The Charge of the Light Brigade and Other Poems

Alfred, Lord Tennyson

• Éditeur: Dover Publications
• Année: 2012
• ISBN:
  9780486113609
• Sujet: Literatura
• Sous-sujet: Poesía europea

Considered by Victorians as the finest contemporary poet, Alfred, Lord Tennyson (1809–1892) gained much critical favor for his mastery of poetic technique, high-mindedness, and superb natural description. This volume contains a representative selection of his best works, including the famous long narrative poem `Enoch Arden,` as well as a number of important lyrics, monologues, ballads, and other typical pieces. Among these are `The Lady of Shalott,` `The Beggar Maid,` `The Charge of the Light Brigade,` `Break, break, break,` `Flower in the Crannied Wall,` and `Ode on the Death of the Duke of Wellington.` Also here are carefully chosen, uncut excerpts from three longer works: The Princess, `Maud,` and `The Brook.` With this inexpensive volume at their fingertips, students and lovers of poetry can enjoy a substantial sampling of Tennyson's still-admired, widely quoted verse.

Selected Poems

Mariana

‘Mariana in the moated grange.’

Measure for Measure.

WITH blackest moss the flower-plots

Were thickly crusted, one and all;

The rusted nails fell from the knots

That held the pear to the gable-wall.

The broken sheds look’d sad and strange:

Unlifted was the clinking latch;

Weeded and worn the ancient thatch

Upon the lonely moated grange.

She only said, ‘My life is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead !’

Her tears fell with the dews at even;

Her tears fell ere the dews were dried;

She could not look on the sweet heaven,

Either at morn or eventide.

After the flitting of the bats,

When thickest dark did trance the sky,

She drew her casement-curtain by,

And glanced athwart the glooming flats.

She only said, ‘The night is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead !’

Upon the middle of the night,

Waking she heard the night-fowl crow;

The cock sung out an hour ere light;

From the dark fen the oxen’s low

Came to her; without hope of change,

In sleep she seem’d to walk forlorn,

Till cold winds woke the gray-eyed morn

About the lonely moated grange.

She only said, ‘The day is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead !’

About a stone-cast from the wall

A sluice with blacken’d waters slept,

And o’er it many, round and small,

The cluster’d marish-mosses crept.

Hard by a poplar shook alway

All silver-green with gnarled bark:

For leagues no other tree did mark

The level waste, the rounding gray.

She only said, ‘My life is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead !’

And ever when the moon was low,

And the shrill winds were up and away,

In the white curtain, to and fro,

She saw the gusty shadow sway.

But when the moon was very low,

And wild winds bound within their cell,

The shadow of the poplar fell

Upon her bed, across her brow.

She only said, ‘The night is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead !’

All day within the dreamy house,

The doors upon their hinges creak’d;

The blue fly sung in the pane; the mouse

Behind the mouldering wainscot shriek’d,

Or from the crevice peer’d about.

Old faces glimmer’d thro’ the doors,

Old footsteps trod the upper floors,

Old voices called her from without.

She only said, ‘My life is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead !’

The sparrow’s chirrup on the roof,

The slow clock ticking, and the sound

Which to the wooing wind aloof

The poplar made, did all confound

Her sense; but most she loathed the hour

When the thick-moted sunbeam lay

Athwart the chambers, and the day

Was sloping toward his western bower.

Then said she, ‘I am very dreary,

He will not come,’ she said;

She wept, ‘I am aweary, aweary,

O God, that I were dead !’

The Lady of Shalott

PART I

ON either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro’ the field the road runs by
To many-tower’d Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.

Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro’ the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow-veil’d,
Slide the heavy barges trail’d d
By slow horses; and unhail’d
The shallop flitteth silken-sail’d
Skimming down to Camelot:
But who hath seen her wave her hand ?
Or at the casement seen her stand ?
Or is she known in all the land,
The Lady of Shalott ?

Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower’d Camelot;
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ‘ ’T is the fairy
Lady of Shalott.’

PART II

There she weaves by night and day
A magic web with colors gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving thro’ a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot;
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair’d page in crimson clad,
Goes by to tower’d Camelot;
And sometimes thro’ the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror’s magic sights,
For often thro’ the silent nights
A funeral, with plumes and lights
And music, went to Camelot;
Or when the moon was overhead,
Came two young lovers lately wed:
‘I am half sick of shadows,’ said
The Lady of Shalott.

PART III

A bow-shot from her bower-eaves,
He rode between the barley-sheaves.
The sun came dazzling thro’ the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel’d
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glitter’d free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot;
And from his blazon’d baldric slung
A mighty silver bugle hung,
And as he rode his armor rung,
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell’d shone the saddle-leather,
The helmet and the helmet-feather
Burn’d like one burning flame together,
As he rode down to Camelot;
As often thro’ the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.

His broad clear brow in sunlight glow’d;
On burnish’d hooves his war-horse trode;
From underneath his helmet flow’d
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash’d into the crystal mirror,
‘Tirra lirra,’ by the river
Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces thro’ the room,
Sh...