Maydays & Trying It On: two plays
eBook - ePub

Maydays & Trying It On: two plays

Two Plays

  1. 160 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Maydays & Trying It On: two plays

Two Plays

About this book

Two plays by David Edgar, written thirty-five years apart, both exploring the theme of youth and revolution.

Maydays tells the story of the twenty-somethings who came of age in 1968 and were drawn into revolutionary politics; of defection from East to West as well as from Left to Right. It is told through a number of interlocking stories, across three continents and twenty-five years of tumultuous history.

First performed by the Royal Shakespeare Company at the Barbican, London, in 1983, Maydays was revived in this new version, also by the RSC, in 2018.

Trying It On is an autobiographical monologue, written to be performed by Edgar, in which the author at seventy confronts the ideals of his twenty-something self. Does he still share the beliefs which once defined him as a person and as an artist? If not, is it he that has changed, or the world itself?

Presented by Warwick Arts Centre and China Plate, Trying It On toured the UK in 2018, including performances at the Birmingham Repertory Theatre, the Midlands Arts Centre and at the Royal Court Theatre, London – as well as at the Royal Shakespeare Company, alongside the revival of Maydays.

This edition also includes a new introduction by the author.

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Information

MAYDAYS
In memory of Jill Forbes
Maydays was first presented at the Barbican Theatre, London on 13 October 1985. This revised and updated version of the play was presented as part of the autumn 2018 Mischief Festival at The Other Place, Stratford-upon-Avon, on 27 September 2018. The cast was as follows:
PUGACHEV/TRELAWNEY/CHORUSGeoffrey Beevers
WEINER/MRS GLASS/WOMAN/CHORUSGillian Bevan
JEREMY/SKURATOV/CHORUSRichard Cant
CLARA/JUDY/CHORUSSophie Khan Levy
PHIL/KOROLENKO/CHORUSChris Nayak
AMANDA/ERICA/CHORUSLily Nichol
MARTIN/CHORUSMark Quartley
JAMES GRAIN/PALOCZI/CHORUSChristopher Simpson
BRYONY/MOLLY/TANYA/CHORUSLiyah Summers
LERMONTOV/CHORUSJay Taylor
KAYLAKatherine Kotz
GRakesh Boury
REMIXCiaran Alexander Stewart
DirectorOwen Horsley
DesignerSimon Wells
Lighting DesignerClaire Gerrens
Sound DesignerSteven Atkinson
Movement DirectorPolly Bennett
Company Voice and Text WorkKate Godfrey
Assistant DirectorRosa Crompton
Casting DirectorMatthew Dewsbury
DramaturgPippa Hill
Production ManagerJulian Cree
Costume SupervisorSamantha Pickering
Props SupervisorCharlotte King
Company Stage ManagerJulia Wade
Assistant Stage ManagerPK Thummukgool
ProducerClaire Birch
CrewDan Avery
Samantha Gray
Alex Hughes
Jon Lawrence
Laura O’Driscoll
Matty Sanders
Characters
THE CHORUS
PART ONE:
England and America: 1945–1975
JEREMY CROWTHER
PAVEL LERMONTOV
MARTIN GLASS
JAMES GRAIN
PHIL
AMANDA
BRYONY
JUDY
PHYLLIS WEINER
POLICEMAN
DETECTIVE
PAPERSELLERS
TWO LIBERTARIANS
MRS GLASS
SMOKER
MOLLY
END OF PART ONE:
Glienicke Bridge: 1978
KGB OFFICER
AMBASSADOR
SVETLANA DANILOVA
MIKLOS PALOCZI
PART TWO:
The Eastern Bloc: 1956–1971
CLARA IVANOVNA
ERICA MOLNAR
OLD WOMAN
SOVIET SOLDIERS
SOVIET SERGEANT
YOUNG SOLDIER
HUNGARIAN PRISONERS
PUGACHEV
SKURATOV
GUARDS
KOROLENKO
PRISONER
OFFICER
DOCTOR
CHIEF OFFICER
PART THREE:
England: 1978–1984
REPORTERS
CAMERAMEN
OFFICIAL (HEATHROW)
SIR HUGH TRELAWNEY
WAITER
TANYA
Suggested Doubling
For a cast of ten:
JEREMY, PARTYGOER, SERGEANT, SKURATOV, OFFICER
MARTIN, YOUNG SOLDIER
JAMES, PALOCZI
AMANDA, ERICA
CLARA, JUDY, 6TH PAPERSELLER, LIBERTARIAN, SVETLANA
PHIL, 1ST PAPERSELLER, SMOKER, 1ST SOLDIER, KOROLENKO, WAITER
BRYONY, 4TH PAPERSELLER, LIBERTARIAN, MOLLY, 2ND SOLDIER, TANYA
PHYLLIS WEINER, 3RD PAPERSELLER, MRS GLASS, PARTYGOER, OLD WOMAN, KGB OFFICER, DOCTOR
LERMONTOV, 2ND PAPERSELLER
DETECTIVE, 5TH PAPERSELLER, PARTYGOER, AMBASSADOR, PUGACHEV, CHIEF OFFICER, TRELAWNEY
Languages
Although people speak in Russian and Hungarian, all languages are rendered in English. When Lermontov is speaking English, he does so with a Russian accent. Palozci speaks Russian well enough not to need an accent; his English is good too, but accented. When Lermontov and Paloczi speak to each other, without wishing others to hear, they speak in Russian, rendered as accentless English.
On a couple of occasions, Lermontov asks Paloczi for an English word. So, when he is groping for the word ‘novelty’, we assume that the phrase ‘new thing’ is, as it were, the Russian words for ‘novelty’.
Notation
A forward slash (/) indicates when the next speaker begins speaking.
May Days
5 May 1818Karl Marx is born.
15 May 1848A Communist rising in Paris is quickly overthrown.
28 May 1871The Paris Commune falls after fifteen months in power.
1 May 1886A Chicago strike for the eight-hour day leads to the founding of the international May Day workers’ festival.
4 May 1919The Bavarian Soviet is defeated after two weeks in power.
4 May 1926The nine-day British General Strike begins.
3 May 1936A left-wing popular front government is elected in France.
3 May 1937Communists suppress anarchist revolutionaries in Barcelona.
2 May 1945Berlin falls to the Red Army.
7 May 1954The French are defeated by Communist Vietnamese forces at Dien Bien Phu.
10 May 1968The Parisian ‘Night of the Barricades’ leads to a general strike by ten million workers.
1 May 1973Two million British workers strike against anti-union legislation.
5 May 1982Attempts to evict the women’s peace camp at Greenham Common fail.
Part One
The thing that attracted me, even infatuated me, about the Communist movement was the feeling, however illusory, of being close to the helm of history… There was at the time, and with us youngsters in particular, an altogether idealist illusion that we were inaugurating a human era, an era where every man – every man – would be neither outside history nor under the heel of history, but would direct and create it himself…
Milan Kundera, The Joke, 1967
I allowed myself to be forced into the position of feeling guilty not only about my own indecisions, but about the very virtues of love and pity and a passion for personal freedom which had brought me close to Communism. The Communists told me that these feelings were ‘bourgeois’. The Communist, having joined the Party, has to castrate himself of the reasons which made him one.
Stephen Spender, The God that Failed, 1950
We shall not enter the kingdom of socialism in white gloves on a polished floor.
Leon Trotsky, December 1917
Scene One
May Day 1945. England. Enter a young man, JEREMY CROWTHER, from the Midlands. He has a soapbox and a red flag. He climbs on the soapbox.
The CHORUS consists of actors in the present day.
CHORUS. May Day.
The traditional spring festival.
The universal distress call.
The International Workers’ Day.
Leicester, 1945.
JEREMY. Friends. This May Day of all May Days we celebrate the achievements of the international working class.
CHORUS. Jeremy.
Seventeen.
JEREMY. Fascism has been defeated! The war is won!
CHORUS. The next day, the victorious Soviet Army will raise the Red Flag over the Reichstag in Berlin.
JEREMY. At last we face a future of peace and progress!
CHORUS. Three months later, the Labour Party will win a landslide victory in the British General Election.
JEREMY. An end to colonialism!
CHORUS. Two years later, India will win independence from Britain.
JEREMY. No return to the poverty and mise...

Table of contents

  1. Cover
  2. Title Page
  3. Contents
  4. Introduction
  5. Maydays
  6. Trying It On
  7. About the Author
  8. Copyright and Performing Rights Information