The Duchess of Padua

Oscar Wilde

• Éditeur: Perlego
• Année: 1997
• ISBN:
  9700000000875
• Sujet: Literature
• Sous-sujet: European Literary Collections

The Duchess of Padua is a play by Oscar Wilde. It is a five-act melodramatic tragedy set in Padua and written in blank verse. It was written for the actress Mary Anderson in early 1883 while in Paris. After she turned it down, it was abandoned until its first performance at the Broadway Theatre in New York City under the title Guido Ferranti on 26 January 1891, where it ran for three weeks. It has been rarely revived or studied.

The Duchess of Padua tells the story of a young man named Guido who was left in the charge of a man he calls his uncle as a baby. Guido gets a notice to meet a man in Padua in regards to something concerning his parentage. When he arrives in Padua he is convinced by a man named Moranzone to abandon his only friend, Ascanio, in order to dedicate himself to revenging his father's death at the hands of Simone Gesso, the Duke of Padua. In the course of the play Guido finds he has fallen in love with Beatrice, the title character, and confides his love to her, a love which she returns. By this time Guido has had a change of heart and decides not to kill the Duke of Padua, and instead intends to leave his father's dagger at the Duke's bedside to let the Duke know that his life could have been taken if Guido had wanted to kill him. On the way to the bedchamber, however, Guido is met by Beatrice, who has herself stabbed and killed the Duke so that she might be with Guido. Guido is appalled at the sin committed on his behalf and rejects Beatrice, claiming that their love has been soiled. She runs from him and when she comes across some guards she claims that Guido killed the Duke. He is brought to trial the next day. Beatrice tries to prevent Guido from speaking on his behalf for fear that she might be exposed as the killer, but Guido admits to the killing to protect her, and so the date for his execution is set. Beatrice goes to visit Guido in his cell and tells him that she has confessed to the murder but that the magistrates did not believe her and would not allow her to pardon Guido. Before waking Guido, Beatrice drinks some poison and when Guido discovers that the poison is all but gone, he shares a kiss with Beatrice before she dies, at which time Guido takes her knife and kills himself.

The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Some contemporary reviews praised the play's humour and the culmination of Wilde's artistic career, while others were cautious about its lack of social messages. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play.

The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Their feud came to a climax in court, where Wilde's homosexuality was revealed to the Victorian public and he was sentenced to imprisonment. Despite the play's early success, Wilde's notoriety caused the play to be closed after 86 performances. After his release from prison, he published the play from exile in Paris, but he wrote no further comic or dramatic work.

The play is set in "The Present" (i.e. 1895).