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Studies In Iconology
Humanistic Themes In The Art Of The Renaissance
Erwin Panofsky
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eBook - ePub
Studies In Iconology
Humanistic Themes In The Art Of The Renaissance
Erwin Panofsky
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About This Book
In Studies in Iconology, the themes and concepts of Renaissance art are analysed and related to both classical and medieval tendencies.
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Index
ACHERON, 204; see also Personifications: River-Gods
Achilles, 115 N.
Adam, 19, 40, 45 N., 55 N.
Aeneas, 19
Aeolus, 45 s., 48
Aeschylus, 74 N.
Aglaïa, 163 N., 169
Aglauros, 98 N.
Agnolo di Ventura, tomb of Cino de' Sinibaldi (attr.), 186 N.
Aix: Ste.iMadeleine, Annunciation, 195 N.
Aix-la-Chapelle: Treasury of the Cathedral, Gospels of Otto II, 'Terra,' 20 N,, fig. 10
Alberti, Leone Battista, 18, 54 N., 138 N., 158, 159
Albricus, see Libellus de imaginibus deorum
Alciati, Andrea, 72 N., 122, 124, 215, 219 N.; illustrations: 122; 'Death Stealing the Weapons of Cupid,' 125, fig. 102; 'Eros and Anteros,' 127, fig. 100; 'Fall of Phaethon,' 219 N., fig.170
Alcuin, 21 N.
Alexander of Aphrodisias, 125
Alexander the Great, 27
A1 Ghāzāli, 99
Aniaseo, Romolo, 49 N.
Ambrose, St.,107 N.,151 N.,157 N.
Amiens: Cathedral (west façade), sculptures, 'Blind Death,' 111, 112 N.
Amor, see Cupid
Angiolini, Bartolommeo, 218 N.
Antaeus, 232
Apelles, 'Calumny,' 84, 158
Apollo, 25, 70, 149 s., 154, 216
Apuleius, 96, 97, 101, 102 N., 110 N., 166 N.
Aretino, Pietro, 148 N.
Argos, 98 N.
Ariadne, 60, 61, 63 N.
Aristotle, 27, 38, 107 N., 179 N., 209
Aries: St.Trophime, sculptures, 19
Aspelt, Peter, Archbishop of Mayence, tomb of, 185 N.
Assist: S.Francesco, fresco (detail), 'Blind Cupid,' 115, 116, 117, fig.88
Athene, 42, 97 N.; see also Minerva
Atlas, 20
Augustine, St., 107 N., 130, 214 N.; illustration in Civitas Dei Mss., 'Saturn,' 78 N.
Aurora, 210; see also Michelangelo, Florence: S.Lorenzo, 'Times of Day'
Ausonius, 126 N.
Avalos, Marquis d', 160 s.
BACCHUS, 59 ss.
Baffa, Franceschina, 147 N.
Baglione, Giovanni, 'Sacred and Profane Love,' 127 N.
Baltimore: Baltimore Museum of Art, mosaic from Antioch, 'Cupids,' 127 N., fig.99
Bandmelli, Baccio, 151, 152; 'Descent from the Cross' (drawing), 172 N.; 'Hercules Conquering Cacus,' 231, 232; engraving B.44 (after)...