Hollywood Sound Design and Moviesound Newsletter

A Case Study of the End of the Analog Age

David Stone

• Publisher: Routledge
• Year: 2020
• Print ISBN: 9781138890640
• eBook ISBN: 9781000156041
• Edition: 1
• Topic: Media & Performing Arts
• Subtopic: Film & Video

As film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the '80's, and '90's are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time.

David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed, and Ocean's 11. He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne. He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award® for best Sound Effects Editing, for his supervising work on Bram Stoker's Dracula. In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter, which was published by Vanessa Ament.

Dr. Vanessa Theme Ament is the author of The Foley Grail, and a contributor to Sound: Dialogue, Music, and Effects (the Silver Screen Series). She is on the steering committee for Cinesonika, an international film festival and conference. A veteran Foley artist, sound editor, and voice actor from Los Angeles, she also writes and sings jazz, and is a member of the American Federation of Musicians, SAG-AFTRA, Actors Equity, and the Editors Guild. She worked on Die Hard, sex, lies, and videotape, Platoon, Predator, Edward Scissorhands, Beauty and the Beast, Noises Off, and A Goofy Movie, and many other films. Dr. Ament received her Ph.D. in Communication, in the area of Moving Image Studies, from Georgia State University in Atlanta, and is presently the Edmund F. and Virginia B. Ball Endowed Chair Professor of Telecommunications, at Ball State University in Muncie, Indiana.

Table of contents

• Cover
• Half Title
• Title Page
• Copyright Page
• Dedication
• Table of Contents
• Foreword
• Preface
• Acknowledgments
• Introduction
• How to Use this Book
• Reel 1 Short Subjects (Glossary, Trivia, Scoreboard)
• Reel 2 Exhibitionists (The Theater Beat)
• Reel 3 Sound Reports (Notices, News Articles, and Big News)
• Reel 4 Rewinding (Articles, Historical)
• Reel 5 Talking Pictures (Interviews)
• Reel 6 Active Listening (Reviews at the Movies)
• Reel 7 Critical Listening (Reviews at Home)
• Reel 8 Sound Thinking (Thoughts and Analysis)
• Reel 9 Sturm und Drang (Editorial and Opinion)
• Reel 10 Unsound Thinking (Humor)
• Reel 11 Reader Participation (Bag of Snail-Mail)
• Reel 12 Time and Tide (Concerns and Obituaries)
• Afterword and Further Reading
• Appendix 1 Moviesound Newsletter’s Guide to Reading Materials
• Appendix 2 Extended Note: A Case of Blackmail
• Appendix 3 Personal Note: In Combat with E.T.
• Appendix 4 Extended Note: Auteur or Hauteur?
• Appendix 5 The Whole SFX Catalogue
• Appendix 6 Laser Discs as Transition and The Couch Potato’s Guide to Laser Sound
• About the Authors
• Index