
The Routledge Reader on the Sociology of Music
- 386 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Routledge Reader on the Sociology of Music
About this book
The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field's history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on the Sociology of Music represents a broad reference work that will be a resource for the current generation of sociologically inclined musicologists and musically inclined sociologists, whether researchers, teachers or students.
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Information
Index
- 50 Cent (rapper) 237
- ACGB see Arts Council of Great Britain
- actor-network-theory (ANT) 133, 166n 5, 208, 299, 339
- Adorno, T 3–4, 25, 67–72, 311, 341–348, 354
- aerobics 111
- aesthetic judgments/standards 9, 49–55, 98 see also musical taste
- affect 7, 8, 11, 90, 145, 147, 148, 150, 173, 175, 176, 213, 238, 336, 339, 354, 359, 361, 362, 364, 365, 370–371, 373, 375
- affordance concept 10, 11, 346–347, 349, 353, 360
- African-American music 102, 266, 312, 333
- Afro-American music 90–91
- Afro-Bahians 176
- ageing 13–14, 74, 147–148, 170, 246, 250, 340
- Album Oriented Rock (AOR) 314
- albums 261
- alienation 68
- amateurs 47, 146, 163–166, 216, 239, 242, 247, 274, 275, 302, 345, 353
- analysis and performance 120–121
- Anglo-American pop-rock 205–206
- ANT see actor-network-theory
- Apple 262, 290, 353
- Argentina 204
- articulation metaphor 238
- art music 3, 39, 79, 221–229 see also classical music
- opera
- Arts Council of Great Britain (ACGB) 278
- arts funding 12, 277, 278–279, 282
- a...
Table of contents
- Cover Page
- Half-Title Page
- Title Page
- Copyright Page
- Table of Contents
- Preface
- Acknowledgments
- Introduction: Music and the Sociological Imagination—Pasts and Prospects
- Section I Source Readings: Forerunners and Founding Figures
- Section II Approaches, Sites, and Debates
- Section III Politics, Social Issues, and Musical Cultures
- Section IV Industries and Institutions
- Section V Technology and Mediation
- Section VI New Directions
- Index