Portrait and Place
eBook - ePub

Portrait and Place

Photography in Senegal, 1840–1960

  1. 240 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Portrait and Place

Photography in Senegal, 1840–1960

About this book

A richly illustrated history of photography in one of the epicenters of African modernity

When the daguerreotype first arrived in sub-Saharan Africa in the early nineteenth century, local kingdoms still held power in Senegal and the French presence was limited to trading outposts along the coast. The pioneers of photography in Senegal worked within, across, and beyond the borders of colonial empire, expanding the medium’s possibilities and contributing to a global visual language. Portrait and Place explores these unique encounters, providing an in-depth and nuanced look at the images made at the intersection of Black Atlantic, Islamic, and African cultures.

Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like Oumar Ka and once-anonymous figures such as Macky Kane. Paoletti examines both professional and amateur artists in genres ranging from portraiture to landscape and across media such as glass painting and lithography.

Featuring a wealth of breathtaking images published here for the first time, Portrait and Place brings to life the important histories of photography on the African continent.

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Yes, you can access Portrait and Place by Giulia Paoletti in PDF and/or ePUB format, as well as other popular books in Art & History of Art. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Introduction. Negotiating the Visible
  7. Chapter 1. Contested Sights: Ghosts, Failures, and Other Lives of Early Photographs
  8. Chapter 2. On Islam, Portraiture, and the Birth of a New Need
  9. Chapter 3. A History of the Proper Name and Amateur Photography
  10. Chapter 4. Partial Views, Photography at Independence
  11. Conclusion. Against Mimesis: Léopold Sédar Senghor on Photography and African Art
  12. Acknowledgments
  13. Notes
  14. Bibliography
  15. Index
  16. Photo Credits