BĂ©la BartĂłk in Italy
The Politics of Myth-Making
NicolĂČ Palazzetti
- 304 pages
- English
- PDF
- Disponible sur iOS et Android
BĂ©la BartĂłk in Italy
The Politics of Myth-Making
NicolĂČ Palazzetti
Ă propos de ce livre
This book examines the reputation of the Hungarian composer BĂ©la BartĂłk (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzeti explores the connexions between music and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music.The book argues that the 'BartĂłkian Wave' occurring in Italy after the Second World War was the result of the fusion of the BartĂłk myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed BartĂłk into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.