- 150 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
In critical yet appreciative dialogue with four different art critics who demonstrated theological sensitivities, Adam Edward Carnehl traces an ongoing religious conversation that ran through nineteenth-century aesthetics. In Carnehl's estimation, this critical conversation between John Ruskin, Walter Pater, and Oscar Wilde, culminated in the brilliant approach of G. K. Chesterton, who began his journalistic career with a series of insightful works of art criticism. By conducting a close reading of these largely neglected works, Carnehl demonstrates that Chesterton developed a theological aesthetic that focuses on the revelation of God's image in every human being. In Chesterton's eyes, only those made in God's image can produce images themselves, and only those who receive a revelation of truth are able to reveal truths for others. Art is therefore a rich and symbolic unveiling of the truth of humanity which finds its origin and purpose in God the Divine Artist.
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Information
Topic
ArtSubtopic
Art Theory & CriticismTable of contents
- Title Page
- Preface
- Acknowledgments
- Abbreviations
- Introduction
- Chapter 1: Theoria
- Chapter 2: Aesthesis
- Chapter 3: Symbolism
- Conclusion
- Bibliography
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Yes, you can access The Artist as Divine Symbol by Adam Edward Carnehl in PDF and/or ePUB format, as well as other popular books in Art & Art Theory & Criticism. We have over 1.5 million books available in our catalogue for you to explore.