Dance

Commercial Dance

Ballroom, Boogie, Shimmy Sham, Shake

Acting For Real

The Moving Researcher

The Lucid Body

Contemporary Choreography

Choreographing Empathy

The Costumes of Burlesque

The Meaning of Movement

The Dancer's Voice

The Choreopolitics of Alain Platel's les ballets C de la B

The Intimate Act Of Choreography

How to Swing in Musical Theatre

Making Video Dance

Being a Ballerina

The Essential Guide to Jazz Dance

American Dance

Teaching What You Want to Learn

Choreography

Hijikata Tatsumi and Ohno Kazuo

Multiplicity, Embodiment and the Contemporary Dancer

The Dance Technique of Doris Humphrey

Making Caribbean Dance

At the Threshold

Dance Education

Dance Dramaturgy

Swans of the Kremlin

Speaking of Dance

Anthropology of the Performing Arts

Somatic Movement Dance Therapy

The Essential Guide to Contemporary Dance Techniques

Psychology for Dancers

Consent Practices in Performing Arts Education

The Art of Ballet Accompaniment

Performance Psychology for Dancers

Matamua ko te Kupu!

Futures of Dance Studies

Physical Dramaturgy

Performing the Remembered Present

Dramatic Dance

Dance Movement Therapy

Swing Dancing

Sound Clash

Choreography And The Specific Image

Evolving Synergies

Waltzing in the Dark

Decorum of the Minuet, Delirium of the Waltz

Technical Manual and Dictionary of Classical Ballet

Rethinking Dance History

Movement for Actors

Dance Nation

Dancing Women

Dance Pedagogy

The People’s Dance

An Introduction to Community Dance Practice

Danza e Spazio

Judson Dance Theater

Noh

Ballroom

Care Aesthetics and the Arts

Chinese Diasporic Writers and Artists

Theatres of the Body

The Physically Disabled Dancer and the Affirmative Model of Disability

The Planetary Gestures in Eurythmy

To All Appearances

Dance and Science in the Long Nineteenth Century

The Dancer's Handbook

Dancing for Their Lives

Skolt Saami Dance

Meditative Dance Theatre in Contemporary Taiwan

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

Diamond and Juba

Dancing Chineseness and Techno-Choreography

Popular Culture in South Asian Context

Tracing the Soul, Choreographing Transgression in Flamenco and Tauromaquia

Practitioner Perspectives on Dance Research

Wartime cinema, Englishness and propaganda

The Inherent Potential in Art Performance

Language of the Axis

Dance Code

Kinaesthetic Empathy, Ethics and Care

Like the Sea

Children Dancing in Bali

The Practitioner’s Essential Guide to Teaching Seated Dance Across the Lifespan

Behind the Red Velvet Curtain

Moving through Life

Encountering Disability and Citizenship through Contemporary Dance in Africa

Meditative Dance Theatre in Contemporary Taiwan

Diamond and Juba

Modern Dance Techniques and Teaching

Looking at Contemporary Dance

Chinese Diasporic Writers and Artists

The Royal Ballet: 75 Years

Matthew Bourne and His Adventures in Dance

Dance Science

Elements of Classical Ballet Technique

The Dance Technique of Doris Humphrey

Appreciating Dance

Looking at Contemporary Dance

Dance, Human Rights, and Social Justice

The Intellect Handbook of Dance Education Research

Dancing with Merce Cunningham

Straight White Men Can’t Dance

Dancing for Their Lives

Capoeira Connections

Rooted Jazz Dance

Research Methods in the Dance Sciences

Dance and Science in the Long Nineteenth Century

Pilobolus

A Guide to a Somatic Movement Practice

Onstage with Martha Graham

Being a Ballerina

Balanchine's Apprentice

Dancing in Blackness

Broadway, Balanchine, and Beyond

Dance and Gender

Making Caribbean Dance

Nijinsky's Feeling Mind

Bringing the Body to the Stage and Screen

Rudolf Laban

Theatres of the Body

Dancing Bodies of Devotion

Anthropology of the Performing Arts

The Business of Ballet

Myth Performance in the African Diasporas

Salsa and Its Transnational Moves

Facing the Fire, Taking the Stage

Ballroom Dancing

How To Dance The Foxtrot

Tap Dancing at a Glance

The History Of Dance - Ballet

Ballroom Etiquette - For Ladies And Gentlemen

Maria Tallchief

The Physically Disabled Dancer and the Affirmative Model of Disability

The Planetary Gestures in Eurythmy

Made in NuYoRico

Dance, Performance and Visual Art

Choreographic Practice in Online Pedagogy

Performing Climates

To All Appearances

Balanchine and Me

Noh

Text as Dance

The Dancer's Handbook