Edgar Wind and Modern Art
eBook - PDF

Edgar Wind and Modern Art

In Defence of Marginal Anarchy

  1. 256 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Edgar Wind and Modern Art

In Defence of Marginal Anarchy

About this book

This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in modern art, together with his support for contemporary artists. This culminated in his respected and influential book Art and Anarchy (1963), which seemed like a departure from his usual scholarly work on the iconography of Renaissance art. Based on extensive archival research and bringing to light previously unpublished lectures, Edgar Wind and Modern Art reveals the extent and seriousness of Wind's thinking about modern art, and how it was bound up with theories about art and knowledge that he had developed during the 1920s and 30s. Wind's ideas are placed in the context of a closely connected international cultural milieu consisting of some of the leading artists and thinkers of the twentieth century. In particular, the book discusses in detail his friendships with three significant artists: Pavel Tchelitchew, Ben Shahn and R. B. Kitaj. In the process, the existence of an alternative to the prevailing formalist approach of Alfred Barr and Clement Greenberg to modern art, based on the enduring importance of the symbol, is revealed.

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Yes, you can access Edgar Wind and Modern Art by Ben Thomas in PDF and/or ePUB format, as well as other popular books in Art & Art Theory & Criticism. We have over one million books available in our catalogue for you to explore.

Information

Edition
1
Topic
Art

Table of contents

  1. Title Page
  2. Copyright Page
  3. Contents
  4. Illustrations
  5. Preface and Acknowledgements
  6. Chapter 1: In Defence of Marginal Anarchy
  7. Chapter 2: Art and Anarchy
  8. Chapter 3: The Tradition of Symbols in Modern Art
  9. Chapter 4: ‘Cher Magus’ – Pavel Tchelitchew
  10. Chapter 5: ‘The Muses’ sterner laws’ – W. H. Auden and Ben Shahn
  11. Chapter 6: ‘Certain Forms of Association Neglected Before’ – R. B. Kitaj
  12. Conclusion
  13. Notes
  14. Select Bibliography
  15. Index