Studies In Iconology

Humanistic Themes In The Art Of The Renaissance

Erwin Panofsky, Gerda S. Panofsky

• Publisher: Routledge
• Year: 2018
• eBook ISBN:
  9780429976698
• Topic: Art
• Subtopic: Art Theory & Criticism

In Studies in Iconology, the themes and concepts of Renaissance art are analysed and related to both classical and medieval tendencies.

Index

ACHERON, 204; see also Personifications: River-Gods

Achilles, 115 N.

Adam, 19, 40, 45 N., 55 N.

Aeneas, 19

Aeolus, 45 s., 48

Aeschylus, 74 N.

Aglaïa, 163 N., 169

Aglauros, 98 N.

Agnolo di Ventura, tomb of Cino de' Sinibaldi (attr.), 186 N.

Aix: Ste.iMadeleine, Annunciation, 195 N.

Aix-la-Chapelle: Treasury of the Cathedral, Gospels of Otto II, 'Terra,' 20 N,, fig. 10

Alberti, Leone Battista, 18, 54 N., 138 N., 158, 159

Albricus, see Libellus de imaginibus deorum

Alciati, Andrea, 72 N., 122, 124, 215, 219 N.; illustrations: 122; 'Death Stealing the Weapons of Cupid,' 125, fig. 102; 'Eros and Anteros,' 127, fig. 100; 'Fall of Phaethon,' 219 N., fig.170

Alcuin, 21 N.

Alexander of Aphrodisias, 125

Alexander the Great, 27

A1 Ghāzāli, 99

Aniaseo, Romolo, 49 N.

Ambrose, St.,107 N.,151 N.,157 N.

Amiens: Cathedral (west façade), sculptures, 'Blind Death,' 111, 112 N.

Amor, see Cupid

Angiolini, Bartolommeo, 218 N.

Antaeus, 232

Apelles, 'Calumny,' 84, 158

Apollo, 25, 70, 149 s., 154, 216

Apuleius, 96, 97, 101, 102 N., 110 N., 166 N.

Aretino, Pietro, 148 N.

Argos, 98 N.

Ariadne, 60, 61, 63 N.

Aristotle, 27, 38, 107 N., 179 N., 209

Aries: St.Trophime, sculptures, 19

Aspelt, Peter, Archbishop of Mayence, tomb of, 185 N.

Assist: S.Francesco, fresco (detail), 'Blind Cupid,' 115, 116, 117, fig.88

Athene, 42, 97 N.; see also Minerva

Atlas, 20

Augustine, St., 107 N., 130, 214 N.; illustration in Civitas Dei Mss., 'Saturn,' 78 N.

Aurora, 210; see also Michelangelo, Florence: S.Lorenzo, 'Times of Day'

Ausonius, 126 N.

Avalos, Marquis d', 160 s.

BACCHUS, 59 ss.

Baffa, Franceschina, 147 N.

Baglione, Giovanni, 'Sacred and Profane Love,' 127 N.

Baltimore: Baltimore Museum of Art, mosaic from Antioch, 'Cupids,' 127 N., fig.99

Bandmelli, Baccio, 151, 152; 'Descent from the Cross' (drawing), 172 N.; 'Hercules Conquering Cacus,' 231, 232; engraving B.44 (after)...

Table of contents

• Cover
• Half Title
• Title
• Copyright
• Preface to the Paperback Edition
• Preface
• Contents
• I. Introductory
• II. The Early History of Man in Two Cycles of Paintings
• III. Father Time
• IV. Blind Cupid
• V. The Neoplatonic Movement in Florence and North Italy (Bandinelli and Titian)
• VI. The Neoplatonic Movement and Michelangelo
• Appendix
• Bibliography
• Index