Shakespeare and the World of “Slings & Arrows”
eBook - ePub

Shakespeare and the World of “Slings & Arrows”

Poetic Faith in a Postmodern Age

  1. 256 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Shakespeare and the World of “Slings & Arrows”

Poetic Faith in a Postmodern Age

About this book

Slings & Arrows, starring Susan Coyne, Paul Gross, Don McKellar, and Mark McKinney as members of the New Burbage Theatre Festival, was heralded by television critics as one of the best shows ever produced and one of the finest depictions of life in classical theatre. Shakespeare scholars, however, have been ambivalent about the series, at times even hostile.

In Shakespeare and the World of "Slings & Arrows" Gary Kuchar situates the three-season series in its cultural and intellectual contexts. More than a roman à clef about Canada's Stratford Festival, he shows, it is a privileged window onto major debates within Shakespeare studies and a drama that raises vital questions about the role of the arts in society. Kuchar reads the television show – ever fluctuating between faith and doubt in the power of drama – as an allegory of Peter Brook's widely renowned account of modern theatre, The Empty Space, mirroring Brook's distinction between holy theatre, a quasi-sacred vocation, and deadly theatre, a momentary entertainment.

Combining contextualized interpretations of the series with subtle formalist readings, Kuchar explains how Slings & Arrows participates in a broader recuperation of humanist approaches to Shakespeare in contemporary scholarship. The result is a demonstration of how and why Shakespeare continues to provide not just entertainment, but equipment for living.

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Yes, you can access Shakespeare and the World of “Slings & Arrows” by Gary Kuchar in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Television History & Criticism. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover Page
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Acknowledgments
  7. Abbreviations
  8. Introduction
  9. 1 Deadly Theatre and Holy Theatre
  10. 2 Poetic Faith
  11. 3 The Simulacra
  12. 4 Kingfisher Days
  13. 5 The Stage Is All the World
  14. 6 The Local and the Typical
  15. 7 Mimesis and Emotional Realism
  16. 8 Sold Out
  17. 9 Bardbiz
  18. 10 Being Darren Nichols
  19. 11 The Promised End
  20. Conclusion
  21. Coda: John Hirsch’s Tempest (1982)
  22. Notes
  23. Bibliography
  24. Index