In the Introduction we mentioned the idea that Content could be seen as a symptom of marketingâs evolution rather than just a solution. We also introduced the VUCA conditions that are enveloping the modern marketing business (and overall). The above quote from 1998, by media theorist and cultural critic Neil Postman, helps explain the desperate need to adapt, to survive and, if possible, to thrive in such an environment. We also showed that instead of trying to define Content on a meta-level, a better approach would be to take advice from visual thinker and author Dan Roam (2009) and start asking better questions about its role:
Whoever best describes the problem is the most likely to solve it.
The beginning of that answer is summed up in expert feedback highlighted in the second phase of the Defining Branded Content for the Digital Age research commissioned by the Branded Content Marketing Association mentioned in the previous chapter (BCMA, 2016):
So, a lot of the reasons for the increase in this [non-interruptive] approach is because there have been fundamental changes in the way that people consume and use media and digital technologies.
We will be looking here at these changing ecological conditions in detail. This chapter explores why Content is seen as a better promise than the (more interruptive) advertising model it challenges. Later, in Chapter 10, we will be hearing from Contentâs naysayers. Hopefully, presenting the for and against like this will help you judge where you stand in this heated debate.
Reasons to see Content as a potential solution
Brands losing control: no more faking it?
There is a recurring theme among some marketing academics and practitioners about how companies have lost control of their brands to their consumers thanks to the democratization of media and, specifically, the proliferation of social platforms (McAfee, 2009). It is one that lies behind the attempt to develop a more âholistic conceptualizationâ of the term branded content in the first phase of the BCMAâs research mentioned above (Asmussen et al, 2014):
This loss of control over branded content is an aspect of social media that organizations have to learn to live with. It supports the need for organizations to instil good practices, good customer service and communications across their entire business.
The point being made is that now both its cheerleading customers and critics can create and distribute content connected with a brand. It is one thing to understand this in principle, but a much bolder step to let go and suddenly embrace the kind of open-source branding being advocated by Professor Susan Fournier and Dr Jill Avery (2011). They present an upside to consumer empowerment where brands can not only have their customers discuss their content, but also have their fans actually create it for them. Yet, even when sold as a virtue of necessity, any rewards are always going to have to be weighed against the potential risks. These include having your brand hijacked (Wipperfurth, 2005) or reputation wrecked by #brandvandals (Waddington and Earl, 2013), not to mention the own goals.
âThriving on chaosâ, along the lines that business guru Tom Peters encourages from the sidelines (1989), is all very well if you are not likely to be caught in the crossfire. This is critical because it is both a real and a perceived risk in a new world where marketing directors now fret about how that new idea they present to their C-suite colleagues could be a career-ending move.
CASE STUDY Coca-Cola #MakeItHappy
Coca-Colaâs âMake it happy!â campaign is a good example of the risk posed by trying to engage consumers and activate them in the co-creation of your branded content. Promoted as part of their 2015 Super Bowl commercial, Twitter users were prompted to reply to negative tweets they found with the hashtag #MakeItHappy. Coca-Cola then transformed the tweets into âcute ASCII artâ along with a message telling the world how they were helping turn the hate that had been found into something happy. According to The Guardian, the stunt was subsequently suspended after they were tricked by the Gawker Media team into tweeting Hitlerâs autobiography Mein Kampf line by line from the @MeinCoke Twitter account they had set up (Woolf, 2015).
Of course, the least risky move for organizations is to avoid doing anything that will get their consumers, or society, up in arms. That way, there would be no loss of control. The best that many can currently do is try to engineer their reputation through various image-building projections such as advertising, PR and similar â but by the standards of the web reputation-building norms, this is close to âfaking itâ. Plugging the gap between those brand promises and customersâ actual experiences is a starting point, given how easily dissatisfaction can get amplified online. These and other effects of digital disruption have been a catalyst for organizations to think more deeply about two key areas:
- The customer experience âgestaltâ across all touchpoints, so that brand experience as a whole is perceived as more than the sum of its parts.
- The ontology of the organization (the worthy nature of its existence), so it becomes clearer about who it is, what it does and why it matters â or why anyone should care.
The answers to those questions can be seen to form part of a bigger promise that brands can play in our lives and society as a whole. We will be looking at this more in the following chapters dedicated to the âExperience Economyâ (Chapter 2) and âpurposeâ (Chapter 3). The role Content plays here is key to understanding its potential and expectation as marketingâs better promise, too.
The social media engagement delusion
Where the consumers go, brands follow, particularly when trying to connect with that elusive âmillennialâ generation in social media. Suddenly, everything has become the matter of âconversationâ, causing a lot of despair in the brand community because of the massive ineffectiveness issues. The argument here that works in Contentâs favour is that much of social media activity is irrelevant because it is done just for the sake of it. It is the question of quality more than anything else. The notion of failed âengagementâ is palpable. The Pepsi Refresh Project is often mentioned as an example.
CASE STUDY Pepsi Refresh Project
Pepsi have been having their own trials and tribulations when it comes to social media, namely with their Refresh Project exploration of âhow a brand could be integrated into the digital spaceâ (Leslie, 2015). Led by their former Chief Engagement Officer Frank Cooper back in 2010, Pepsi allocated an initial $20 million for this social media marketing campaign as part of a trailblazing shift of one-third of its ad spend to digital and social media (Zmuda, 2010). The cause-orientated campaign offered grants in various categories for worthy projects chosen by online audiences. Many pundits lauded it at the time as being a means to âdeepen the relationship with consumersâ. The premise was that they were engaging with âthe crowdâ in something more meaningful and positive than simply interrupting them with ads. Despite the social media success that included the gaining of millions of likes and followers, Pepsi made a hasty retreat back to TV after a 5 per cent drop in market share that year, along with suffering the ignominy of getting knocked off the number two spot by Coke Zero.
Ad veteran Bob Hoffman, of Ad Contrarian fame, points the finger for Pepsiâs âmassive failureâ squarely at what he sees as the âinfantile delusion that social media marketing is based onâ (2017a):
The silly idea that consumers want to have conversations with and about brands and share their brand enthusiasms with the world.
Hoffman has much more to say on the topic of Content as well (see Chapter 10). For him, the delusion is wider and deeper than just social media.
Smart Insights founder Dr Dave Chaffey offers a different take on the efficacy of social media marketing, seeing the problem instead as one where more ...