Part 1 Learning to See
1. The Requiem Scenario
November 2000
The four of us were sitting in a circle in the study of Ottoâs home on Maple Avenue in Cambridge, Massachusetts. Outside, a light snow was falling. Inside, under the windows, Otto had placed bright red poinsettias. The walls were covered with charts, several with a large U drawn on them. Books were neatly stacked everywhere, and in one corner a computer hummed quietly.
âWhen Otto said that Jurassic Park was written in this house, I couldnât help thinking how ironic it was, given our conversations,â said Betty Sue. âNow here we are sitting in the âhouse of the dinosaursâ talking about a real-life nightmare scenario: the destruction of our environment; the growing social divide between rich and poor; the potential dangers of things like biotechnology; and escalating violence around the world.â
âIsnât it ironic the way people talk about dinosaurs?â Peter said. âToday we say an organization is âjust like a dinosaurâ when we mean itâs slow and canât adjust to change. But you know, the dinosaurs did manage to survive over a hundred times longer than humans have so far. Whatever beings might take our place here in the future will probably say, âJust like the human beingsâtoo bad they didnât have the adaptive capabilities of dinosaurs!ââ
Betty Sue shuddered. âHearing human beings talked about in the past tense like that is terribly chilling. I guess we all know that since we have the means to destroy ourselves, itâs possible that we will. The unthinkable is possible, but itâs still very difficult to consider. The poet Auden said, âWe must love one another or die.â No one thinks weâre very close to loving one another just yet, but we also donât seem willing to consider the consequences of not doing so.â
âAnd thatâs why we donât change,â Peter replied. âI was speaking at a conference on business and the environment last week, and stayed at a conference center that I first visited twenty years ago. This center hosts a conference every year at which a prestigious environmental sustainability award is given, so you would expect it to be a showcase for environmentally sound practices, but Iâm sure this place generates more waste per customer than they did twenty years ago.
âEverything is individually wrappedâcoffee, sugar, shampooâand each container will be thrown away. The materials used in the room were no more environmentally sound then they had been twenty years agoâthe wood hadnât been sustainably harvested, the plastics and materials couldnât be recycled, and the appliances couldnât be remanufactured. I had asked for a room where I could open the windows. They didnât have any because they relied on central air-conditioning and heating. The electricity that drove the air conditioning undoubtedly came mostly from power plants that burned coal and other fossil fuelsâheating up the earth in order to cool off our rooms. Then I saw this silly little bar of soap, individually wrapped. Somehow it epitomized the whole situation.
âThose soaps end up being ninety percent wastedâwaste that is completely unnecessary. They could easily be replaced by liquid soap dispensers that create almost no waste. There are even biodegradable liquid soaps now. One is manufactured by a supplier in Sweden, partly owned by Scandic, which has gone from a mediocre, financially strapped business to one of Swedenâs most financially successful hotel chains, in part through its commitment to âthe sustainable hotel room.â Thereâs no reason being environmentally smart canât be good for business as wellâat least in Sweden.
âSo I stood there looking at this little bar of soap, listening to my air conditioner whir in the background, feeling angrier and angrier, and wondered why this American conference center still hadnât learned in twenty years what the Swedish hotel chain had learned in a few years. Why were we even still bothering to hold conferences about environmental business practices? Do we Americans care at all about the effects weâre having on the natural environment that all life must share? Then I saw the only artifact of environmental consciousness in the whole roomâa little card that said, âIn order to help the environment, we wonât do your linens if you donât ask us to.â Give me a break! After twenty years, all weâve accomplished is they wonât wash our linens if we donât ask them to!â
âWeâve all known the frustration and discouragement you were feeling,â said Betty Sue. âAt least I have. But are you saying that we avoid these issues to avoid the discouragement?â
âNot quite.â Peter paused and continued quietly, âI had a difficult meditation this morning. It was very disturbing, as sometimes they are. I seemed to be in touch with an extraordinary fearâjust the fear by itself, no thoughts or associations.
âThis fear is probably present more than Iâm willing to see, except when it suddenly pokes through like it did this morning. The anger I felt at the hotel came from this deeper fear. Iâve known about the threats to the environment for so longâbut the changes weâve made are so small, given whatâs needed and what weâre capable of achieving.
âIf the future is going to be different, we have to go far beyond these little piecemeal gestures and begin to see the systems in which weâre embeddedâand I guess I have doubts if weâre up for this. The question isnât, âDo you want your bed linens changed?â Itâs more like, âDo you want to change the way you live?â But this question sits on top of an immense fear, and I think that, Betty Sue, is one reason we prefer not to think, or talk, about these things.â
Joseph leaned forward. âBut isnât that why weâre here? Havenât we come together to answer one fundamental question: Why donât we change? What would it take to shift the whole?â
âWe donât change because we think weâre immortal.â Ottoâs tone was matter-of-fact. âLike teenagers, we might be afraid, but we still think weâll go on forever.â
âPerhaps thatâs true,â said Joseph, shaking his head. âI recently read an article thatâs been circulating in the foundation community written by a man named Jack Miles, a senior adviser to the J. Paul Getty Trust, called âGlobal Requiem.â1 Itâs a speculation about what would happen if we started to realize that humankind might not overcome these problems, that we might not develop a sustainable societyâthat the human race might perish. Itâs an exploration of the unthinkable.â
âBut donât scenarios like that evoke the very fear Peter is talking about?â Otto asked. âAs he showed, this sort of fear is usually met by denial or simply makes us feel hopeless.â
âBut that doesnât have to happen,â Joseph replied. âIâve seen many instances where imagining alternative futures, even negative futures, can actually open people up.â
âScenarios can alter peopleâs awareness,â Betty Sue agreed. âIf theyâre used artfully, people actually begin to think about a future that theyâve ignored or denied. The key is to see the different future not as inevitable, but as one of several genuine possibilities.
âMaybe if people really believed we could be headed for extinction, we would do collectively what many people do individually when they know they may actually dieâwe would suddenly see our lives very clearly.â
âIf we could actually face our collective mortalityâand simply tell the truth about the fear, rather than avoiding itâperhaps something would shift,â said Peter.
âSeveral years ago in one of our leadership workshops, a Jamaican man from the World Bank named Fred told a story that moved people very deeply. A few years earlier he had been diagnosed with a terminal disease. After consulting a number of doctors, who all confirmed the diagnosis, he went through what everyone does in that situation. For weeks he denied it. But gradually, with the help of friends, he came to grips with the fact that he was only going to live a few more months. âThen something amazing happened,â he said. âI simply stopped doing everything that wasnât essential, that didnât matter. I started working on projects with kids that Iâd always wanted to do. I stopped arguing with my mother. When someone cut me off in traffic or something happened that would have upset me in the past, I didnât get upset. I just didnât have the time to waste on any of that.â
âNear the end of this period, Fred began a wonderful new relationship with a woman who thought that he should get more opinions about his condition. He consulted some doctors in the States and soon after got a phone call saying, âWe have a different diagnosis.â The doctor told him he had a rare form of a very curable disease. And then came the part of the story Iâll never forget. Fred said, âWhen I heard this over the telephone, I cried like a babyâbecause I was afraid my life would go back to the way it used to be.â
âIt took a scenario that he was going to die for Fred to wake up. It took that kind of shock for his life to be transformed. Maybe thatâs what needs to happen for all of us, for everyone who lives on Earth. That could be what a requiem scenario offers us.â
There was silence for a moment.
âYou know,â said Joseph quietly, âWhen all is said and done, the only change that will make a difference is the transformation of the human heart.â
2. Seeing Our Seeing
In the movie The Truman Show, actor Jim Carey plays a man whose entire life is a television show, broadcast to millions, unknown to Truman himself. From his point of view, he is just living his life. In the middle of the movie, a group of reporters interview âthe director,â the Godlike figure played by Ed Harris who literally determines Trumanâs lifeâwhether itâs going to rain or be sunny, the plot for the next weekâs story, whether or not things will turn out OK for Truman. One interviewer asks the director, âHow do you explain that Truman has never figured out that his whole life is just a television show?â The director responds, âWe all accept reality as it is presented to us.â
Like Truman, our awareness presents itself to us as immediate and unmistakable. A table. A book. A sentence or word. Yet there is always much more than we âsee.â1 In the table are also a factory and workers, a tree, a forest, water and soil, and rain clouds. Indeed, a book contains all of these as well. And a simple word or sentence that moves us speaks of a lifetimeâof schools and teachers, of questions and dreams, of current problems and possibilities. With just the slightest pause, we can begin to appreciate the symphony of activities and experiences, past and present, that come together in each simple moment of awareness. Yet out of the symphony we typically hear only one or two notes. And these, almost always, are the ones most familiar to us.
The problems that arise from taking our everyday awareness as âgivenâ are anything but âmerely philosophical,â especially when our world is changing.
In the early 1980s, executives from U.S. auto companies started making regular trips to Japan to find out why the Japanese automakers were outperforming their U.S. counterparts. Speaking with one Detroit executive after such a visit, Peter could see that the executive hadnât been impressed by the competition. âThey didnât show us real plants,â the Detroit executive said.
âWhy do you say that?â Peter asked.
âBecause there were no inventories. Iâve seen plenty of assembly facilities in my life, and these were not real plants. Theyâd been staged for our tour.â
Within a few years, it became painfully obvious how wrong this assessment was. These managers had been exposed to a radically different type of âjust-in-timeâ production system, and they were not prepared to see what they were being exposed to. They were unprepared for an assembly facility that didnât have huge piles of inventory.2 What they saw was bounded by what they already knew. They hadnât developed the capacity for seeing with fresh eyes.
With hindsight, itâs easy to dismiss the âseeingâ problem of the Detroit executives as idiosyncratic. But this problem is universal. Most change initiatives that end up going nowhere donât fail because they lack grand visions and noble intentions. They fail because people canât see the reality they face. Likewise, studies of corporate mortality show that most Fortune 500 companies fail to outlast a few generations of management not because of resource constraints but because they are unable to âseeâ the threats they face and the imperative to change. âThe signals of threat are always abundant and recognized by many,â says Arie de Geus. âYet somehow they fail to penetrate the corporate immune system response to reject the unfamiliar.â
The Capacity to Suspend
Seeing freshly starts with stopping our habitual ways of thinking and perceiving. According to cognitive scientist Francisco Varela, developing the capacity for this sort of stopping involves âsuspension, removing ourselves from the habitual stream [of thought].â Varela called suspension the first basic âgestureâ in enhancing awareness. As the noted physicist David Bohm used to say, âNormally, our thoughts have us rather than we having them.â3 Suspending does not require destroying our existing mental models of realityâwhich would be impossible even if we triedâor ignoring them. Rather, it entails what Bohm called âhanging our assumptions in front of us.â4 By doing so, we begin to notice our thoughts and mental models as the workings of our own mind. And as we become aware of our thoughts, they begin to have less influence on what we see. Suspension allows us to âsee our seeing.â
Sometimes itâs easier for people to understand suspension physically than conceptually. A very simple physical practice to appreciate suspension starts with sitting on a chair and grabbing its sides. Now hold the sides of the chair more tightly. You might even imagine that there is no gravity and that if you let go, you would float right up out of the chair. Notice how your body feels as you hold tightly to the chair: the tension in your arms, your shoulders and back, stomach and neck. Now release your hold on the chair. Feel all these muscles relax. Often we hold on to our thoughts in much the same way. Suspension starts when we release the hold and simply notice our current thoughts, like noticing the chair you are sitting on. The thoughts may not go away immediately, but we no longer have as much energy tied up in holding on to them.
When we begin to develop a capacity for suspension, we almost immediately encounter the âfear, judgment, and chattering of the mindâ that Michael Ray calls the âVoice of Judgment.â Ray, creator of highly popular Stanford Business School courses on creativity,5 starts with three assumptions: (1) that creativity âis essential for health, happiness, and success in all areas of life, including businessâ; (2) that âcreativity is within everyoneâ; and (3) that even though itâs within everyone, itâs âcovered over by the Voice of Judgement.â6
When Otto and Joseph interviewed him, Ray recalled a study by Howard Gardnerâs Project Zero at Harvard that involved developing intelligence tests for babies. The project also tested older subjects. The researchers found that up to age four, almost all the children were at the genius level, in terms of the multiple frames of intelligence that Gardner talks aboutâspatial, kinesthetic, musical, interpersonal, mathematical, intrapersonal, and linguistic. But by age twenty, the percentage of children at genius level was down to 10 percent, and over twenty, the genius level proportion of the subjects sank to 2 percent.7
âEveryone asks, âWhere did it go?â It didnât go anywhere; itâs covered over by the Voice of Judgment,â said Ray. âWhat weâre trying to do is set up situations where people can attack the Voice of Judgment and access their deeper creativity.â Ray believes that we can consistently bring our creativity into our lives by âpaying attention to itâ and by building the capacity to suspend the judgments that arise in our mind (âThatâs a stupid idea,â âYou canât do thatâ) that limit creativity.
In practice, suspension requires patience and a willingness not to impose preestablished frameworks or mental models on what we are seeing. If we can simply observe without forming conclusions as to what our observations mean and allow ourselves to sit with all the seemingly unrelated bits and pieces of information we see, fresh ways to understand a situation can eventually emerge. For example, when the economist Brian Arthur and his colleague, the sociologist Geoffrey McNicoll, were working in Bangladesh in the 1970s, they spent months observing, gathering information, and âdoing nothing.â This was at a time when it was common for Western economists and institutions such as the World Bank to analyze needs of developing countries such as Bangladesh by simply applying traditional economic models without really questioning them. Eventually, Arthur and McNicoll developed a fresh understanding of how âthe goals and structure of the wholeâ functioned, according to Arthur. They showed how conditions such as landlessness and large families were self-reinforcing over time and how standard âBand-Aidâ fixes prescribed by international aid institutions only served to âprop up the status quo.â What they saw was new, and the paper they wrote helped shift the focus of these institutions toward addressing fundamental socioeconomic conditions rather than just standard economic indicators of development.8
Suspending Together
The Voice of Judgment can stifle creativity for groups as surely as for individuals. It is what we typically call âgroupthink,â the continual, albeit often subtle, censoring of honesty and authenticity in a team. This collective Voice of Judgment...