
- 264 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Leftist filmmakers of the 1960s revolutionized the art of documentary. Often inspired by the radical art of the Soviet 1920s, filmmakers in countries like France and Japan dared to make film form a powerful weapon in the fight against fascism, weaving fiction into nonfiction and surrealism with neorealism to rupture everyday ways of being, seeing, and thinking. Through careful readings of Matsumoto Toshio, Jean-Luc Godard, Chris Marker, Agnès Varda, Hani Susumu, and others, Julia Alekseyeva shows that avant-garde documentary films of the 1960s did not strive to inoculate the viewer with the ideology of Truth but instead aimed to unveil and estrange, so that viewers might approach capitalist, imperialist, and fascist media with critical awareness. Antifascism and the Avant-Garde thus provides a transnational ecology of antifascist art that resonates profoundly with our current age.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Antifascism and the Avant-Garde by Julia Alekseyeva in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & European Art. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Title Page
- Copyright
- Dedication
- Contents
- List of Figures
- Acknowledgments
- Introduction
- 1. 1960 Japan: ANPO and Antifascism in the Neo-documentary
- 2. 1962 France: Dreamlike Communism and the Left Bank in a Decolonizing World
- 3. 1964 Japan: The Allegorical Semi-documentary in an Age of Neonationalism
- 4. 1969 France: Unpleasure and Radical Epistemology in Post-May Godard
- 5. 1969 Japan: Queer Self-Revolutions of the Art Theatre Guild
- Coda
- Notes
- Bibliography
- Index