
- English
- PDF
- Available on iOS & Android
About this book
Beginning with the pin-up's origins in mid-nineteenth-century carte-de-visite photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in Esquire during World War II, the early years of Playboy magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, Pin-Up Grrrls is the story of how women have publicly defined and represented their sexuality since the 1860s.
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Information
Table of contents
- Contents
- Acknowledgments
- Introduction: Defining/Defending the ‘‘Feminist Pin-Up’’
- 1 Representing ‘‘Awarishness’’: The Theatrical Origins of the Feminist Pin-Up Girl
- 2 New Women for the New Century: Feminism and the Pin-Up at the Fin de Siècle
- 3 The Return of Theatrical Feminism: Early-Twentieth-Century Pin-Ups on the Stage, Street, and Screen
- 4 Celebrating the ‘‘Kind of Girl Who Dominates’’: Film Fanzines and the Feminist Pin-Up
- 5 New Frontiers: Sex, Women, and World War II
- 6 Pop Goes the Pin-Up: New Roles and Readings in the Postwar Era
- 7 Our Bodies/Ourselves: Pin-Ups in the Wake of Women’s Liberation
- 8 FromWomyn to Grrrls: The Postmodern Feminist Pin-Up
- Conclusion/Commencement
- Notes
- Bibliography
- Index