
- 360 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Games for Actors and Non-Actors
About this book
Games for Actors and Non-Actors is the classic and bestselling book by the founder of Theatre of the Oppressed, Augusto Boal.
It sets out the principles and practice of Boal's revolutionary method, showing how theatre can be used to transform and liberate everyone – actors and non-actors alike! This new third English edition includes recently uncovered interviews and essays from the 1970s, some of which featured in the earliest Portuguese edition of this book, and a new essay by the theatre director Sergio de Carvalho, which looks at Boal's work in the context of Brazilian theatre and politics over the past fifty years.
This is a vital handbook for theatre makers and activists of all kinds who want to deepen their understanding of the theory and practice of Boal's Theatre of the Oppressed. It is also an excellent introduction for those new to the system.
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Information
Table of contents
- Cover Page
- Half Title Page
- Title Page
- Copyright Page
- Dedication Page
- Contents Page
- List of figures Page
- Translator's introduction to the first edition Page
- Preface to the second edition: The Royal Shakespeare Company, theatre in prisons and landless peasants
- Preface to the first edition: the fable of Xua-Xua, the prehuman woman who discovered theatre
- 1 THEATRE OF THE OPPRESSED IN EUROPE
- 2 THE STRUCTURE OF THE ACTOR'S WORK
- 3 THE ARSENAL OF THEATRE OF THE OPPRESSED
- 4 THE EARLY FORMS OF FORUM THEATRE
- 5 FORUM THEATRE: DOUBTS AND CERTAINTIES: INCORPORATING A NEW METHOD OF REHEARSING AND DEVISING A FORUM THEATRE MODEL
- 6 FIRST EXPERIENCES WITH INVISIBLE THEATRE
- 7 ARTISTIC CREATION AND DIVINE MADNESS: A MEDITATION ON ART AND THE MIRACULOUS
- 8 INTERVIEW FOR THE PORTUGUESE EDITION (1977)
- 9 TO THE PEOPLE, THE MEANS OF THEATRICAL PRODUCTION: INTERVIEW WITH ÉMILE COPFERMAN
- 10 SPECIALISATION AND PROFESSION, VOCATION AND LANGUAGE
- POSTSCRIPT: THE PEDAGOGY OF FEAR - THEATRE AND THE TWIN TOWERS: AN ESSAY AFTER 11 SEPTEMBER 2001
- AFTERWORD: THE DIALECTICS OF PERFORMANCE