
- 404 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Experimental Filmmaking emerges out of a deep and abiding love of celluloid and artisanal media practices and a personal exploration of the field of avant-garde and experimental film, animation and video produced since the beginnings of cinema. Although there have been many critical and historical books on the subject, with the exception of zines and hand-published volumes, there has never been a comprehensive instructional manual on experimental processes. This book will introduce film students and professional filmmakers alike to various methods of experimental animation, film and video production that involve material interventions into the normative process of the medium while offering brief introductions to artists and their works.
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Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- Acknowledgments
- INTRODUCTION
- CHAPTER 1 Film-destroy
- CHAPTER 2 Film-create
- CHAPTER 3 Optical printing: getting to know the JK optical printer
- CHAPTER 4 Sound experiments: making microphones/hacking toys
- CHAPTER 5 In the soup 1: hand-processing black and white
- CHAPTER 6 In the soup 2: hand-processing color
- CHAPTER 7 In the soup 3: eco hand-processing
- CHAPTER 8 Doin’ it in the dark: cameraless filmmaking/darkroom printing
- CHAPTER 9 Optical printing: DIY
- CHAPTER 10 Pinhole photography: film/video/digital
- CHAPTER 11 Gallery work: film as installation
- CHAPTER 12 Film as performance: gallery/theatrical
- CHAPTER 13 Glitch: video/digital breaks down
- CONCLUSION: Imaginary community/virtual communitas
- Index
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