
- 552 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Routledge Companion to Marxisms in Art History
About this book
This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.
Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.
This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art.
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Information
Table of contents
- Cover
- Half Title
- Dedication
- Title Page
- Copyright Page
- Table of Contents
- List of Figures
- Acknowledgments
- About the Editors
- List of Contributors
- Introduction: Why Marxisms in Art History?
- Part 1 Key Figures
- Part 2 Key Terms
- Part 3 Marxisms Applied
- Part 4 Marxist Methods in the Digital Age
- Index