Acting with Grotowski
Theatre as a Field for Experiencing Life
Zbigniew Cynkutis, Paul Allain, Khalid Tyabji, Khalid Tyabji
- 250 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Acting with Grotowski
Theatre as a Field for Experiencing Life
Zbigniew Cynkutis, Paul Allain, Khalid Tyabji, Khalid Tyabji
About This Book
'Zbigniew Cynkutis' writings constitute invaluable testimony of his work with Jerzy Grotowski during the 'theatre of productions' phase and beyond. Cynkutis' insights elucidate aspects of the Laboratory Theatre's praxis and provide a unique perspective on the questions most often asked about Grotowski. Authored by one of the Laboratory Theatre's most accomplished actors, this book draws on long-term theatre research and deep knowledge of the craft of acting to offer practical advice indispensable to the professional and aspiring actor alike. The volume offers the English-speaking reader an unprecedented richness of primary source material, which sheds new light on the practical work of one of the most influential theatre directors of the 20th century. Cynkutis' voice is sincere and direct, and will continue to inspire new generations of theatre practitioners.' ā Dominika Laster, Yale University
Acting with Grotowski: Theatre as a Field for Experiencing Life explores the actor-director dynamic through the experience of Zbigniew Cynkutis, one of Polish director Jerzy Grotowski's foremost collaborators. Cynkutis's work as an actor, combined with his later work as a director and theatre manager, gave him a visionary overview based on precise embodied understanding.
Cynkutis's writings yield numerous insights into the commitment needed to make innovative, challenging theatre. A central component of Acting with Grotowski is his distinctive approach to training: 'Conversations with the Body' includes a range of techniques and approaches to warming up, rehearsing and creating work from a physical starting point, beautifully illustrated by Bill Ireland.
The book comprises reflections and practical suggestions on a range of subjects ā theatre and culture, improvisation, ethics, group dynamics, and Cynkutis's vision for the Wroc?aw Second Studio.? It contains visual and textual materials from Cynkutis's own private archive, such as diary entries and letters. Acting with Grotowski demonstrates the thin line that separates life and art when an artist works with extreme commitment in testing political and social conditions.
Frequently asked questions
Information
1 A chronological biography of Zbigniew Cynkutis
1938
18 August
1939
September
1956
9 April
3 May
5 July
The creativity of the actor develops from the many activities and ideals with which the actor should be engaged. This demands tremendous work on the self and the strength to interpret a role responsibly. For a good interpretation one has to accumulate knowledge and a precise study of the epoch in which the recreated character existed; skill in acquiring the mentality which ruled the way of life of a given epoch; appropriate mime and gestures; complete giving of the self to the character one is revealing. I like immensely the creativity in [Laurence] Olivierās acting, whose every gesture, every movement, is comprehensible and therefore beautiful.An actor is a person of great intelligence and the role created by him is the result of immense work and long and often arduous study. Therefore, the role played by an actor is natural. An actor uses for his interpretation specific capabilities acquired over many years through the study of acting and through practice. An actor may play many roles. An ordinary person may play in front of the camera only that role which is his everyday work.
6 July
1958
1959
12 January
1960
4 February
May
21 June
28 June
Figure 1.1 | Zbigniew Cynkutis in Zamach, directed by Jerzy Passendorfer, 1958. Photograph: Witold Mickiewicz. |
Figure 1.2 | Zbigniew Cynkutis. Screen test photograph for Lotna, directed by Andrzej Wajda, 1959. Cynkutis was not in the final film. Photograph: Antoni NurzyÅski. |