
- 154 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Performance in a Pandemic
About this book
This edited collection gathers UK and international artists, academics, practitioners, and researchers in the fields of contemporary performance, dance, and live art to offer creative-critical responses to the impact of the COVID-19 pandemic on their work.
Themes addressed in these case studies include the ways in which liveness functions across digital platforms, the new demands on audiences and performance-makers, and the impact on international festivals as the digital removes geographical and locational restrictions. Brought together, these examples capture the creative activity and output that this unexpected cultural moment has provoked. Creative-critical responses interrogate what the global pandemic has taught us about what it is to make live work during lockdown and explore what the future of performance-making in a post-COVID world might look like.
For all scholars and performance-makers whose work brings them into the sphere of contemporary art and culture, this is an essential and stimulating account of practice at the beginning of the 2020s.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Index
- Acconci, Vito: Trademarks 113–114
- Adverts for the workplace = 48p 45
- Aghtan, K. 11
- Airbnb 47
- Anatomical Theatres of Mixed Reality (ATOM-r) 37
- antifragility 126
- anxiety 22
- ontological 27
- physical 26–28
- apps, as film-making tools 73
- archive 121
- artificial choirs 88, 95
- artistic labour 45–47
- Ashrowan, Richard 115
- ASMR
- aspirational labour 73
- audience labour, nature of 57
- Auslander, Philip 1, 15, 54, 60, 113, 120
- autobiographical performances 100, 101, 125
- autonomous sensory meridian response (ASMR) 59
- BAME communities 123
- Banataba (2017) 125
- Barad, Karen 12
- Barba, Eugenio 55
- Benjamin, Walter 41
- Berry, Ron 143
- Black Lives Matter 123
- Black Market International 112, 113
- bodily vulnerabilities 26–28
- Bowdler, Judith 128
- Bowlin, Loy 38, 40
- breakout rooms 92, 93, 96
- Campbell, Glen 38
- cancellation: of festival 46
- of Live Exhibition 23
- capitalism 31, 34–35
- entrepreneurial 46
- late-stage 32
- care 34–35
- in COVID-19 14
- care packages 81–82
- carriance 12, 16
- Charmatz, Boris 123
- childcare 13–14
- choreographers 19
- digital work 28
- precariousness for 20
- Clean Break Theatre Company 79
- advocacy part of work 85...
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Table of Contents
- List of contributors
- Introducing Performance in a Pandemic
- I Precarity and vulnerability
- II Art in an emergency: “it’s work”
- III Outreach and inclusion
- IV Curation: performing the archive
- Postscript
- Index