History of Contemporary Art

The Little Prince

After the End of Art

Critical Landscapes

Performance

Digital Design

The Global Rules of Art

Modern Sculpture

Red

Hold It Against Me

Art of the Deal

Hélio Oiticica

Memory Art in the Contemporary World

Art and Nature in the Anthropocene

Reductionism in Art and Brain Science

Empowering Aesthetics

Postwar Revisited

Imaging Animal Industry

The New Urban Aesthetic

Before-and-After Photography

Contemporary Art in Heritage Spaces

The Rise and Fall of American Art, 1940s–1980s

Other Planes of There

On Slowness

Talking Prices

An Ideal Theater

Scandinavian Design

Symbolism, Dada, Surrealisms

Pictures of Nothing

Entangled Art Histories in Ukraine

American Artists in Postwar Rome

Moments of Perception

Transnational Perspectives on Feminism and Art, 1960-1985

The Visual Is Political

Island Zombie

Beyond the World's End

Fluxus Forms

The Art of Activism and the Activism of Art

The One and the Many

Death's Futurity

Alternative Iran

Bound by Creativity

Another Aesthetics Is Possible

Global Photography

AFRICOBRA

The Romare Bearden Reader

The Art of Resistance

John Heartfield and the Agitated Image

A Companion to Contemporary Art Since 1945

The Shape of Content

Reclaiming the Americas

Concerning the Spiritual in Art

Heavyweight

Activism

Depth Effects

Prague, Capital of the Twentieth Century

Black Bodies, White Gold

Media Primitivism

American Artists in Postwar Rome

The Invisibility of Religion in Contemporary Art

Speculative Light

Visions of the Future

Ben Shahn, On Nonconformity

Women, Making, and Everyday Value in Contemporary Installation Art

Surrealism and Animation

Films That Spill

Minor White, Memorable Fancies

Art and Intimacy in Modern Italy

Art and Intimacy in Modern Italy

Collections, Exhibitions and Museums in Portugal and Its Empire

Art in Hong Kong

The Afterlife of Palestinian Images

Modern and Contemporary Korean Art in Context

Women and Partisan Art

Miami's Art Boom

Barnett Newman

Contemporary Art in the Post-Yugoslav Space

Contemporary Transnational Feminist Visual Activism and Gender-Based Violence

Images, Reality, and Digital Culture

Behaviourist Art and Cybernetics

Experience and Nature. Illustrated

Counter Print

Black Artists in Their Own Words

The Grand Valley

Transnational Perspectives on the Art of Piero Manzoni and Hélio Oiticica

Postmodernism and Video Art

The Inherent Potential in Art Performance

Frank O’Hara and MoMA

Child Creativity and the Visual Arts: From Secessionist Vienna to Postwar America

Gendered Aesthetics of Blackness

Pedagogical Art in Activist and Curatorial Practices

Conceptual Art After Modernism

Surrealism and Animation

Modern and Contemporary Korean Art in Context

Skin Color and Whiteness in Contemporary Art

Surreal

African American Artists Performing for the Camera After 1970

Art at the Crossroads

The Deployment of Art

A Handbook of Latinx Art

Art and Artifice in Visual Culture

Confessional Video Art and Subjectivity

Donald Rodney

Becoming Escher

Transformative Objects and the Aesthetics of Play

The Agency of Access

Life Is Other

Art in Ukraine Between Identity Construction and Anti-Colonial Resistance

Aesthetics, Gender, and Disability in Interactive Digital Art and Performance Art

Contemporary Art and Other Obstructions

Surrealism and the People’s Republic of China

Rethinking American Art

Performance in the Museum

It Hurts!

Contemporary Art in the Post-Yugoslav Space

Experience and Nature. Illustrated

The Grand Valley

Contemporary Transnational Feminist Visual Activism and Gender-Based Violence

Images, Reality, and Digital Culture

Behaviourist Art and Cybernetics

Counter Print

Art and Artifice in Visual Culture

Black Artists in Their Own Words

Postmodernism and Video Art

Films That Spill

The Inherent Potential in Art Performance

Frank O’Hara and MoMA

The Deployment of Art

Child Creativity and the Visual Arts: From Secessionist Vienna to Postwar America

Becoming Escher

Transnational Perspectives on the Art of Piero Manzoni and Hélio Oiticica

Activism

Art as Demonstration

William Kentridge

African American Artists Performing for the Camera After 1970

Gendered Aesthetics of Blackness

Women, Making, and Everyday Value in Contemporary Installation Art

Arts and Politics of the Situationist International 1957–1972

Pedagogical Art in Activist and Curatorial Practices

Visions of the Future

Ben Shahn, On Nonconformity

Conceptual Art After Modernism

Surrealism and Animation

Surrealism and Animation

Modern and Contemporary Korean Art in Context

Modern and Contemporary Korean Art in Context

Skin Color and Whiteness in Contemporary Art

Empowering Aesthetics

Postwar Revisited

Andy Warhol

Art and Intimacy in Modern Italy

Your History with Me

Surreal

The Invisibility of Religion in Contemporary Art

Urban Mobilities in Literature and Art Activism

The Afterlife of Palestinian Images

Contemporary Photography as Collaboration

Art at the Crossroads

American Artists in Postwar Rome

Confessional Video Art and Subjectivity

Minor White, Memorable Fancies

Art in Hong Kong

A Handbook of Latinx Art

Art and Intimacy in Modern Italy

Collections, Exhibitions and Museums in Portugal and Its Empire

AI and the Art Market

Donald Rodney

Speculative Light

Transformative Objects and the Aesthetics of Play

Critical Landscapes

Entangled Art Histories in Ukraine