- 164 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Studiolo
About this book
A brief study of select Western art from Italy's foremost philosopher.
In Renaissance palaces, the studiolo was a small room to which the prince withdrew to meditate or read, surrounded by paintings he particularly loved. This book is a kind of studiolo for its author, Giorgio Agamben, as he turns his philosophical lens on the world of Western art.
Studiolo is a fascinating take on a selection of artworks created over millennia; some are easily identifiable, others rarer. Though they were produced over an arc of time stretching from 5000 BCE to the present, only now have they achieved their true legibility. Agamben contends that we must understand that the images bequeathed by the past are really addressed to us, here and now; otherwise, our historical awareness is broken. Notwithstanding the attention to detail and the critical precautions that characterize the author's method—they provoke us with a force, even a violence, that we cannot escape. When we understand why Dostoevsky feared losing his faith before Holbein's Body of the Dead Christ, when Chardin's Still Life with Hare is suddenly revealed to our gaze as a crucifixion or Twombly's sculpture shows that beauty must ultimately fall, the artwork is torn from its museological context and restored to its almost prehistoric emergence. These artworks are beautifully reproduced in color throughout Agamben's short but significant addition to his scholarly oeuvre in English translation.
In Renaissance palaces, the studiolo was a small room to which the prince withdrew to meditate or read, surrounded by paintings he particularly loved. This book is a kind of studiolo for its author, Giorgio Agamben, as he turns his philosophical lens on the world of Western art.
Studiolo is a fascinating take on a selection of artworks created over millennia; some are easily identifiable, others rarer. Though they were produced over an arc of time stretching from 5000 BCE to the present, only now have they achieved their true legibility. Agamben contends that we must understand that the images bequeathed by the past are really addressed to us, here and now; otherwise, our historical awareness is broken. Notwithstanding the attention to detail and the critical precautions that characterize the author's method—they provoke us with a force, even a violence, that we cannot escape. When we understand why Dostoevsky feared losing his faith before Holbein's Body of the Dead Christ, when Chardin's Still Life with Hare is suddenly revealed to our gaze as a crucifixion or Twombly's sculpture shows that beauty must ultimately fall, the artwork is torn from its museological context and restored to its almost prehistoric emergence. These artworks are beautifully reproduced in color throughout Agamben's short but significant addition to his scholarly oeuvre in English translation.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Studiolo by Giorgio Agamben, Alberto Toscano in PDF and/or ePUB format, as well as other popular books in Philosophy & Art Theory & Criticism. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Also by Giorgio Agamben
- Title Page
- Copyright
- A Note on the Text
- Studiolo
- The Old Man and the Nude
- The Folds of the World
- The Dormition of Art
- The White Place of Painting
- What Is Inspiration?
- The Blanket and the Sea
- The Well and the Void
- The Icon and Death
- A Winter in God
- No More Secrets
- The Absent Cross
- The Art of Thresholds
- Beauty That Falls
- The Gaze of Ancient Man
- The Body of Light
- The Everyday and Mystery
- The Clogs in God
- Prehistory Here and Now
- Making the Visible Visible
- Anatomy of the Angel
- Vision and Horror
- Works Cited
- Notes