- 432 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
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Yes, you can access Transnational Chinese Cinemas by Sheldon Hsiao-peng Lu in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Contents
- List of Illustrations
- Preface
- Historical Introduction. Chinese Cinemas (1896ā1996) and Transnational Film Studies
- Part I. Nation-Building, National Cinema, Transnational Cinema
- 1. Anti-Imperialism and Film Censorship During the Nanjing Decade, 1927ā1937
- 2. Two Stage Sisters: The Blossoming of a Revolutionary Aesthetic
- 3. From āMinority Filmā to āMinority Discourseā: Questions of Nationhood and Ethnicity in Chinese Cinema
- 4. National Cinema, Cultural Critique, Transnational Capital The Films of Zhang Yimou
- Part II. The Politics of Cultural and National Identity in the Cinemas of Taiwan and Hong Kong
- 5. Constructing a Nation: Taiwanese History and the Films of Hou Hsiao-hsien
- 6. The Diaspora in Postmodern Taiwan and Hong Kong Film: Framing Stan Laiās The Peach Blossom Land with Allen Fongās Ah Ying
- 7. Breaking the Soy Sauce Jar: Diaspora and Displacement in the Films of Ang Lee
- 8. Transnational Action: John Woo, Hong Kong, Hollywood
- 9. Jackie Chan and the Cultural Dynamics of Global Entertainment
- Part III. Engendering History and Nationhood: Cross-Cultural and Gendered Perspectives
- 10. Reading Formations and Chen Kaigeās Farewell My Concubine
- 11. The New Woman Incident: Cinema, Scandal, and Spectacle in 1935 Shanghai
- 12. Gendered Perspective: The Construction and Representation of Subjectivity and Sexuality in Ju Dou
- 13. The Concubine and the Figure of History: Chen Kaigeās Farewell My Concubine
- 14. Narrative Images of the Historical Passion: Those Other Womenā On the Alterity in the New Wave of Chinese Cinema
- Chinese Glossary
- Filmography
- Bibliography
- Notes on Contributors
- Index