The Palgrave Handbook of Theatre Censorship

Historical Dictionary of Vaudeville

The Great White Way

The Hutchinson Dictionary of Ancient and Medieval Warfare

The Hutchinson Atlas of World War II Battle Plans

Encyclopedia of Warfare

Blacks in Blackface: A Sourcebook on Early Black Musical Shows

Historical Dictionary of Contemporary American Theater

Routledge Library Editions: Shakespeare in Performance

The Routledge Companion to Butoh Performance

The Palgrave Handbook of Musical Theatre Producers

World War II in Europe

The New York Times Theater Reviews 1997-1998

Pierrots on the Stage of Desire

Reader's Guide to Military History

World Encyclopedia of Contemporary Theatre

Daring to Play

Ottemiller's Index to Plays in Collections

International Encyclopedia of Adolescence

Regional Theatre

Theatre Histories

Dance Appreciation

Arts Entrepreneurship

Commercial Dance

Interpreting the Play Script

Stage Makeup

Equus

Performing Arts Management

Oresteia

Acting in Musical Theatre

Performance Studies

Respect for Acting

Illustrated Theatre Production Guide

Secrets of Screen Acting

Teaching What You Want to Learn

Commedia Dell'Arte: An Actor's Handbook

The Performance Studies Reader

Talk Radio

The Transformative Power of Performance

The Gospel at Colonus

Broadway Nation

A Beginner’s Guide to Acting Methods

The Right to Speak

Stage Management

Slave Play

Hear Me Now

Stagecraft Fundamentals

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Barber Shop Chronicles

Entertainment Rigging for the 21st Century

Monologues for Latino/a Actors

Dance Medicine in Practice

Our Musicals, Ourselves

Navigating a Career in Technical Entertainment

Foam Patterning and Construction Techniques

The Vagrant Trilogy: Three Plays by Mona Mansour

Contemporary Circus

Performing Remains

The Tourist's Guide to Lost Yiddish New York City

Working Together in Theatre

Theatre in Practice

How to Swing in Musical Theatre

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A World Elsewhere

Theatre and Death

Farinelli and the King

Costume in Performance

The Stage Lives of Animals

Shakespeare and the Jews

Stays and Corsets

Performance Studies

Bottleneck

The Radical in Performance

Scenery

Theatre and Violence

Practice as Research in the Arts

Breathing Corpses

Acting Heightened Text

From Page to Stage

An idea for a theatre ecology

Participatory Opera

Music and Ideology

Do It Yourself

American Musicals in Historical Context

Directing in Musical Theatre

Human Theatre and Energetic Alchemy

Peter Quilter Plays 1

Teeth

Routledge Companion to Performance and Technology

Designing Eurovision

Stage Management

Applied Theatre and Racial Justice

Dance Appreciation

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Physicality and Acting

Fifty Key Performance Artists

Zombies, Werewolves, Robots, and Extraterrestrials

How to Succeed in Musical Theatre Without Really Dying

Monstrous Utopias

Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training

Acting

Stanislavsky and Place

Contemporary Choreography

The Industry Guide to Musical Theatre Auditions

Latinidad in Musical Theatre

Stanislavsky and Screen Actor Training

The Routledge Companion to Twentieth Century British Theatre and Performance

Climate Theatre

Out of the Black Box

Milestones in Actor Training

Mattering Voices

Zoomers and Other Plays

Stephen Sondheim’s Sweeney Todd

Feminist Approaches in Musical Theatre

Creativity in Theatre-Making

Bernard Shaw and the British Regional Repertory Movement

Being Black and British

Below the Waist: Pads, Hoops, Crinolines and Bustles

Improvisation Methods and Practices in Southeast Asia

Performing Censorship

Gina Gionfriddo Plays 1

Melodrama as Provocateur

Adaptation in Musical Theatre

The Routledge Companion to Performance and Science

Acting the Michael Chekhov Way

Matching Minds with Sondheim

Michael Chekhov’s Pedagogy from Europe to America, Volume I

Michael Chekhov’s Pedagogy from Europe to America, Volume II

How to Understand Theatre Audiences

Seven Pillars Acting

The Complete Novels of Jane Austen

Andy Blankenbuehler

The Embattled Academy

Out On Stage

Peter Quilter Plays 1

Teeth

Routledge Companion to Performance and Technology

Designing Eurovision

Stage Management

Shakespeare in the Theatre: The American Shakespeare Center

Self-Sabotage

Finding Me

Applied Theatre and Racial Justice

Dance Appreciation

Participatory Opera

Electricity for the Entertainment Electrician and Technician

A History of the American Musical Theatre

Insubordinate Costume

Designing with Light

Physicality and Acting

Fifty Key Performance Artists

Zombies, Werewolves, Robots, and Extraterrestrials

How to Succeed in Musical Theatre Without Really Dying

Monstrous Utopias

Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training

Acting

Music and Ideology

Contemporary Choreography

Stanislavsky and Place

Witnessing Change: Applied Theatre and Youth Agency

Bernard Shaw and the British Regional Repertory Movement

Performance and the Disney Theme Park Experience

Performing Censorship

Sound and Sense in Contemporary Theatre

Performing Homescapes

The Industry Guide to Musical Theatre Auditions

Latinidad in Musical Theatre

Stanislavsky and Screen Actor Training

Documentary and Verbatim Theatre

The Routledge Companion to Twentieth Century British Theatre and Performance

Climate Theatre

Breaking the Code

From Word to Play

Passing Strange

Noël Coward

Out of the Black Box

Milestones in Actor Training

Mattering Voices

Zoomers and Other Plays

Stephen Sondheim’s Sweeney Todd

Feminist Approaches in Musical Theatre

Creativity in Theatre-Making

Acting Heightened Text

From Page to Stage

Do It Yourself

Being Black and British

Below the Waist: Pads, Hoops, Crinolines and Bustles

Fitzmaurice Voicework

Arts-Based Research in Theatre and Performance

Improvisation Methods and Practices in Southeast Asia

An idea for a theatre ecology