Collected Works of C. G. Jung, Volume 5
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Collected Works of C. G. Jung, Volume 5

Symbols of Transformation

C. G. Jung, Gerhard Adler, R. F.C. Hull

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eBook - ePub

Collected Works of C. G. Jung, Volume 5

Symbols of Transformation

C. G. Jung, Gerhard Adler, R. F.C. Hull

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A complete revision of Psychology of the Unconscious (orig. 1911-12), Jung's first important statement of his independent position.

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Informations

Année
2014
ISBN
9781400850945

I

Therefore theory, which gives facts their value and significance, is often very useful, even if it is partially false, because it throws light on phenomena which no one has observed, it forces an examination, from many angles, of facts which no one has hitherto studied, and provides the impulse for more extensive and more productive researches.

Hence it is a moral duty for the man of science to expose himself to the risk of committing error, and to submit to criticism in order that science may continue to progress. A writer 
 has launched a vigorous attack on the author, saying that this is a scientific ideal which is very limited and very paltry.
 But those who are endowed with a mind serious and impersonal enough not to believe that everything they write is the expression of absolute and eternal truth will approve of this theory, which puts the aims of science well above the miserable vanity and paltry amour propre of the scientist.
—Ferrero, Les Lois psychologiques du symbolisme, p. viii

I

INTRODUCTION

[1] Anyone who can read Freud’s Interpretation of Dreams without being outraged by the novelty and seemingly unjustified boldness of his procedure, and without waxing morally indignant over the stark nakedness of his dream-interpretations, but can let this extraordinary book work upon his imagination calmly and without prejudice, will not fail to be deeply impressed at that point1 where Freud reminds us that an individual conflict, which he calls the incest fantasy, lies at the root of that monumental drama of the ancient world, the Oedipus legend. The impression made by this simple remark may be likened to the uncanny feeling which would steal over us if, amid the noise and bustle of a modern city street, we were suddenly to come upon an ancient relic—say the Corinthian capital of a long-immured column, or a fragment of an inscription. A moment ago, and we were completely absorbed in the hectic, ephemeral life of the present; then, the next moment, something very remote and strange flashes upon us, which directs our gaze to a different order of things. We turn away from the vast confusion of the present to glimpse the higher continuity of history. Suddenly we remember that on this spot where we now hasten to and fro about our business a similar scene of life and activity prevailed two thousand years ago in slightly different forms; similar passions moved mankind, and people were just as convinced as we are of the uniqueness of their lives. This is the impression that may very easily be left behind by a first acquaintance with the monuments of antiquity, and it seems to me that Freud’s reference to the Oedipus legend is in every way comparable. While still struggling with the confusing impressions of the infinite variability of the individual psyche, we suddenly catch a glimpse of the simplicity and grandeur of the Oedipus tragedy, that perennial highlight of the Greek theatre. This broadening of our vision has about it something of a revelation. For our psychology, the ancient world has long since been sunk in the shadows of the past; in the schoolroom one could scarcely repress a sceptical smile when one indiscreetly calculated the matronly age of Penelope or pictured to oneself the comfortable middle-aged appearance of Jocasta, and comically compared the result with the tragic tempests of eroticism that agitate the legend and drama. We did not know then—and who knows even today?—that a man can have an unconscious, all-consuming passion for his mother which may undermine and tragically complicate his whole life, so that the monstrous fate of Oedipus seems not one whit overdrawn. Rare and pathological cases like that of Ninon de Lenclos and her son 2 are too remote from most of us to convey a living impression. But when we follow the paths traced out by Freud we gain a living knowledge of the existence of these possibilities, which, although too weak to compel actual incest, are yet sufficiently strong to cause very considerable psychic disturbances. We cannot, to begin with, admit such possibilities in ourselves without a feeling of moral revulsion, and without resistances which are only too likely to blind the intellect and render self-knowledge impossible. But if we can succeed in discriminating between objective knowledge and emotional value-judgments, then the gulf that separates our age from antiquity is bridged over, and we realize with astonishment that Oedipus is still alive for us. The importance of this realization should not be underestimated, for it teaches us that there is an identity of fundamental human conflicts which is independent of time and place. What aroused a feeling of horror in the Greeks still remains true, but it is true for us only if we give up the vain illusion that we are different, i.e., morally better, than the ancients. We have merely succeeded in forgetting that an indissoluble link binds us to the men of antiquity. This truth opens the way to an understanding of the classical spirit such as has never existed before—the way of inner sympathy on the one hand and of intellectual comprehension on the other. By penetrating into the blocked subterranean passages of our own psyches we grasp the living meaning of classical civilization, and at the same time we establish a firm foothold outside our own culture from which alone it is possible to gain an objective understanding of its foundations. That at least is the hope we draw from the rediscovery of the immortality of the Oedipus problem.
[2] This line of inquiry has already yielded fruitful results: to it we owe a number of successful advances into the territory of the human mind and its history. These are the works of Riklin,3 Abraham,4 Rank,5 Maeder,6 and Jones,7 to which there has now been added Silberer’s valuable study entitled “Phantasie und Mythos.” Another work which cannot be overlooked is Pfister’s contribution to Christian religious psychology.8 The leitmotiv of all these works is to find a clue to historical problems through the application of insights derived from the activity of the unconscious psyche in modern man. I must refer the reader to the works specified if he wishes to inform himself of the extent and nature of the insights already achieved. The interpretations are sometimes uncertain in particulars, but that does not materially detract from the total result. It would be significant enough if this merely demonstrated the far-reaching analogy between the psychological structure of the historical products and those of modern individuals. But the analogy applies with particular force to the symbolism, as Riklin, Rank, Maeder, and Abraham have shown, and also to the individual mechanisms governing the unconscious elaboration of motifs.
[3] Psychological investigators have hitherto turned their attention mainly to the analysis of individual problems. But, as things are at present, it seems to me imperative that they should broaden the basis of this analysis by a comparative study of the historical material, as Freud has already tried to do in his study of Leonardo da Vinci.9 For, just as psychological knowledge furthers our understanding of the historical material, so, conversely, the historical material can throw new light on individual psychological problems. These considerations have led me to direct my attention more to the historical side of the picture, in the hope of gaining fresh insight into the foundations of psychology. In my later writings 10 I have concerned myself chiefly with the question of historical and ethnological parallels, and here the researches of Erich Neumann have made a massive contribution towards solving the countless difficult problems that crop up everywhere in this hitherto little explored territory. I would mention above all his key work, The Origins and History of Consciousness,11 which carries forward the ideas that originally impelled me to write this book, and places them in the broad perspective of the evolution of human consciousness in general.

II

TWO KINDS OF THINKING

[4] As most people know, one of the basic principles of analytical psychology is that dream-images are to be understood symbolically; that is to say, one must not take them literally, but must surmise a hidden meaning in them. This ancient idea of dream symbolism has aroused not only criticism, but the strongest opposition. That dreams should have a meaning, and should therefore be capable of interpretation, is certainly neither a strange nor an extraordinary idea. It has been known to mankind for thousands of years; indeed it has become something of a truism. One remembers having heard even at school of Egyptian and Chaldaean dream-interpreters. Everyone knows the story of Joseph, who interpreted Pharaoh’s dreams, and of Daniel and the dream of King Nebuchadnezzar; and the dream-book of Artemidorus is familiar to many of us. From the written records of all times and peoples we learn of significant and prophetic dreams, of warning dreams and of healing dreams sent by the gods. When an idea is so old and so generally believed, it must be true in some way, by which I mean that it is psychologically true.
[5] For modern man it is hardly conceivable that a God existing outside ourselves should cause us to dream, or that the dream foretells the future prophetically. But if we translate this into the language of psychology, the ancient idea becomes much more comprehensible. The dream, we would say, originates in an unknown part of the psyche and prepares the dreamer for the events of the following day.
[6] According to the old belief, a god or demon spoke to the sleeper in symbolic language, and the dream-interpreter had to solve the riddle. In modern speech we would say that the dream is a series of images which are apparently contradictory and meaningless, but that it contains material which yields a clear meaning when properly translated.
[7] Were I to suppose my readers to be entir...

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