The Female Secession

Art and the Decorative at the Viennese Women’s Academy

Megan Brandow-Faller

• Publisher: Penn State University Press
• Year: 2020
• Print ISBN: 9780271085043
• eBook ISBN: 9780271086507
• Topic: Art
• Subtopic: European Art

Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna's "female Secession" created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between "art" and "craft," "decorative" and "profound," and "masculine" and "feminine" in art.

Tracing the history of the women's art movement in Secessionist Vienna—from its origins in 1897, at the Women's Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst—Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst, or women's art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria's women's art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group's ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel.

Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as "works from women's hands." It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history.

Table of contents

• COVER front
• Copyright Page
• Table of Contents
• List of Illustrations
• Acknowledgments
• AbbreviatIons
• Introduction: A Female Secession
• Notes to Introduction
• Part 1: Women's Art Education
• Chapter 1: The Art of Unlearning at the Viennese Women’s Academy, 1897–1908
• Notes to Chapter 1
• Chapter 2: Surface Decoration and the Female Handcrafts in the Böhm School
• Notes to Chapter 2
• Chapter 3: Separate but Equal? Academic Accreditation and the Question of a Female Aesthetic at the Viennese Women’s Academy, 1908–28
• Notes to Chapter 3
• Color Plates
• Part 2: The Female Secession
• Chapter 4: Kinderkunst and Frauenkunstat the 1908 Kunstschau
• Notes to Chapter 4
• Chapter 5: The Birth of Expressionist Ceramics: “Crafty Women” and the Interwar Feminization of the Applied Arts
• Notes to Chapter 5
• Chapter 6: Decorative Trouble: Collectivity, Craft, and the Decorative Women of the Wiener Frauenkunst
• Notes to Chapter 6
• Conclusion: The Collapse of the Female Secession, 1928–38
• Notes to Conclusion
• Notes
• BIblIography
• Index