An Eleventh Century Inquisition of St Augustine’s Canterbury, Records of the Social and Economic History of England and Wales, no. 4, pt. 2 (London, Oxford University Press for the British Academy).
Banks, S. E. and Binns, J. W., ed. and trans. (2002) Gervase of Tilbury: Otia Imperialia; recreation for an emperor, Oxford Medieval Texts (Oxford, Clarendon).
Barber, R. (1993) Bestiary (Woodbridge, Boydell).
Barlow, F. [M.], ed. and trans. (1992) The Life of King Edward who rests at Westminster (2nd ed., Oxford, Clarendon).
Barlow, F. M. (1997) Edward the Confessor (New Haven and London, Yale University Press).
Barlow, F. [M.], ed. and trans. (1999) The Carmen de Hastingae Proelio of Guy Bishop of Amiens (Oxford, University Press).
Barlow, F. M. (2002) The Godwins (Harlow, Longman).
Bates, D. (1975) ‘The character and career of Odo, bishop of Bayeux (1049/50–1097)’, Speculum 50, 1–20.
Bates, D. (1997) ‘The prosopographical study of Anglo-Norman royal charters’, in K. S. B. Keats-Rohan, ed., Family Trees and the Roots of Politics: the prosopography of Britain and France from the tenth to the twelfth century (Woodbridge, Boydell), 89–102.
Bates, D. (1998) Regesta Regum Anglo-Normannorum, William I (1066–1087) (Oxford, Clarendon).
Bates, D. (2001) William the Conqueror (Stroud, Tempus).
Bates, D. and Gazeau, V. (1990) ‘L’Abbaye de Grestain et la famille d’Herluin de Conteville, Annales de Normandie 40, 5–30.
Baxendall, M. (1972) Painting and Experience in Fifteenth Century Italy, a primer in the social history of pictorial style (Oxford, University Press).
Baxter, R. (1998) Bestiaries and their Users in the Middle Ages (Stroud, Sutton).
Baxter, S. (2008) ‘The death of Burgheard son of Ælfgar and its context’, in P. Fouracre and D. Ganz, ed., Frankland: Essays in Honour of Dame Jinty Nelson (Manchester, University Press), 266–84.
BaylĂ©, M. (2004) ‘The Bayeux Tapestry and decoration in north-western Europe: style and composition’, in Bouet et al. (2004), 303–25.
Bazin, G. (1992) Souvenirs de l’Exode du Louvre 1940–1945 (Paris, Somogy).
BĂ©dat, I. and Girault-Kurtzeman, B. (2004) ‘Etude technique de la Broderie de Bayeux’, translated into English as ‘The technical study of the Bayeux Embroidery’, in Bouet et al. (2004), 83–109.
Beech, G. (2005a) ‘An “old” conquest of England tapestry (possibly The Bayeux) owned by the rulers of France, England and Burgundy (1396–1430)’, Revue Belge de Philologie et d’Histoire 83/4, 1017–27.
Beech, G. (2005b) Was the Bayeux Tapestry Made in France?: the case for St Florent of Saumur (New York, Palgrave).
Beech, G. (2006a) ‘St Florent of Saumur and the origin of the Bayeux Tapestry’, Francia 33/1, 17–32.
Beech, G. (2006b) ‘Response to review of E. Coatsworth in TMR-L’, http://1quod.lib.umich.edu/t/tmr.
Benjamin, W. (1972–89) Gesammelte Schriften 4 (1), ed. T. Rexroth (Frankfurt-am-Main, Suhrkamp Verlag), 9–21.
Benjamin, W. (1996) ‘The task of the translator’, in M. Bulbock and M. W. Jennings, ed., Walter Benjamin: selected writings, 1:1913–1926 (Cambridge, MA, Harvard University Press), 253–63.
Bennet, M. (1983) ‘Poetry as history?’: the Roman de Rou of Wace as a source for the Normans’, Anglo-Norman Studies 5, 21–39.
Bernstein, D. J. (1986) The Mystery of the Bayeux Tapestry (London, Weidenfeld and Nicolson).
Bertrand, S. (1957) ‘The history of the Tapestry’, in Stenton (1957/1965b), 88–97.
Bertrand, S. (1960) ‘Étude sur la Tapisserie de Bayeux’, Annales de Normandie 10, 197–206, translated in Gameson 1997a, 31–8.
Bertrand, S. (1966) La Tapisserie de Bayeux et la ManiĂšre de Vivre au OnziĂšme SiĂšcle (La Pierre-qui-Vire, Zodiaque).
Blair, J. (2005) The Church in Anglo-Saxon Society (Oxford, University Press).
Bloch, H. (2006) A Needle in the Right Hand of God: the Norman Conquest of 1066 and the making and meaning of the Bayeux Tapestry (New York, Random House).
Bloch, H. (2007) ‘George Beech. Was the Bayeux Tapestry made in France?: the case for St Florent of Saumur’, Speculum 82, 161–2.
Bosanquet, G., ed. and trans. (1964) Eadmer’s History of Recent Events in England (London, Cresset Press).
Bouet, P. (2004) ‘Is the Bayeux Tapestry pro-English?’, in Bouet et al. (2004), 197–215.
Bouet, P., Levy, B. and Neveux, F., ed. (2004) La Tapisserie de Bayeux: l’art de broder l’Histoire. Actes du colloque de Cerisy-la-Salle (1999), translated into English as The Bayeux Tapestry: embroidering the facts of history. Proceedings of the Cerisy Colloquium (1999) (Caen, Presses universitaires de Caen).
Bourrienne, V., ed. (1902–3) Antiquus Cartularius Ecclesiae Baiocensis (Livre noir), 2 vols (Paris and Rouen, SHN).
Boussard, J. (1952) ‘Le Comte de Mortain au XI siecle’, Moyen Age 53, 253–79.
Bridgeford, A. (1999) ‘Was Count Eustace II of Boulogne the patron of the Bayeux Tapestry?’, Journal of Medieval History 25, 155–85.
Bridgeford, A. (2004/2005/2006) 1066 The Hidden History of the Bayeux Tapestry (London, Harper Perennial).
Brilliant, R. (1991) ‘The Bayeux Tapestry: a stripped narrative for their eyes and ears’, Word and Image 7.2, 93–125, reprinted in Gameson 1997a, 111–137, without the tables.
Brooks, N. P. and Walker, H. E. (1979) ‘The authority and interpretation of the Bayeux Tapestry’, Anglo-Norman Studies 1, 1–34, 191–9, reprinted in Gameson 1997a, 63–92.
Brown, D. (2003) The Da Vinci Code (New York, Random House).
Brown, M. P. (2003) Lindisfarne Gospels: society, spirituality, and the scribe (Toronto, University Press).
Brown, R. A. (1965) ‘The Architecture of the Bayeux Tapestry’, in Stenton (1965b, revised edition), 76–87.
Brown, R. A. (1968) The Normans and the Norman Conquest (New York, Thomas Y. Crowell Company).
Brown, S. A. (1979) ‘The Bayeux Tapestry and the Song of Roland’, Olifant 6, 339–50.
Brown, S. A. (1988) The Bayeux Tapestry: history and bibliography (Woodbridge, Boydell).
Brown, S. A. (2005) ‘Cognate imagery: the bear, Harold and the Bayeux Tapestry’, in Owen-Crocker (2005c), 149–60.
Brown, S. A. (2006) ‘George Beech. Was the Bayeux Tapestry made in France?: the case for St Florent of Saumur’, H-France Review online 6, No.142, November: http://h-france.net/vol6reviews/brown11.html.
Brown, S. A. (2009a) ‘Les Scandinaves, les Vikings, et la Tapisserie de Bayeux’, in S. Lemagnen ed., La Tapisserie de Bayeux: une chronique des temps vikings? Actes du colloque international de Bayeux, 29 et 30 mars 2007 (Bonsecours, Point-de-vues), 206–19.
Brown, S. A. (2009b) ‘The Bayeux Tapestry and the Vikings’, Peregrinations 2.4, 9–50. http://peregrinations.kenyon.edu/.
Brown, S. A. (2009c) ‘Auctoritas, consi...

Table des matiĂšres