Television History & Criticism

A Companion to Reality Television

Televisuality

The Palgrave Handbook of Holocaust Literature and Culture

A Companion to Television

The Indecent Screen

Extraordinarily Ordinary

Pop Empires

Through the Crosshairs

Genre and Television

The Female Teacher on Television

The Television Will Be Revolutionized, Second Edition

Cold War, Cool Medium

Television Aesthetics and Style

New Basque Gothic

Peak TV’s Unapologetic Jewish Woman

Black, White, and in Color

Maternal Horror Film

Postfeminism and the Fatale Figure in Neo-Noir Cinema

Gendering the Recession

Paving the Empire Road

Screwball Television

Triumph of a Time Lord

Restyling Factual TV

Textual Poachers

Television Culture

Entertainment and Society

Adaptation and Beyond

Exploring the Land of Ooo

Epic / everyday

Death is Served

Women's Music for the Screen

Cue and Cut

A Cultural History of the Disney Fairy Tale

Unwatchable

State of play

Remaking Kurosawa

It's Not TV

Saturday Night

Ana M. López

Reading Contemporary Serial Television Universes

How to Watch Television, Second Edition

After Mass Media

The Sitcom Reader, Second Edition

Fantasy

Caryl Churchill

Road Movies

We're Not Worthy

The New Female Antihero

How to Write About Theatre

Distribution Revolution

World Politics on Screen

Popular Italian Cinema

Satire TV

Global Indigenous Media

Crime Fiction

Performing the News

Locker Room Talk

There She Goes Again

Univision, Telemundo, and the Rise of Spanish-Language Television in the United States

Survivor and the Endless Gaze

Safety and Health for the Stage

Kindness and Wonder

Lessons Learned from Popular Culture

It's Been Beautiful

Sitcom

Interface Frictions

Australian Queer Screens

The Cambridge Footlights

Conflict Resolution and the Cold War

Community

The Impossible Woman

Twin Peaks: The Return, Part 8

Down the Road and Back Again

Representing the New AI in Film and Television

Seinfeld Seasons 1 -5

Survivor

Streaming Video in the Global South

Magic Rays of Light

Eggs I Have Laid

Female Detectives on Post-Network Television

Neglected Scorsese

Caught on Screen

The Golden Girls

Female Robots and AI in Science Fiction Cinema

Cultural Specificity in Transnational Television Drama

Gender and Contemporary Television in Iberia and Latin America

Law & Order

A new genre for television?

Dashing to the End

Spanish-Language Television

Female Robots and AI in Science Fiction Cinema

The Cambridge Footlights

Streaming Video in the Global South

Black, White, and in Color

Magic Rays of Light

Eggs I Have Laid

Conflict Resolution and the Cold War

Female Detectives on Post-Network Television

New Basque Gothic

Downton Abbey

Community

The Impossible Woman

You Can't Air That

Twin Peaks: The Return, Part 8

Neglected Scorsese

Caught on Screen

The Golden Girls

Love Across the Atlantic

A new genre for television?

Mainstreaming Gays

Prestige Television

There She Goes Again

Cultural Specificity in Transnational Television Drama

Gender and Contemporary Television in Iberia and Latin America

Interface Frictions

The Female Teacher on Television

Univision, Telemundo, and the Rise of Spanish-Language Television in the United States

Too Bold for the Box Office

Breaking Bad

Survivor

Knights of Cinema

Seinfeld Seasons 1 -5

The Greatest Cult Television Shows of All Time

Television Dramas and the Global Village

Women and Comedy

"Sesame Street" and the Reform of Children's Television

Law & Order

Sex and the City

Native Americans on Network TV

Upstairs and Downstairs

Transnational Korean Television

The Golden Girls

Peak TV’s Unapologetic Jewish Woman

You Are My Happy Ending

Apocalypse Television

Northern Exposure

Sitcommentary

The Paranormal and the Paranoid

Real People and the Rise of Reality Television

Nobody Expects the Spanish Inquisition

The Surveillance of Women on Reality Television

Remake Television

Only Fools and Horses

A Good Bad Boy

Down the Road and Back Again

Representing the New AI in Film and Television

Frankie Howerd