European Art

White

Contact: Art and the Pull of Print

The Bright Ages

Life in a Medieval City

The Cultures of Entanglement

Tales Things Tell

The Embedded Portrait

Conchophilia

Atlas, or the Anxious Gay Science

Discover the beauty of Baroque art

The Revolution Takes Form

Cézanne and America

The Making of Juana of Austria

Human Flow

Gothic Architecture and Sexuality in the Circle of Horace Walpole

The Société des Trois in the Nineteenth Century

The Bernward Gospels

Incomparable Realms

Christian Art

The Romans

Modernism versus Traditionalism

The Grammar of Ornament

A Perfect Red

Dairy Queens

Gustav Klimt and Japanese Art in Fin-de-Siècle Vienna

Versailles Mirrored

Objects in Exile

Ottoman Baroque

The Deaths of Henri Regnault

Model collapse

Actors Carved and Cast

The Portrait in the Renaissance

Jan van Eyck within His Art

Art’s Properties

Creole

Studiolo

Botticelli

Nature's Palette

Artemisia Gentileschi and Feminism in Early Modern Europe

Michelangelo, God's Architect

Sámi Art and Aesthetics

Color in the Age of Impressionism

Lasting Impressions

Imagining the Americas in Medici Florence

Cleopatra and Rome

Color Charts

Art and citizenship in conflict

Picturing the Romantic

The Art Spy

Cartographies of Exclusion

Seeking Childhood

At the Source

Women’s Patronage and Gendered Cultural Networks in Early Modern Europe

Aesthetic Theology in the Franciscan Tradition

The Georgian London Town House

Theophilus and the Theory and Practice of Medieval Art

The Vienna School of Art History

Borderless Painting as Borderless Art

How to Look at Pictures

Josiah Wedgwood, F.R.S.: His Personal History

Caravaggio in Early Modern Sicily

Women in Early Modern Venetian Art

Spontaneous Objects

Artistic Provenance Research

Contemporary Art in the Post-Yugoslav Space

Plunder and Survival

Contemporary Art in Bosnia-Herzegovina

Vanessa Bell and Charleston

Vanessa Bell and Charleston

Pleasure and Flesh in the Art of Rubens

Geertgen tot Sint Jans and the Art of Longing

Names to Remember

Art-Quake, 1910

Disrupting Archaeology and Art

Seeing Ireland

John Martin

Age of Surrealism

The Painter Rembrandt Harmenszoon van Rijn

The Chosen Race

A Companion to French Art

Terra Invicta

The English Silver in the Kremlin

A Neuroarthistory of The Painters of Modern Life

Karl Bryullov

Mary Cassatt

The Accidental Picasso Thief

Domenico Ghirlandaio

Opacity

Bosnian Girls, Art, and Nationalism

Reframing Chaïm Soutine

Reframing Chaïm Soutine

Contemporary Art in Bosnia-Herzegovina

Vanessa Bell and Charleston

Vanessa Bell and Charleston

Bertrand Meniel

Images and Objects of Russia's War against Ukraine

The Vatican to Vegas

A Companion to Impressionism

Pleasure and Flesh in the Art of Rubens

Modern

Critical Approaches to Art, Race and Coloniality in Eastern Europe

Geertgen tot Sint Jans and the Art of Longing

Names to Remember

Art-Quake, 1910

Montparnasse

Disrupting Archaeology and Art

Seeing Ireland

John Martin

Borderless Painting as Borderless Art

Medieval Art, Modern Politics

How to Look at Pictures

Age of Surrealism

Josiah Wedgwood, F.R.S.: His Personal History

Caravaggio in Early Modern Sicily

Gustav Klimt and Japanese Art in Fin-de-Siècle Vienna

The Painter Rembrandt Harmenszoon van Rijn

Women in Early Modern Venetian Art

Spontaneous Objects

The Chosen Race

A Companion to French Art

Terra Invicta

The Modern Dream of Order

The Harlequin Eaters

Body Modern

Schizogenesis

Living Cargo

Theory of Seeing

Sound, Image, Silence

This Is Not My World

Discomfort Food

Four Metaphors of Modernism

Artistic Provenance Research

Opacity

Karl Bryullov

Mary Cassatt

Model collapse

Domenico Ghirlandaio

The Accidental Picasso Thief

Memoirs of the Life of John Constable, Esq., R.A., Composed Chiefly of His Letters

Claude Cahun

Bosnian Girls, Art, and Nationalism

Contemporary Art in the Post-Yugoslav Space

Plunder and Survival