Preaching Old Testament Narratives

Benjamin H. Walton

• Publisher: Kregel Publications
• Year: 2019
• Print ISBN: 9780825442582
• eBook ISBN: 9780825487736
• Topic: Theology & Religion
• Subtopic: Biblical Studies

There's no question that the Old Testament is foundational for the New Testament church. But foundational or not, it can be difficult for preachers to pin down useful resources for narrative texts within the Old Testament, much less to skillfully preach those passages to their congregations.Benjamin Walton provides the practical insight pastors need. In one volume, he demonstrates both the interpretive and homiletical skills necessary to preach Old Testament narratives well. Walton guides the preacher through selecting a text which is a complete unit of thought; describing the scene in a coherent way; determining the theological message of the text; and carefully crafting a meaningful take-home truth. He doesn't stop with discovering the core message—-the majority of the book focuses on delivering the message drawn from these narrative texts.Walton's approach is not just theoretical. It has been read and tested anonymously by groups of pastors, and their feedback has been incorporated into the book. This valuable resource will help preachers put all the pieces together, have confidence in what they're imparting, and maximize their preaching potential for Old Testament narratives.

PART I:

DISCOVER THE MESSAGE

CHAPTER 1

OT NARRATIVES, HERMENEUTICS, AND BIBLICAL AUTHORITY

Accuracy in preaching is vital in today’s world. In the 800s, it mattered less if preachers thought the Bible taught the earth was the center of the universe. Everyone believed that. In the 1400s, it mattered less if preachers taught a flat earth. People believed the clergy more than university professors.

Today, when we misinterpret Scripture or assert knowledge of God or his will that the Bible doesn’t teach, repercussions can be serious. A few years ago, I had a chance at a college graduation party to witness to a young man who had left the faith years earlier. He was a strip-club bouncer. Knowing that I was a pastor, he asked me a number of Bible questions. My answers shocked him because I was able to show him that the Bible didn’t teach much of the well-intentioned legalism he grew up with. No fancy interpretations were necessary. No in-depth analysis was needed—only the most well-accepted, but neglected, principles of biblical interpretation.

What Does It Mean to Preach with Biblical Authority?

Preaching with biblical authority means that our sermons accurately proclaim and apply the message of their biblical preaching texts. It has little to do with whether the sermon is verse-by-verse, topical, or otherwise. It’s often called “expository preaching” or “biblical preaching.” The benefit of preaching with biblical authority is significant: It renders our message God’s message.

Preaching with biblical authority is rooted in the historic Christian belief that God is so different than us that the only reliable way to have knowledge of God or his will is through Scripture. Applied to the sermon, it’s the idea that unless the messages we preach and the applications we give derive from the message of our preaching texts, there is a good chance we’ve misrepresented God.

Preaching with biblical authority has one fundamental problem: It requires preachers. That’s you and me. Keith Mathison once observed that no one “asserts that a Bible can enter a pulpit and preach itself. No one asserts that a Bible can read itself. Scripture cannot be interpreted or preached apart from the involvement of some human agency.”¹ Since preaching with biblical authority is an action more than a belief, it requires more than a theoretical commitment. It must be put into practice. Despite his profound admiration for us preachers, Haddon Robinson admits that preaching with biblical authority “has suffered severely in the pulpits of those claiming to be its friends.”²

To preach with biblical authority, we must use sound hermeneutics. Hermeneutics is the thoughtful process of discovering what a biblical text was designed to teach those it was originally written to, so that we can faithfully apply it to our lives today. It recognizes that careful thought is necessary to interpret and apply the Bible. Hermeneutics is necessary to overcome the temptation to too hastily equate our thoughts with God’s thoughts. When we preach without giving much thought to hermeneutics, we relegate the Bible to the status of a tool—a tool for us preachers to carry out our agendas, which always seems noble to us.

Hermeneutics 101:
How Words and Genre Work Together to Communicate Messages

Sound hermeneutics requires an understanding of how communication works. The Bible, after all, is God’s authoritative communication to us. We need to consider three aspects of communication: words, genre, and message. “Words” refers to what we say; “genre” to the way we say it; and “message” to the reason for saying it.³ When we decide to communicate, we first determine the point we want to make (message); then the way we want to say it (genre); and then finally, we express ourselves in words.

Of these three, genre is the most neglected by preachers. Genre is an essential clue to understanding the message of biblical texts because it clues us in to the reading strategy—i.e., the hermeneutical principles—that the biblical author expects us to use. We practice genre analysis every day. We’ve all mastered the reading strategies of dozens of genres, including tax bills, political cartoons, parodies, fairy tales, editorials, and street signs. We don’t think we’re engaging in genre analysis because these genres are common in our culture.

Words alone cannot communicate a message. Genre is necessary to make sense of words. Take the phrase “I am bad.” We’re familiar with the wording, but what is the message? If intended ironically, it is, “I think I’m cool.” If it’s a mocking insult, the message is, “The person I’m speaking about thinks he’s cool, but he’s not.” If it’s a heartfelt confession, the message is, “I believe that I am a bad person.”

In some genres, the words are similar to the message. In others, they are quite different. Let’s say we want others to believe that our kids are great. If we want to be crystal clear but dry, we could use a declarative sentence. If we want to “wow” our listeners, we could use an anecdote. If we want to rouse the emotions, we could write a poem. Notice that even when the message is the same, the genre we couch it in affects our word choice:

Genre:	Declarative sentence
Words:	My kids are great.
Message:	Believe my kids are great.
Genre:	Anecdote
Words:	I woke up, got coffee, heard laughs outside, and saw my kids washing my car.
Message:	Believe my kids are great.
Genre:	Poem
Words:	Roses are red, violets are blue, my kids’ hearts are true.
Message:	Believe my kids are great.

The same dynamics are present in biblical communication. In some genres, the words are similar to the message; in others, they are very different.

Genre:	Direct command (Eph. 5:18a)
Words:	Do not get drunk on wine, which is debauchery.
Message:	Do not get drunk on alcoholic beverages, which is a public act of wild living.
Genre:	Parable (Matt. 13:44)
Words:	The kingdom of heaven is like treasure hidden in a field. When found, the finder hides it, sells everything, and buys the field.
Message:	Join the kingdom of heaven; it’s more valuable than anything else.
Genre:	Lament (Ps. 10)
Words:	God, why do you hide? The wicked are prospering. God, fix the problem. God is great.
Message:	When feeling like God is hiding in the midst of an unjust trial, God’s people can (express their feelings to God) call on God to fix the problem; and, when they do, do it while maintaining full confidence that God is great.
Genre:	OT narrative (Gen. 11:1–9)
Words:	After the flood, people don’t disperse, endangering and defying God’s redemptive plans, so God disperses them.
Message:	It is futile to defy God’s redemptive plans, because God’s redemptive plans will prevail.

To give an example from recent history: A few years ago, The Da Vinci Code caused quite a stir because many read it more like a work of history than like the novel it is. This was largely a result of the author employing a literary device in its opening pages to heighten interest in the story. The gullible public, unfamiliar with fiction’s tools of the trade and unversed in historical Jesus studies, misread the book in droves and made its author a very rich man. If misreading genre clues in secular literature can have deleterious effects, how much more when biblical literature is preached?

Hermeneutics 201:
Comparing OT Narratives and NT Epistles

We call the message of a biblical text its theology. This is because the message is from God, and it makes demands on our lives. It includes both the primary and ancillary theological principles that God inspired a text to communicate. A text’s message/theology represents the future-oriented direction of the text. In other words, its goal is to get us to conform our lives to it going forward.

Old Testament narratives differ from NT epistles in three key ways. The fi...

Table of contents

• Title Page
• Copyright
• Contents
• Foreword
• Preface
• Introduction
• Abbreviations
• Part I: Discover the Message
• Part II: Deliver the Message
• Appendix A: Organic Sermon Structure
• Appendix B: Sermon from 2 Samuel 11–12
• Appendix C: Sermon from Genesis 11:1–9
• Appendix D: Storyline of the Old Testament
• Bibliography
• About the Author