Colour in the Flower Garden

Gertrude Jekyll

• Éditeur: Home Farm Books
• Année: 2019
• ISBN:
  9781528786713
• Sujet: Scienze biologiche
• Sous-sujet: Orticoltura

"Colour in the flower garden" is a vintage book on gardening that focuses on the use and variety of colourful flowers. It offers guidance for which flowers are best for each season, providing detailed descriptions, simple instructions, and expert tips to help the reader create a beautiful flower garden of their own. Contents include: "Introduction", "A March Study And The Border Of Early Bulbs", "The Wood", "The Spring Garden", "Between Spring And Summer", "The June Garden", "The Main Hardy Flower Border", "The Flower Border In July", "The Flower Border In August", "The Flower Borders In September", "Wood And Shrubbery Edges", etc. Gertrude Jekyll (1843 – 1932) was a British garden designer, horticulturist, photographer, craftswoman, artist, and writer. She is responsible for designing and creating over 400 gardens in the United Kingdom, Europe and the United States, as well as writing more than 1, 000 articles for related magazines. She is credited with having had a significant influence on gardening by both British and American enthusiasts. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of gardening.

CHAPTER I

A MARCH STUDY AND
THE BORDER OF EARLY BULBS

There comes a day towards the end of March when there is but little wind, and that is from the west or even south-west. The sun has gained much power, so that it is pleasant to sit out in the garden, or, better still, in some sunny nook of sheltered woodland. There is such a place among silver-trunked Birches, with here and there the splendid richness of masses of dark Holly. The rest of the background above eye-level is of the warm bud-colour of the summer-leafing trees, and, below, the fading rust of the now nearly flattened fronds of last year's Bracken, and the still paler drifts of leaves from neighbouring Oaks and Chestnuts. The sunlight strikes brightly on the silver stems of the Birches, and casts their shadows clear-cut across the grassy woodland ride. The grass is barely green as yet, but has the faint winter green of herbage not yet grown and still powdered with the short remnants of the fine-leaved, last-year-mown heath grasses. Brown leaves still hang on young Beech and Oak. The trunks of the Spanish Chestnuts are elephant-grey, a notable contrast to the sudden, vivid shafts of the Birches. Some groups of the pale early Pyrenean Daffodil gleam level on the ground a little way forward.

It is the year's first complete picture of flower-effect in the woodland landscape. The place is not very far from the house, in the nearest hundred yards of the copse; where flowers seem to be more in place than further away. Looking to the left, the long ridge and south slope of the house-roof is seen through the leafless trees, though the main wall-block is hidden by the sheltering Hollies and Junipers.

Coming down towards the garden by another broad grassy way, that goes westward through the Chestnuts and then turns towards the down-hill north, there comes yet another deviation through Rhododendrons and Birches to the main lawn. But before the last turn there is a pleasant mass of colour showing in the wood-edge on the dead-leaf carpet. It is a straggling group of Daphne Mezereon, with some clumps of red Lent Hellebores, and, to the front, some half-connected patches of the common Dog-tooth Violet. The nearly related combination of colour is a delight to the trained colour-eye. There is nothing brilliant; it is all restrained, refined, in harmony with the veiled light that reaches the flowers through the great clumps of Hollies and tall half-overhead Chestnuts and neighbouring Beech. The colours are all a little "sad," as the old writers so aptly say of the flower-tints of secondary strength. But it is a perfect picture. One comes to it again and again as one does to any picture that is good to live with.

To devise these living pictures with simple well-known flowers seems to me the best thing to do in gardening. Whether it is the putting together of two or three kinds of plants, or even of one kind only in some happy setting, or whether it is the ordering of a much larger number of plants, as in a flower-border of middle and late summer, the intention is always the same. Whether the arrangement is simple and modest, whether it is obvious or whether it is subtle, whether it is bold and gorgeous, the aim is always to use the plants to the best of one's means and intelligence so as to form pictures of living beauty.

It is a thing that I see so rarely attempted, and that seems to me so important, that the wish to suggest it to others, and to give an idea of examples that I have worked out, in however modest a way, is the purpose of this book.

These early examples within the days of March are of special interest because as yet flowers are but few; the mind is less distracted by much variety than later in the year, and is more readily concentrated on the few things that may be done and observed; so that the necessary restriction is a good preparation, by easy steps, for the wider field of observation that is presented later.

Now we pass on through the dark masses of Rhododendron and the Birches that shoot up among them. How the silver stems, blotched and banded with varied browns and greys so deep in tone that they show like a luminous black, tell among the glossy Rhododendron green; and how strangely different is the way of growth of the two kinds of tree; the tall white trunks spearing up through the dense, dark, leathery leaf-masses of solid, roundish outline, with their delicate network of reddish branch and spray gently swaying far overhead!

Now we come to the lawn, which slopes a little downward to the north. On the right it has a low retaining-wall, whose top line is level; it bears up a border and pathway next the house's western face. The border and wall are all of a piece, for it is a dry wall partly planted with the same shrubby and half-shrubby things that are in the earth above. They have been comforting to look at all the winter; a pleasant grey coating of Phlomis, Lavender, Rosemary, Cistus and Santolina; and at the end and angle where the wall is highest, a mass of Pyrus japonica, planted both above and below, already showing its rose-red bloom. At one point at the foot of the wall is a strong tuft of Iris stylosa whose first blooms appeared in November. This capital plant flowers bravely all through the winter in any intervals of open weather. It likes a sunny place against a wall in poor soil. If it is planted in better ground the leaves grow very tall and it gives but little bloom.

IRIS STYLOSA.

Now we pass among some shrub-clumps, and at the end come upon a cheering sight; a tree of Magnolia conspicua bearing hundreds of its great white cups of fragrant bloom. Just before reaching it, and taking part with it in the garden picture, are some tall bushes of Forsythia suspensa, tossing out many-feet-long branches loaded with their burden of clear yellow flowers. They are ten to twelve feet high, and one looks up at much of the bloom clear-cut against the pure blue of the sky; the upper part of the Magnolia also shows against the sky. Here there is a third flower-picture; this time of warm white and finest yellow on brilliant blue, and out in open sunlight. Among the Forsythias is also a large bush of Magnolia stellata, whose milk-white flowers may be counted by the thousand. As the earlier M. conspicua goes out of bloom it comes into full bearing, keeping pace with the Forsythia, whose season runs on well into April.

MAGNOLIA CONSPICUA.

It is always a little difficult to find suitable places for the early bulbs. Many of them can be enjoyed in rough and grassy places, but we also want to combine them into pretty living pictures in the garden proper.

Nothing seems to me more unsatisfactory than the usual way of having them scattered about in small patches in the edges of flower-borders, where they only show as little disconnected dabs of colour, and where they are necessarily in danger of disturbance and probable injury when their foliage has died down and their places are wanted for summer flowers.

It was a puzzle for many years to know how to treat these early bulbs, but at last a pl...