Scenes for Latinx Actors
eBook - PDF

Scenes for Latinx Actors

Voices of the New American Theatre

Espinosa, Micha, DeCure, Cynthia

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eBook - PDF

Scenes for Latinx Actors

Voices of the New American Theatre

Espinosa, Micha, DeCure, Cynthia

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About This Book

The repertoire offered here provides actors with a multitude of stories about Latinx life in the Americas in all of its complexity. Nonetheless each scene provides performers with what they need from this volume for classroom and professional presentations: short, incisive, lucid scenes and compelling relationships and play worlds that make the richness of Latinx life perceivable by a variety of audiences. The content of scenes varies wildly, some take on contemporary racist and xenophobic political formations, others gesture to the long history and the effects of dictatorships in the Southern Cone. Others take on daily life in American cities, revealing the characters struggles to survive. There are stories of leaving and coming home, plays based on Greek myths, plays that re-write history, plays that point to the racism of Hollywood and the industry. All are compelling and emotionally gripping, many are slyly humorous, a few downright heartbreaking. Scenes for Latinx Actors is an extraordinary resource for the American Theater of the 21st Century.

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Information

Rose 
Cano
(pause) 
her
(pause) 
(He 
starts 
to 
open 
the 
back 
of 
the 
camera.)
-
(Advances 
roll)
(pause)
(pause)
Slowly 
she 
unbuttons 
blouse 
and 
skirt 
deliberately 
pass-
ing 
through 
beautiful 
poses, 
like 
old 
Hollywood 
sirens. 
She 
freezes 
like 
Roman 
statue.)
blonde 
and 
Brunette 
pin-ups, 
Greek 
and 
Roman 
statues)
José 
Casas 
-
josé 
casas
• 
How 
do 
you 
identify 
yourself?
J. 
Casas
• 
This 
mixture 
of 
contemporary 
and 
classical, 
do 
you 
have 
any 
advice 
as 
to 
how 
actors 
should 
ap-
proach 
the 
contrasting 
styles?
J. 
Casas:
-
• 
Both 
characters 
are 
going 
through 
an 
emotional 
roller 
coaster. 
Is 
it 
just 
their 
youth? 
Why 
do 
they 
struggle 
to 
set 
boundaries?
J. 
Casas:
-
-
• 
J. 
Casas:
antonia
-
suavecito 
the 
power 
of 
persuasion
-
tonia 
return.)
(malo’s 
“suavecito.” 
achilles 
and 
antonia 
begin 
to 
slow 
dance 
to 
the 
song. 
as 
the 
song 
ends 
eventually 
fades 
out 
and 
the 
lights 
disappear. 
achilles 
and 
antonia 
continue 
to 
dance. 
after, 
few 
moments, 
they 
stop 
dancing; 
beat. 
they 
stare 
into 
each 
other’s 
eyes; 
happiness 
replacing 
the 
an-
ger 
from 
the 
previous 
moment.)
(awkwardly 
sarcastic) 
(walking 
away 
from 
antonia) 
-
(extended 
beat)
(extended 
beat)
(achilles 
doesn’t 
reply.)

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