L'audience
eBook - ePub

L'audience

Storia e teorie

Mariagrazia Fanchi

Share book
  1. 176 pages
  2. Italian
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

L'audience

Storia e teorie

Mariagrazia Fanchi

Book details
Book preview
Table of contents
Citations

About This Book

Cinque capitoli per esplorare i principali modelli di audience, tema oggi cruciale delle politiche culturali dei media. Dalle protoaudience degli anni Trenta – che restituiscono l'immagine di un fruitore di media passivo e inconsapevole – all'affermarsi di un'idea di audience 'ostile', poco collaborativa, che prelude alla definizione dei modelli di audience resistente degli anni Settanta; dall'immagine dell'audience come soggetto attivo della comunicazione, propria del dibattito degli anni Ottanta e in parte Novanta, fino ai modelli di audience performativa, responsabile e creativa che caratterizzano la riflessione e le ricerche degli ultimi anni.

Frequently asked questions

How do I cancel my subscription?
Simply head over to the account section in settings and click on “Cancel Subscription” - it’s as simple as that. After you cancel, your membership will stay active for the remainder of the time you’ve paid for. Learn more here.
Can/how do I download books?
At the moment all of our mobile-responsive ePub books are available to download via the app. Most of our PDFs are also available to download and we're working on making the final remaining ones downloadable now. Learn more here.
What is the difference between the pricing plans?
Both plans give you full access to the library and all of Perlego’s features. The only differences are the price and subscription period: With the annual plan you’ll save around 30% compared to 12 months on the monthly plan.
What is Perlego?
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Do you support text-to-speech?
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Is L'audience an online PDF/ePUB?
Yes, you can access L'audience by Mariagrazia Fanchi in PDF and/or ePUB format, as well as other popular books in Mezzi di comunicazione e arti performative & Arti performative. We have over one million books available in our catalogue for you to explore.

Information

Riferimenti bibliografici

Abercrombie N., Longhurst B., 1998: Audiences. A Sociological Theory of Performance and Imagination, Sage, London.
Aden R.C., 1999: Popular Stories and Promised Lands. Fan Cultures and Symbolic Pilgrimages, University of Alabama Press, Tuscaloosa.
Alasuutari P., 1999: Rethinking the Media Audience, Sage, London.
Albano L., 2004: Lo schermo dei sogni. Chiavi psicoanalitiche del cinema, Marsilio, Venezia.
Allan S., Thorsen E. (a cura di), 2009: Citizen Journalism: Global Perspectives, Peter Lang Publishing, New York.
Allen M., 2008: Web 2.0: An Argument Against Convergence, in «First Monday», 13, 3, http://journals.uic.edu/ojs/index.php/fm/article/viewArticle/2139/1946 (ultimo accesso 3 ottobre 2013).
Allen R., 1980: Vaudeville and Film. 1895-1915. A Study of Media Interaction, Arno, New York.
Allen R., 1990: From Exhibition to Reception. Reflections on the Audience in Film History, in «Screen», 31, 4, pp. 347-357.
Allen R., 1995: To Be Continued... Soap Operas Around the World, Routledge, London.
Allen R., 2006: Relocating American Film History. The “problem” of the empirical, in «Cultural Studies», 20, 1, pp. 48-88.
Allor M., 1988: Relocating the Site of the Audience, in «Critical Studies in Mass Communication», 5, 3, pp. 217-233.
Altenloh E., 1914: Zur Soziologie des Kino. Die Kino Unternehmung und die Sozialen Schichten ihrer Besucher, Eugen Diederichs, Jena.
Althusser L., 1970: IdĂ©ologie et appareils idĂ©ologiques d’État. (Notes pour une recherche), in «La PensĂ©e», 151, pp. 3-38; trad. it. 1972: Ideologia e apparati ideologici di stato, in Barbagli M. (a cura di), Scuola, potere e ideologia, Il Mulino, Bologna, pp. 15-35.
Anderson C., 2004: The Long Tail, in «Wired», 12, 10, http://www.wired.com/wired/archive/12.10/tail.html (ultimo accesso 3 ottobre 2013).
Anderson C., 2006: The Long Tail: Why the Future of Business is Selling Less of More, Hyperion, New York.
Anderson C.A., Gentile D.A., Buckley K.E., 2007: Violent Video Game Effetcs on Children and Adolescents. Theory, Research and Public Policy, Oxford University Press, Oxford.
Andrejevich M., 2002: The Work of Being Watched: Interactive Media and the Exploitation of Self-Disclosure, in «Critical Studies in Media Communication», 19, 2, pp. 230-248.
Andrejevich M., 2008: Watching Television Without Pity. The Productivity of Online Fans, in «Television & New Media», 9, 1, pp. 24-46.
Ang I., 1985: Watching Dallas. Soap Opera and the Melodramatic Imagination, Methuen, London.
Ang I., 1991: Desperately Seeking the Audience, Routledge, London; trad. it. 1998: Cercasi audience disperatamente, Il Mulino, Bologna.
Aroldi P., Colombo F. (a cura di), 2003: Le etĂ  della tv. Indagine su quattro generazioni di spettatori italiani, Vita e Pensiero, Milano.
Bacon-Smith C., 1992: Enterprising Women. Television Fandom and the Creation of Popular Myth, University of Pennsylvania Press, Philadelphia.
Bacon-Smith C., 2000: Science Fiction Culture, University of Pennsylvania Press, Philadelphia.
Bacqué M.-H., Gauthier M., 2011: Partecipation, urbanisme, et études urbane, in «Partecipations», 1, pp. 33-66.
Bakardjieva M., 2012: Mundane Citizenship. New Media and Civil Society in Bulgaria, in «Europe-Asia Studies», 64, 8, pp. 1356-1374.
Baker M., 1998: Critique: Audience “R” us, in Dickinson R., Harindranath R., LinnĂ© O. (a cura di), Approaches to Audiences. A Reader, Arnold, Oxford-New York, pp. 184-191.
Bandura A., 1977: Social Learning Theory, Prentice Hall, Englewood Cliffs.
Banet-Weiser S., Gray H., 2009: Our Media Studies, in «Television & New Media, 10, 1, pp. 13-19.
Banks J., Potts J., 2010: Co-creating Games. A Co-evolutionary Analysis, in «New Media and Society», 12, 2, pp. 253-270.
Barker M., Brooks K., 1998: Knowing Audiences. Judge Dredd-Its Friends, Fans and Foes, University of Luton Press, Luton.
Barry J., Czarnecki K., 2013: Leveraging Digital Media to Create a Participatory Learning Culture Among Incarcerated Youth, in Delwiche A., Henderson J.J. (a cura di), The Participatory Cultures Handbook, Routledge, New York-London, pp. 220-231.
Bartoletti R., Faccioli F. (a cura di), 2013: Comunicazione e civic engagement. Media, spazi pubblici e nuovi processi di partecipazione, Franco Angeli, Milano.
Baudry J.-L., 1975: Le Dispositif: approches mĂ©tapsychologiques de l’impression de rĂ©alitĂ©, in «Communications», 23, pp. 70-71.
Baudry J.-L., 1978: L’Effet cinĂ©ma, Albatros, Paris.
Bellour R., 2012: The Cinema Spectator. A Special Memory, in Koch G., Pantenburg V., Rothohler S. (a cura di), Screen Dynamics. Mapping the Borders of Cinema, Synema Publikationem, Wien, pp. 9-21.
Benkler Y., 2006: The Wealth of Networks, Yale University Press, New Haven.
Bennett T., Martin G., Mercer C., Woollacott J. (a cura di), 1986: Culture, Ideology and Social Process, Batsford, London.
Bertellini G., 2002: E pluribus unum? Storie e discorsi sul pubblico cinematografico americano, in Fanchi M., Mosconi E. (a cura di), Spettatori. Forme di consumo e pubblici dei cinema in Italia. 1930-1960, Marsilio, Venezia, pp. 228-250.
Bettetini G., 1984: La conversazione audiovisiva. Problemi dell’enunciazione filmica e televisiva, Bompiani, Milano.
Bigsby C.W.E. (a cura di), 1976: Approaches to Popular Culture, Edward Arnold, London.
Bijker W.E., Hughes T.P., Pinch T. (a cura di), 1987: The Social Construction of Technological Systems. New Directions in the Sociology and History of Technology, MIT Press, Cambridge.
Biltereyst D., Maltby R., Meers P. (a cura di), 2012: Cinema, Audiences and Modernity. New Perspectives on European Cinema History, Routledge, London.
Bird E., 2003: The Audience in Everyday Life, Routledge, New York.
Bisoni C., Innocenti V., Pescatore G., 2013: Il concetto di ecosistema e i media studies. Un’introduzione, in Bisoni C., Innocenti V. (a cura di), Media Mutations. Gli ecosistemi narrativi nello scenario mediale contemporaneo. Spazi, modelli, usi sociali, Mucchi Editore, Modena, pp. 11-26.
BlÀttel-Mink B., Menez R., Dalichau D., Kahnert D., 2011: Prosuming, or When Customers Turn Collaborators. Coordination and Motivation of Customer Contribution, in Wittke V., Hanekop H. (a cura di), New Forms of Collaborative Innovation and Production on the Internet. An Interdisciplinary Perspective, UniversitÀtsverlag Göttingen, Göttingen, pp. 153-176.
Bobo J., 1988: “The Color Purple”. Black Women and Cultural Readers, in Pribram E.D. (a cura di), Female Spectators: Looking at Film and Television, Verso, London-New York, pp. 90-109.
Boccia Artieri G., 2012: Stati di connessione. Pubblici, cittadini e consumatori nella (Social) Network Society, Franco Angeli, Milano.
Boni F., 2004: Etnografia dei media, Laterza, Roma-Bari.
Bordwell D., 1985: Narration in the Fiction Film, University of Wisconsin Press, Madison.
Bordwell D., 1989: Making Meaning. Inference and Rhetoric in the Interpretation of Cinema, Harvard University Press, Cambridge.
Borghini S., Visconti L.M., Anderson L., Sherry Jr. J.F., 2010: Symbiotic Postures of Commercial Advertising and Street Art. Rhetoric for Crea...

Table of contents