- 272 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Brazilian Popular Music and Globalization
About this book
This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.
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Yes, you can access Brazilian Popular Music and Globalization by Charles A. Perrone,Christopher Dunn in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Front Cover
- Title Page
- Copyright
- Contents
- Illustrations
- Preface
- 1 “Chiclete com Banana”: Internationalization in Brazilian Popular Music
- 2 Carmen Mirandadada
- 3 Myth, Melopeia, and Mimesis: Black Orpheus, Orfeu, and Internationalization in Brazilian Popular Music
- 4 Tropicália, Counterculture, and the Diasporic Imagination in Brazil
- 5 Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism
- 6 Cannibals, Mutants, and Hipsters: The Tropicalist Revival
- 7 Defeated Rallies, Mournful Anthems, and the Origins of Brazilian Heavy Metal
- 8 The Localization of Global Funk in Bahia and in Rio
- 9 World of Fantasy, Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia
- 10 Songs of Oloclum: Ethnicity, Activism, and Art in a Globalized Carnival Community
- 11 “Fogo na Babilonia”: Reggae, Black Counterculture, and Globalization in Brazil
- 12 Reggae and Samba-Reggae in Bahia: A Case of Long-Distance Belonging
- 13 Black or Brau: Music and Subjectivity in a Global Context
- 14 Turned-Around Beat: Maracatu de Baque Virado and Chico Science
- 15 Self-Discovery in Brazilian Popular Music: Mestre Ambrosio
- 16 “Good Blood in the Veins of This Brazilian Rio,” or a Cannibalist Transnationalism
- Contributors
- Copyrights and Acknowledgments
- Index