
The Philosophy and Politics of Aesthetic Experience
German Romanticism and Critical Theory
- English
- PDF
- Available on iOS & Android
The Philosophy and Politics of Aesthetic Experience
German Romanticism and Critical Theory
About this book
This book develops a philosophy of aesthetic experience through two socially significant philosophical movements: early German Romanticism and early critical theory. In examining the relationship between these two closely intertwined movements, we see that aesthetic experience is not merely a passive response to artâit is the capacity to cultivate true personal autonomy, and to critique the social and political context of our lives. Art is political for these thinkers, not only when it paints a picture of society, but even more when it makes us aware of our deeply ingrained forms of experience in a transformative way. Ultimately, the book argues that we have to think of art as a form of truth that is not reducible to communicative rationality or scientific knowledge, and from which philosophy and politics can learn valuable lessons.
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Table of contents
- Michael J. Thompson, Series Editor, Foreword to Nathan Rossâ
- Acknowledgments
- Contents
- Abbreviations
- List of Tables
- Chapter 1: Introduction
- Chapter 2: Aesthetic Semblance and Play as Responses to the Disfigurement of Human Social Existence in Schillerâs Aesthetic Education
- Chapter 3: Aesthetic Experience at the Limits of Thought in Hölderlinâs New Letters on Aesthetic Education
- Chapter 4: The Endless Pursuit of Universal Sense in Friedrich Schlegelâs Political and Aesthetic Thought
- Chapter 5: Walter Benjaminâs Philosophy of Critical Experience: From the Romantic Artwork to the Disillusioning of Mimesis
- Chapter 6: Aesthetic Truth as the Mimesis of False Consciousness in Adornoâs Aesthetic Theory
- Chapter 7: Conclusion: The BenjaminâAdorno Debate on the Nature of Aesthetic Experience
- Index