PART ONE What is a body?
INTRODUCTION
THE BODY READER OPENS with Elizabeth Groszâs summary of the some of the principal ways in which Western philosophical traditions have shaped contemporary conceptions of the body. Each of the texts that follow in this section are informed by that inheritance but also, importantly, seek to challenge it. Groszâs piece begins by addressing the somatophobia that underpins the distinction between bodies and minds, and which constitutes the body as a âdangerâ to reason. She briefly traces this legacy in Plato, Aristotle and in the Christian tradition. In each case, the body/mind dualism maps onto other binaries, such as mother (woman) and father (man), matter and form, mortal and immortal. Importantly, Grosz also shows how Cartesianism, by separating the mind from nature and the world, established a scientific discourse premised on impersonality and objectivity.This premise continues to shape the biological and medical sciences, as well as the human and social sciences. It is an assumption that makes it particularly difficult to address the important question of the relations between âtwo apparently incompossible substancesâ, the body and mind. Reductionism cannot help here, Grosz argues, for it only inverts the hierarchy such that the mind is understood in terms of the body (most commonly, today, in terms of the brain). In this way the interaction between the two is explained away, rather than explained. Indeed each of the heirs of Cartesianism that Grosz examines fail, she claims, to account for the complexity of the body, its corporeality and its agency.This is a piece that lays down the gauntlet.
Merleau-Pontyâs contribution is fundamental, for he seeks neither to privilege body over mind, nor to unify them in an overarching theory. Instead, he exploits the concepts of experience and perception in order to illustrate that the body is never either a subject or an object, mind or body, transcendental or immanent. For Merleau-Ponty, knowledge of oneâs own body and knowledge of the world can be accessed only through the body.This is what he seeks to address: the experience of the body, and the way that the body shapes experience. In the extract we have chosen here, taken from the classic text Phenomenology of Perception (originally published in 1945), Merleau-Ponty pursues this issue by exploring and contesting the notion that the body is an object like any other. For the body is not an object, he argues, but is rather the condition through which it is possible to have relations with objects, with, that is, the world. Importantly, this conception of the body also changes the meaning of âworldâ: no longer a collection of determinate things, Merleau-Ponty argues, it is instead a âhorizonâ that is âlatent in all our experienceâ. Or to put that differently: the bodyâs relations with the world are not those of cause and effect but are rather the result of meanings, meanings which cannot be solely explained by either psychology or physiology. One of the key implications of this argument is that the individual body cannot be considered to be a strictly atomistic and bounded entity; it is not neatly divided off from the world. It is impossible to stand back from the world, and to look at it from âthe outsideâ, because it is impossible to stand outside of oneâs own body. I cannot get an outside perspective on my body, for it is the vehicle through which my perspective comes into being. Our relationships with objects, and with our own bodies, are therefore always partial. We cannot know them absolutely.
Where Merleau-Ponty interrogates the notion of permanence in relation to objects, Hans Jonas discusses endurance in relation to the identity of a living thing. Both proceed with reference to the relation between the individual body and the external world â or, in Jonasâs vocabulary, the environment. For Jonas this relation, of both independence and dependence, is crucial. It is a defining property of life, marking out the difference between âmereâ substance and organic matter. How so? Jonas begins with a question to ontology: âHow does an ordinary physical thing ... endure?â And he answers: it does not endure simply by being the same thing over time. On the contrary, if a biologist were to find that a body was the same over a period of time, if it was found to be have identical components, then it would most likely be considered to be a corpse. The question mark that hangs over the difference between a corpse and a living body exemplifies Jonasâs compelling take on issues that theorists have asked of the body again and again: how is it possible to reconcile (if reconciliation is what is required) the fact that the identity of a living entity is not reducible to its component parts, and yet is at the same time âgrounded in transactionsâ among them? Those transactions, moreover, do not occur only within the bounded limits of the body âitselfâ. A living thing, Jonas reminds his reader, is always exchanging matter with its environment. Indeed it depends on this exchange, a fact which serves to qualify or anchor any notion of an absolute independence from matter: âthe freedom which the living thing enjoysâ, Jonas writes, âis rather a stern necessityâ. This, he concludes, is what is unique to a living entity: its active dependence upon the environment. âDoingâ is what is required âto beâ â the possibility of doing, a possibility which is always haunted by the possibility of not doing (of ceasing to be, of death). Life, Jonas concludes, is âat the mercy of its own performanceâ.
Perhaps one of the most important aspects of the piece we have included by Gilles Deleuze is that it challenges any notion of the body as a bounded corporeality endowed with an origin, interiority and depth. The body, for Deleuze, is not a unified entity, nor is it organised around a central governor. It is not defined by intentionality, biology or by a psyche. It is not a property of the subject, nor is it an expression of subjectivity. It is not a locus of meaning. Indeed, a body is not to be deciphered or interpreted at all. Instead, the convergences between bodies (whether they be human or non-human, organic or not, natural or artificial) are there to be made and surveyed: mapped. For Deleuze is a cartographer, who situates all bodies on the same, flat, ontological plane (the plane of immanence), and defines them by what he calls longitude and latitude. Drawing on Spinoza, Deleuze argues that a body must be understood not in terms of a form or functions, but with reference instead to its relations of speed and slowness (longitude), and to what it can do, by its capacity to affect and to be affected (latitude).
This understanding of bodies cuts across genus and species. On the basis of its affective capacities, the plough horse, for instance, is found to have more in common with the ox than it does with the race horse. A body is not a âthingâ, but a becoming, a series of processes, movements, intensities and flows. It is a mobile assemblage of connections which might be extended, but which might equally be severed. This is one of the exciting aspects of Deleuzeâs ethology. To define a body by its affective capacities means that âyou do not know beforehand of what good or bad you are capable; you do not know beforehand what a body or a mind can do, in a given encounterâ. In a given encounter is a vital qualifier here. For what a body can do will depend upon its relations with âthe worldâ (relations which are, like the boundaries of a body itself, necessarily contingent). In this respect, Deleuzeâs ethology is also an ethics, an ethics which turns on the question of whether, in a particular set of circumstances (or rather, a particular set of connections), a bodyâs capacities will be increased or diminished, and its relations of speed accelerated or slowed down. Importantly, once again, there is no privileged sphere (such as ânatureâ or âcultureâ for example) in relation to which that potentiality or capacity can or should unfold.
If Judith Butler and Gilles Deleuze have anything in common, it is perhaps that they both conceive of bodies in terms of processes. For Butler, however, the process of materialisation is highly constrained. It is limited by regulatory norms, and especially by the norm of heterosexuality which âontologizes and fixes that gendered matrix in its placeâ (Butler 1993: 29). This is where we end the first Part of the Reader, appropriately enough, with an extract from a book that is in large part a response to âthose whose patience with constructionist arguments is close to exhaustionâ (Kirby 1997: 105). Interestingly, Bodies that Matter is also intended as a clarification of Butlerâs own use of the term âconstructionâ in the earlier Gender Trouble (1990), in which she claims that she âoverrode the category of sex too quicklyâ (Butler in Sandford 1999: 26).The result is neither a theory of the cultural construction of gender, nor of âthe materiality of sexâ. Instead, Butler writes of the âsex of materialityâ, in which âmateriality [is] the site at which a certain drama of sexual difference plays itself outâ (Butler 1993: 49).
In order to negotiate the tension between a critique of constructionist positions on the one hand, and a recognition on the other that without direct access to âfacticityâ any conception of matter is necessarily interpretative, Butler suggests a âreturnâ to a differently figured conception of matter ânot as a surface or siteâ, but rather âas a process of materialization that stabilises over time to produce the effect of boundary, fixity, and surface we call matterâ (emphasis omitted). Matter will no longer refer to an inert substance or a blank slab upon which discourse inscribes itself, but is instead a process which itself constitutes the static âmatterâ of bodies. Crucially, as a process, materialization must necessarily be temporal. Matter does not âexistâ in and of itself, for all time, but is instead repeatedly produced over time through performativity (performativity is that which brings into being or enacts what it names). While it may therefore seem certain that âI am a womanâ, this identity is in fact never fixed, and is always unstable. The subject may appear to have âan identityâ, an identity which is resolutely written on the body, but this is only because reiteration âconceals or dissimulates the conventions of which it is a repetitionâ (Butler 1993: 12).
The contributions in this section offer demanding and sometimes provocative reformulations of some of the more conventional and perhaps intuitive understandings of what a body âisâ. If these pieces are challenging, it is surely because they are faced with the hardest of tasks: engaging with and contesting the legacy of dualisms that haunt Western philosophy. Each of these texts, in their different (and more or less explicit) ways, have implications for the relations between ânatureâ and âcultureâ, substance and matter, mind and body, and subject and object. These are among the most important themes that will be recurring in different contexts throughout the Body Reader.
REFERENCES
- Butler, J. (1990) Gender Trouble: Feminism and the Subversion of Identity, London and New York: Routledge.
- Butler, J. (1993) Bodies that Matter: On the Discursive Limits of âSexâ, London and New York: Routledge.
- Kirby, V. (1997) Telling Flesh: The Substance of the Corporeal, New York and London: Routledge.
- Sandford, S. (1999) âContingent ontologies: sex, gender and âwomanâ in Simone de Beauvoir and Judith Butlerâ, Radical Philosophy 97: 18â29.