Art Theory & Criticism

Art history

Postwar Revisited

Documentary Theatre in India

Women and Partisan Art

The Pocket Universal Principles of Color

Pink

Model collapse

Fashion in theory

Topologies of Sexual Difference

Site-Reliant Immersive Experiences

Gothic Architecture and Scholasticism

Hotels

Rhetorics of Value

Informatics of Domination

Art and Intimacy in Modern Italy

Textile Translations

The Aesthetic Question

Plato, Aristotle and the Transcendence Theory of Art

Selected Writings, Volume 2

Selected Writings, Volume 1

It Hurts!

Visualizing Egypt

The Routledge Companion to Marxisms in Art History

Global Culture after Gombrich

Films That Spill

Piano Decompositions

Negative Empathy in Literature and the Arts

Worlding and Storying Forced Displacement

Annah, Infinite

Contemporary Art in the Conflicts of Globalization

A Practice of Pleasure

Feminism. Art. Capitalism.

Exemplary Things

Rethinking American Art

Sculpture in the Augmented Sphere

A Psychoanalytic Engagement with the Arts

Opacity

Unseparate

Closer Reading

Ruskin on Art and Artists

The Persistence of Masks

The New Lives of Images

Beauty in Architecture

The Human Situation: Lectures at Santa Barbara, 1959

Divine Beauty Revealed

Artistic Practices, Participation and Politics

The Grand Valley

Belarus in Autoethnographic Narratives

Art-Making as Problem-Solving

On Painting

Images and Objects of Russia's War against Ukraine

Transcultural Histories of Art and Artisanal Epistemologies

The Actual Jesus

The Human in Bits

Online Museum Collections and Social Media

Cultural Critique Through the Detour of Art

‘Our Little Gang’

Art in Orbit

Good Art/Bad Art

Like the Sea