Art Theory & Criticism

A Companion to Color

The Eternal Present, Volume I

Arrested Welcome

Museums Inside Out

A Companion to Feminist Art

A Companion to Feminist Art

Becoming Past

Walter Benjamin

Sound, Image, Silence

What Do Pictures Want?

The Power of Images

Old Mistresses

Vision and Difference

Interior Design on Edge

Colour Third Edition

The Transformative Power of Performance

Art history

Always More Than One

White

Theory of the Gimmick

Fashion, Culture, and Identity

Race-ing Art History

Performing the Body/Performing the Text

Selected Writings on Visual Arts and Culture

Situated in Translations

The Poetics of Waste

The Subversive Imagination

Contact: Art and the Pull of Print

Contemporary Color

Fundamentals of Art History

The Right to Look

Philosophy of the Arts

Art and Illusion

An Introduction to Visual Culture

Blue

Color Theory for the Make-up Artist

Progressive Perspective Drawing for Theatrical Scene Design

An Introduction to Applied Semiotics

Perspectives on contemporary printmaking

Sociology Looks at the Arts

Making

Extra/Ordinary

Picture This

The Global Work of Art

How Art Can Be Thought

Postwar Revisited

Face and Mask

On Painting

An Anthropology of Images

Documenting the Visual Arts

The Politics Of Vision

Neuroaesthetics

Contemporary Art and Digital Culture

Thinking Through Art

What Art Is Now

Useful Art

Women and Partisan Art

The Embedded Portrait

Fear Not!

Green

Posthumanism in Practice

Modern Art And Modernism

The Creative Critic

Philosophical Perspectives on Fashion

Practice as Research

An Introduction to Electronic Art Through the Teaching of Jacques Lacan

Feminism. Art. Capitalism.

Salted Earth

Church Beautiful

Art-Science Undisciplined

Thinking About Art

Grotesque

Art as a Living Theology

Willem de Kooning

The invisible divine in Christian art

The Failure of the White Cube

Gina Pane: Actions Through Time

The Alchemy of Research-Creation

Narrativising Artistic Discovery

Music and Motion – Interweaving Artistic Practice and Theory in Dance and Beyond

Looking Through Theatre

Close Writing

Guy Debord

The Trouble with Space in Painting

Spontaneous Objects

Aesthetic Criticism

Writings on Art and Politics

Queer Making

Textile Translations

Worlding and Storying Forced Displacement

Reference and Contemporaneity in Architecture

Contemporary Art in the Conflicts of Globalization

Art Encounters in the Nuclear Age

A Psychoanalytic Engagement with the Arts

The Aesthetic Question

Unseparate

Closer Reading

Ruskin on Art and Artists

The Persistence of Masks

Fashion in theory

The Cultural Logic of Late Capitalism

Curating Transatlantic Slavery

Degas, Manet, Morisot

Colorstruck!

Black British Music Video

A Companion to Color

Along the Diagonal

The Anthropocene and Visual Culture in Australia

Neuroaesthetics and Psychoanalysis

Vermeer’s Afterlives

Arrows Tipped with Flowers

Mere Materialism

The Haptic Arts

Modernity in Perspective

World Innovators Cup

Strange Tastes

The Arts in Philosophical Practice

Archipelagoes of Longing

Black and Gold

Virtual Reality Exhibited

Intersecting Threads

Portraits of Empiricism

Materiality and The Afterlife of Artworks

An Introduction to Visual Culture

Grotesque

Picturebooks: Representation and Narration

Art as a Living Theology

Willem de Kooning

General Ecology

The New Politics of the Handmade

Testaments Betrayed

The Artist’s Watercolour Problem Solver

Salted Earth

The Failure of the White Cube

Church Beautiful

The Alchemy of Research-Creation

Gina Pane: Actions Through Time

Narrativising Artistic Discovery

Looking Through Theatre

Music and Motion – Interweaving Artistic Practice and Theory in Dance and Beyond

Art-Science Undisciplined

Close Writing

Guy Debord

Married to the empire

The Trouble with Space in Painting

Spontaneous Objects

Aesthetic Criticism

Reference and Contemporaneity in Architecture

What Art Is Now

Film, Art, and the Limits of Science

Art-Making as Problem-Solving

Ruskin After 200

Writings on Art and Politics

Useful Art

Queer Making

Quotational Practices

Gestures

Thought in the Act

Touch

From Light to Dark

Against Aesthetic Exceptionalism

Earth-Mapping

On Painting

Art and Cosmotechnics

The Persistence of Masks

Worlding and Storying Forced Displacement

Model collapse

Changing Images of Pictorial Space

Contemporary Art in the Conflicts of Globalization

Feminism. Art. Capitalism.

Beauty in Architecture

Art Encounters in the Nuclear Age

It Hurts!

A Psychoanalytic Engagement with the Arts

Women and Partisan Art

The Aesthetic Question

Unseparate

Ruskin on Art and Artists

Closer Reading

Complete Color Mixing Guide for Acrylics, Oils, and Watercolors