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About this book
Traditional approaches have reduced Caesar's Bellum Civile to a tool for teaching Latin or to one-dimensional propaganda, thereby underestimating its artistic properties and ideological complexity. Reading strategies typical of scholarship on Latin poetry, like intertextuality, narratology, semantic, rhetorical and structural analysis, cast a new light on the Bellum Civile: Ciceronian language advances Caesar's claim to represent Rome; technical vocabulary reinforces the ethical division between 'us' and the 'barbarian' enemy; switches of focalization guide our perception of the narrative; invective and characterization exclude the Pompeians from the Roman community, according to the mechanisms of rhetoric; and the very structure of the work promotes Caesar's cause. As a piece of literature interacting with its cultural and socio-political world, the Bellum Civile participates in Caesar's multimedia campaign of self-fashioning. A comprehensive approach, such as has been productively applied to Augustus' program, locates the Bellum Civile at the interplay between literature, images and politics.
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Table of contents
- Cover
- THE ART OF CAESAR’S BELLUM CIVILE
- Title
- Copyright
- Dedication
- Contents
- Acknowledgments
- Abbreviations
- Introduction
- CHAPTER 1: The swift and the slow: Caesar’s art of characterization
- CHAPTER 2: The great contest: Constantia, innocentia, pudor, and virtus
- CHAPTER 3: Redefining loyalty
- CHAPTER 4: The limits and risks of Caesar’s leniency
- CHAPTER 5: The barbarization of the enemy
- CHAPTER 6: Two army-communities and their effect on the Roman people
- CHAPTER 7: Shaping the future of Rome
- APPENDIX 1: Chronology of the civil war (pre-Julian calendar) and narrative structure of the BC
- APPENDIX 2: Composition, publication, and genre of the BC
- APPENDIX 3: The manuscript tradition of the BC: opening, end,and book division
- Bibliography
- Index locorum
- General index