
- 272 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Grotesque Visions focuses on the radical avant-garde interventions of Salomo FriedlÀnder (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how FriedlÀnder/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit / Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siÚcle.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Title Page
- Dedication Page
- ContentsÂ
- List of Figures
- A Note on Style and Sources
- 1 The Return of the Grotesque
- 2 The Science of Berlin Dada: Salomo FriedlÀnder, Walter Benjamin, and the Grotesque
- 3 The Architectonics of Public Science: âLearning to Seeâ in Rudolf Virchowâs Museum of Pathology
- 4 Sexuality ad oculos: Sigmund Freud and Magnus Hirschfeld Meet Til Brugmanâs âCelluloid Childrenâ
- 5 The Optics of Evidence: Photography and Vision in Early Anthropology
- 6 Visual Objectivity Meets Impossible Object: Hannah Höch âFrom an Ethnographic Museumâ Photomontages
- 7 Learning to See Grotesquely
- Coda: Toward a Critique of the Dogma of Visuality
- Acknowledgments
- Bibliography
- Index
- Imprint